Get Him to the Greek
As it is, ever so loosely, a sequel to 2008's Forgetting Sarah Marshall, it's hardly surprising that Get Him to the Greek feels similar to Marshall and much of the Judd Apatow-produced canon. What is surprising is how deftly Greek maximizes everything Apatow flicks do well: sharp writing, clever improv, and comedy that, miraculously, is about actual characters.
by Erik Henriksen