“I just don’t think movies matter as much anymore, culturally,” infamously unpredictable filmmaker Steven Soderbergh told the Guardian in 2013—one of the many legit reasons he gave when he announced he was quitting movies forever. So naturally, four years later, the infamously unpredictable Soderbergh has a new comedy—Logan Lucky, a movie that aims to undermine Hollywood’s traditional distribution model, a movie whose screenwriter may or may not exist, and, most importantly, a movie that’s a goddamn delight. by Erik Henriksen