Naomi Punk is what punk sounds like when it’s created in eerie, folksy seclusion miles away civilization, but is turned up loud enough to signal something beyond the evergreen trees. The Olympia three-piece is a fixture in the Northwest underground punk, hardcore, and metal scenes, with a pair of stellar albums, The Feeling (2012) and Television Man (2014), recorded in various Washington garages and released on Brooklyn independent label Captured Tracks. Television Man was recorded with salvaged equipment from a former church recording studio. This might just sound like a sweet score, but this small detail reflects the dark and beautiful energy that brews behind a song like “Plastic World No. 6.” CAMERON CROWELL