Billy Lynn's Long Halftime Walk
The big hook for Ang Lee’s latest film is that it’s shot in 3D at 120 FPS, and the rock-solid imagery and amazing clarity is advertised as an undeniably transformative experience. Except nobody in Portland is showing it that way, so you’ll have to focus on much more mundane, everyday things like storytelling, and acting, and whether Lee managed to adapt Ben Fountain’s military satire faithfully, or whether he made a mawkish, tear-stained jumble out of it. Not screened for critics.