Edgar Wright’s latest is wall-to-wall music, and it might take you a track or two to fall into the stylized rhythm that marks his work and drop-kicks naturalism to the curb. But once Wright's tires grip pavement, Baby Driver becomes a full-throttle ballet of motion, color, and sound. The tunes are great, the getaway chases will leave you breathless, and the motley team of robbers—which includes Kevin Spacey, Eiza González, and an excellent Jamie Foxx—comes from the kind of screenplay you wish Tarantino still wrote. by Ned Lannamann