Rat Film wants to talk about Baltimoreāhow its history of racist real estate policies contributed to urban blight and reduced opportunities that persist today. To do so, director Theo Anthony takes the looong way around, with an experimental documentary that tosses in video-game philosophizing, theoretical suffocated infants, drag racing, and inner city blowgun use onto the pile of bric-a-brac it accumulates in order to climb to its conclusion.
Oh yeah, and there are rats. In Rat Film they act alternately as noxious pests, cuddly shoulder ornaments, and scurrying rhetorical stand-ins forāand unwanted companions ofāBaltimoreās less fortunate. Theyāre eaten by snakes, dragged from alleyways by fishing poles, relentlessly poisoned, and given free reign of one homeās basement.
It all makes for a bewildering pastiche thatās gripping to watch even as you try to piece together what Anthony is working toward. I still canāt say I understand it completely, and Iāve seen far more informative projects on both rats and redlining. But Iām damned if I wasnāt interested for all of Rat Filmās 80 minutes. Youāve got to roll your eyes at some of Anthonyās dramatic preening, but there are interesting characters on display hereāeven if itās not always clear what they have to say.