Aquarius
See review, this issue. Cinema 21.
Arrival
In the bright light of something shiny and new, itâs easy to declare that thing an outlier: To smile and point and proclaim that here, at last, is a thing that makes everything that follows a little bit different. I saw Arrival Monday night, which means itâs undoubtedly just a bit too soon to declare it a science-fiction classic. Given that weâre finally (finally, finally) coming to the end of 2016, though, itâs probably fair to declare it this: One of the bright points, and one of the greatest movies, of this horrible, awful year. Itâs also likely the best film yet from Denis Villeneuve, the director behind the excellent Sicario and Prisonersâand who, with Arrival, offers something entirely different. Arrival is an ominous, thrumming, beautiful thing that starts out being about aliens who need a decoder ring. It ends up being about something quite different. ERIK HENRIKSEN Various Theaters.
Bad Santa
Thereâs a sequel to this now. Donât go to that. Go to this. Not only does it work better as a stand-alone story of cheerful misanthropy, but it also works better as a Gilmore Girls finale, thanks to the presence of Lauren Graham. Plus for as long as this movie is running, you can pretend that Bernie Mac and John Ritter are still alive, and thatâs a Christmas miracle all by itself. At least right up until the point where Bernie gets hit by a car and electrocuted (spoilers.) But still! Watch this. Avoid the sequel. Celebrate the hate. Merry fuckinâ Christmas. BOBBY ROBERTS Laurelhurst Theater.
Bad Santa 2
A Christmas movie doesnât have to be that good to make it into the yearly holiday rotation. (Cases in point: Elf. National Lampoonâs Christmas Vacation. Love Actually. Donât @ me.) So when a Christmas movie is just a little bit better than it needs to be, itâs reason to rejoice. After all, weâre gonna be stuck watching the damn thing every year for the rest of our lives, so every little bit counts. Bad Santa is one of those above-average Christmas movies. Bad Santa 2 is not. NED LANNAMANN Various Theaters.
Bleed for This
A boxing movie that never dares to think outside the box. (It pulls its punches. Its bull never rages. Et cetera.) MARC MOHAN Laurelhurst Theater.
Certain Women
Director Kelly Reichardtâs Certain Women arrives in theaters at an oddly appropriate moment. As America gazes in disgusted fascination at the spectacle of a misogynistic boil being lanced on the most public of stages, Reichardtâs delicate but powerful triptych of Montana-set tales is a reminder of how quietly radical it can be to tell stories about womenâs livesâsimply, and with unforced empathy. MARC MOHAN Laurelhurst Theater.
Cinema Project: Color in Film & Video
A two-night program, with artist Margaret Honda presenting her latest 35mm creation Color Correction on Tuesday, Dec 13, and an evening of shorts and video works following Hondaâs lead on Thursday, Dec 15th. See cinemaproject.org for more. NW Film Centerâs Whitsell Auditorium.
Doctor Strange
Doctor Strange first appeared in the 1963 Marvel Comics anthology Strange Tales as a crippled neurosurgeon apprenticed to a wise Tibetan sorcerer, the Ancient One. After ascending to the position of Sorcerer Supreme, Strange went on to defend Earth from magical attackers and, eventually, chill with the Avengers. As recently as 2011, Strange was loaning the Avengers his manservant, a Chinese man named Wong. It was kind of fucked up. Now the action-packed, eye-popping Doctor Strange movie reboots Dr. Stephen Strangeâs origin story, and Marvel is finally trying to make good on that bad. Doctor Strange might have a lot of baggage, but more than anything else, itâs fun. SUZETTE SMITH Cinemagic.
The Edge of Seventeen
Get ready for a classic take on high school experience where all the characters are wealthy in ways we canât identify with (pools 4 everyone!) and played by 30-year-olds (not creepy to find them attractive, whew!). Edge of Seventeen proposes we accept well-timed, adorable stammering as signs that these characters are weird. None of us ever sounded this good. BUT this is produced by James L. Brooks, so even though a lot of it is sanitized and the ending is slapped on, I liked the jokes. The sins of John Hughs are passed down to first-time director Kelly Fremon Craig, who writes a smokinâ hot Korean-American guy (Hayden Szeto) as a runner-up love interest to a medium-for-Hollywood white dude (Alexander Calvert). PLEASE STOP DOING THAT SHIT. Otherwise Iâm giving you a pass, Craig. Do better on the next one. SUZETTE SMITH Fox Tower 10.
Fantastic Beasts and Where to Find Them
âI annoy people,â says Eddie Redmayne in the opening half-hour of Fantastic Beasts and Where to Find Them, the first in a five-part Harry Potter prequel series. Redmayne ainât lying. âAnnoyingâ is the perfect term for his portrayal of Fantastic Beastsâ hero, Newt Scamander, a shrugging, slumping sack of stammers and tics. Heâs like Doctor Who with gout, and yetâjust like the good Doctor in even his lamest incarnations, thereâs just enough charm glimmering beneath the surface and shining through the contrivances that you canât write him off entirely. See? Pretty fucking annoying. BOBBY ROBERTS Various Theaters.
Japanese Currents
In a world where weâre always connectedâto a sometimes-frightening degreeâthereâs an added value to truly foreign experiences. We travel to get out of our ordinary environment, and weâre generally thrilled by how vast the differences are. Take comfort, then, in the strangeness found in Japanese Currentsâthe annual NW Film Center-hosted overview of noteworthy and contemporary Japanese films. Itâs proof that the internet hasnât succeeded (yet) in drumming out the idiosyncrasies of culture. MARJORIE SKINNER NW Film Centerâs Whitsell Auditorium.
Kung Fu Theater: Martial Arts of Shaolin
This monthâs installment in Dan Halstedâs ongoing celebration of all things whoop-ass is one of the worldâs first looks at Jet Li, Martial Arts of Shaolin, a 1986 Lau Kar Leung classic about a humble monk with a gift for botany who seeks to woo a beautiful woman with his amazing floral arrangemâhah! Just fucking with you, itâs a weapon-filled vengeance quest featuring Jet Li killing the shit out of people on the way to murder the man who took his parents from him. BOBBY ROBERTS Hollywood Theatre.
Loving
This is a heck of a time for a movie like Loving. The historical drama/romance, from director Jeff Nichols, examines the lives of Richard and Mildred Loving, an interracial Virginia couple who were jailed for their marriage, and who won a 1967 Supreme Court case that declared any existing laws prohibiting interracial marriages as unconstitutional. Itâs a story of civil rights, of the power and persistence of love, of the victory of human decency over hatred and prejudice. Itâs positively brimming with the type of hope America needs right now. And itâs... kind of boring. NED LANNAMANN Various Theaters.
Manchester by the Sea
The history of American men on screen is the history of repressed emotion. From Marlon Brandoâs animalistic slow boil to Cary Grantâs Teflon-coated savoir-faire, movie icons have embodied the masculine inability to just say what they feel, for Godâs sake. It is this rarified company to which Casey Affleck seeks admittance with his emotionally constipated performance in Manchester by the Sea. Iâm being a little snarky, because itâs an impressive performance, especially coming from Casey Affleck. Damn it, there I go again. I like Casey, and it has to be tough trying to escape big brother Benâs shadow. But as a grieving (and grieving, and grieving) New England handyman whoâs unexpectedly put in charge of his teenage nephew Patrick (Lucas Hedges), Affleck seems to be trying a bit too hard, straining towards a profundity that he canât quite grasp. MARC MOHAN Various Theaters.
Moana
If you need hope for the next generation, look no further than Disneyâs latest. Moana provides a great message for little girls (and grown ones) in a time when their feminine power and the sanctity of the environment are under threat. JENNI MOORE Various Theaters.
Moonlight
Moonlight is a movie about what itâs like to grow up male in America. Moonlight is also a movie about what itâs like to grow up gay in America. And Moonlight is, in addition, a movie about what itâs like to grow up black in America. That inevitably makes Barry Jenkinsâ justly acclaimed film sound like it will appeal primarily to gay, black, and/or male audiences. And indeed, people who share some or all of its protagonistâs characteristics will be overjoyed at the belated depiction of lives like theirs on screen. But Moonlight, if I can swoon for a moment, does what all true art aspires to do. It shares something unique but universal about what itâs like to be human. MARC MOHAN Cinema 21, Hollywood Theatre.
National Lampoonâs Christmas Vacation
âWhen Santa squeezes his fat white ass down that chimney tonight, heâs gonna find the jolliest bunch of assholes this side of the nuthouse!â Academy Theater.
Nocturnal Animals
Fashion-designer-turned-director Tom Fordâs second film (and his first since 2009âs A Single Man) looks great, and the story is intriguing and disturbing. But the movieâs a downer, and it has the misfortune of showing up in theaters exactly when we really donât need a downerâespecially one about the emotional scars of rich, well-dressed white people. MARC MOHAN Various Theaters.
Office Christmas Party
See review, this issue. Various Theaters.
Portland Latin American Film Festival: The Longest Road
A documentary following Spanish-music superstar Enrique Bunbury on his 2010 tour across the United States with his wife, his cat, and a new band. Hollywood Theatre.
QDoc: The Freedom to Marry
The long-running queer film festival presents a screening of The Freedom to Marry, a look at the same-sex marriage movement in the final months of a long grassroots campaign, followed by a Q&A featuring researcher Thalia Zepatos and Basic Rights Oregon co-director Nancy Haque. Hollywood Theatre.
Queer Commons: Me, Myself & Her
This monthâs installment of the Hollywoodâs queer-focused series is Me, Myself & Her, about a couple of five years still unsure as to whether theyâre really a coupleâespecially when one half of the relationship has a bit of a crisis following a meeting with her former crush. Hollywood Theatre.
Rope
Alfred Hitchcockâs 1948 cinematic experiment Rope is based on the play of the same name, and feels itâshot in exceedingly long takes, this tale of strangulation and subterfuge plays out with an unsettling patience. Plus: Jimmy Stewart! ERIK HENRIKSEN NW Film Centerâs Whitsell Auditorium.
Rules Donât Apply
TV may get all the shine nowadays, but old-fashioned movie-star charisma goes a long way. Case in point: Warren Beatty, whoâs returned to movies after a 15-year hiatus. He wrote, directed, and stars in Rules Donât Apply, a wholly fictitious movie about billionaire Howard Hughes (Beatty) that foregrounds a forbidden romance between two of Hughesâ employees, starlet-in-the-making Marla Mabrey (Lily Collins) and her driver Frank Forbes (Alden Ehrenreich). Narratively, the movieâs a mess. But like a bowl of melted ice creamâin this case, Hughesâ preferred flavor, Baskin-Robbinsâ Banana Nutâitâs still pretty delicious. NED LANNAMANN Various Theaters.
Spartacus and Sleeping Beauty in 70mm
Until we cure cancer or whatever, humankind's technological progress has reached its apex with Netflix and Hulu. But that said: When it comes to watching a movieâlike, really watching a movieâthere's nothing that can touch a movie projected from 70mm film. As the only theater in Oregon that can still show movies in 70âmost theaters ditched the beloved format once cheaper, easier, and crappier options came alongâthe Hollywood Theatre has brought Portlanders some unforgettable 70mm screenings, from Lawrence of Arabia to The Hateful Eight. This weekend, the theater will crank up their speakers, polish their lenses, and screen two more must-see movies on 70: Stanley Kubrick's 1960 masterpiece Spartacus and the 1959 Walt Disney landmark Sleeping Beauty. If you're a parent, you're legally obligated to drag your snot-smeared spawn to Sleeping Beauty so they can see how gorgeous animated movies used to be, and if you're anybody else? Buckle upâbecause not only will Kubrick, Kirk Douglas, Lawrence Olivier, and Jean Simmons remind you why Spartacus is a stone-cold classic, but Spartacus' whole ârebellion against a corrupt republicâ thing? Possibly relevant. ERIK HENRIKSEN Hollywood Theatre.
Torrey Pines
See Film, this issue. NW Film Centerâs Whitsell Auditorium.
Trolls
Your kids donât care that this shit is about 20 years too late. Neither did the film company that made it, or the actors who cashed the sizable checks they got to voice it. Nobody gives turd one whether anyone on this Earth ever wanted or asked for a fucking Trolls movie. Its here, and your children will numbly stare at it for two hours of relative calm and peace in the rancid tire fire that is 2016, and that has more than enough worth all by itself. Anyway, we didnât bother going to this screening, and thereâs one month left until 2017. Hold on. Be strong. Troll on. Who cares.
MEANS WE RECOMMEND IT. Theater locations are accurate Friday, December 9-Thursday, December 15, unless otherwise noted. Movie times are updated daily and are available here.