Why in the Hell would anyone waste time and MONEY on yet another unwanted, un-called-for, un-necessary American "re-make" (cash-in) of a faaar superior international film that was released just 3 or 4 years prior?! The ONLY reason this even exists is for the benefit of Americans who're too lazy to read subs!
I'll go and see it. I have no interest in the material and, yeah, this is obviously Fincher in Panic Room/Ben Button "movie" mode (as opposed to Zodiac/Fight Club "film" mode), but sometimes it's not enough to be a film consumer: you have to be an activist, and helping an R-rated, adult-orientated film get a decent weekend on Christmas can only be a good thing in the long run.
Although, knowing Hollywood, even if it is super-successful, they'll translate it into: "we have to remake more foreign films!" Of course, if they hand more mediocre foreign films into the hands of talented director (and yes, the original film is thoroughly mediocre), it wouldn't be so bad.
It's a perfect example of a mediocre film that get's put on a pedestal for being foreign (See also: Mongol)... it is essentially a Swedish Ashely Judd film from the late 90s.
Well ALL films are 'foreign' if you thing about it. Obviously, they weren't foreign in Sweden and OUR films are foreign everywhere else but here. That's why i referred to GWTDT as an*international film b/c was meant to have more appeal to a more global audience.
As i've said, this re-make was done just for Americans who're too intellectually lazy to read sub-titles.
But yeah, it's definitely YOUR opinion that the original films were "mediocre". Your reasoning for that is certainly off. Perhaps they were put on a pedestal b/c they were actually GOOD. Yeah, Ashley Judd NEVER did anything approaching this!
Movies made outside of Hollywood do not exist, therefor this doesn't count as a remake. Also, subtitles tend to befuddle the common US moviegoer, so any movie that doesn't require reading or fully paying attention is a great selling point.
I love how if someone doesn't buy into the hype of a film...or a book...they are deemed "lacking in taste". "Dragon" is a somewhat interesting character trapped in a simplistic bore of a movie. I would watch the Fincher version only to see if it was the story or the execution that was at fault in the Swedish version --I refuse to waste my time reading the book. Either way stating my dislike is based on being American is a pompous, dopey statement. And for the record, if given a choice between seeing a difficult foreign language film with mixed, or even bad reviews, or seeing a mainstream Hollywood piece of fluff with good reviews....the foreign film always wins. You're the one with simple taste DaDaA. You stating "Dragon Tattoo" is excellent filmmaking is like a tween declaring the "Twilight" movies as being the best movies ever.
Although, knowing Hollywood, even if it is super-successful, they'll translate it into: "we have to remake more foreign films!" Of course, if they hand more mediocre foreign films into the hands of talented director (and yes, the original film is thoroughly mediocre), it wouldn't be so bad.
It's a perfect example of a mediocre film that get's put on a pedestal for being foreign (See also: Mongol)... it is essentially a Swedish Ashely Judd film from the late 90s.
As i've said, this re-make was done just for Americans who're too intellectually lazy to read sub-titles.
But yeah, it's definitely YOUR opinion that the original films were "mediocre". Your reasoning for that is certainly off. Perhaps they were put on a pedestal b/c they were actually GOOD. Yeah, Ashley Judd NEVER did anything approaching this!
Except Bug, maybe.