For a genre known for headbanging excess, it’s often the subtler things—rhythm, geography, use of negative space—that can put a horror movie over the top. The new home invasion movie Don’t Breathe displays a remarkable sense of when to hold back and build tension, and when to go ferociously all in. Throw in a terrifyingly committed performance by Stephen Lang and you’ve got the kind of thing that gets an entire audience giggling at their collective discomfort. by Andrew Wright