SUPER PICK
THAO NGUYEN, JOHANNA KUNIN
(Mississippi Studios, 3939 N Mississippi) Earnest, folk-adjacent indie rock with whispered vocals propagated in New England in 2008. I was a 21-year-old English major deeply enamored with this very sincere cottage industry, which is how I first became acquainted with the fierce guitar playing and cleverly relaxed lyrics of San Francisco singer/songwriter Thao Nguyen and her band, the Get Down Stay Down. When I saw Nguyen open for Rilo Kiley, Iâd been going to a lot of very chill showsâshows featuring bands that all sounded like theyâd been rejected from the Garden State soundtrack, and had vaguely pastoral names even though theyâd probably driven up from Brooklyn. These bands are probably still playing the Eastern Seaboard college circuitâif theyâre still playing at all. But while Iâm grateful for it, Iâm not surprised that Nguyenâs found more longevity, because sheâs also taken more risks. In a sea of forgettably mellow boys and girls clad in Rivers Cuomo glasses or brushing aside Cat Power bangs, Thao stood out. She imbued her indie folk with an air of specificity and a harder edge, in lyrics full of strange, Malkmus-level rhymes or urgent reminders to draw on oneâs inner reserves, sometimes in a single line, as when she sings, âYouâve got to push all the doubt to the side of your mouth,â on âSwimming Poolsâ from 2008âs We Brave Bee Stings and All. On her more recent endeavors, Nguyenâs dropped some of the instrumentation of her twee roots in favor of a more sophisticated sound without losing any of the dreaminess. You can hear the result on her social justice-oriented album from 2013, We the Common, and, most recently, 2016âs A Man Alive, which brings in propulsive rock hooks and amps up Nguyenâs weirder tendencies. Itâs a jumpy, frenetic, infectious record, with off-kilter melodies and slant rhymes. Thereâs no whispering. MEGAN BURBANK
WEDNESDAY 3/8
HELADO NEGRO, LUZ ELENA MENDOZA, ANIS MOJGANI DANIELA KARINA
(Doug Fir, 830 E Burnside) Read our story on Helado Negro.
THURSDAY 3/9
CREATIVE CULTIVATION DANCE PARTY
(Holocene, 1001 SE Morrison) Chapter Mag hosts its second annual hip-hop and R&B dance party, which is in alignment with the magâs mission to âdistribute and illuminate eclectic PDX hip-hop culture.â In addition to Creative Cultivation IIâs headlinersâintergalactic soul duo Brown Calculus (Tribe Mars keyboardist Andre Burgos + Brown Alice) and rapper/geek representative Fountaineâthere will also be three DJ sets, and drawing sessions led by Markus Prime. JENNI MOORE
DENZEL CURRY, PELL, RARE TREAT
(Doug Fir, 830 E Burnside) Miami hip-hop artist Denzel Curry has no interest in signing to a major or indie record label, since thereâs not much they can do for him that he canât do for himself. Since 2013 heâs put out two studio full-lengths (Nostalgic 64 and 2016âs Imperial), toured all over the world, and last June he covered XXL magazine for its 2016 Freshman Class feature. While Iâm stoked to hear him perform raw tracks like âKnotty Head,â and vibe-out to âGood Night,â Iâm also going to take advantage of a ârareâ opportunity to see Portlandâs Rare Treat (Myke Bogan + The Last Artful, Dodgr + Neill Von Tally) live set. JENNI MOORE
LAYPERSON, POST MOVES, CAY IS OK
(Spare Room, 4830 NE 42nd) Read our story on Layperson .
FRIDAY 3/10
NXT LVL AFTER PARTY: BURIAL GROUND SOCIETY, STRYK-9, DJ KATHY FOSTER, DJ DIRTY RED, GILA RIVER MONSTER
(Jade Club, 315 SE 3rd) After you spend the afternoon at the Terry Schrunk Plaza at the Stand with Native Nations National Solidarity Gathering, head to Jade Club for the after partyâa blowout dance night featuring live performances by acts like Burial Ground Society and DJs like Kathy Foster of the Thermals. CIARA DOLAN
LAURA STEVENSON, COMPLETIONS, ERICA FREAS
(Analog CafĂŠ, 720 SE Hawthorne) Laura Stevenson waves her pop-punk influences like a flag. On her criminally overlooked 2015 album Cocksure, Stevenson echoes the angry-but-exhausted despondency found on Liz Phairâs 1993 record Exile in Guyville, and the jangly guitars sound inspired by Smoking Popes. The Brooklyn-based musician tells stories of insecurity and stagnation with smart humor and an injection of fun, an approach she honed during her time with Bomb the Music Industry. Stevensonâs emotional gusto is palpable on tracks like âJellyfishââhopefully her following only continues to grow. EMMA BURKE
JACKSON BOONE, CAT HOCH, SINLESS, WAVE ACTION
(Mississippi Studios, 3939 N Mississippi) For the past few years, Jackson Boone has steadily refined his sound. Back in 2014, with the help of fellow Portlanders Riley Geare (Unknown Mortal Orchestra), Randy Bemrose (Radiation City), and Patti King (Radiation City), Boone debuted his first solo record, Starlit. This month he released his third LP, Organic Light Factory, an album that masters gentle, sun-dazed lo-fi rock. Booneâs voice channels Bowie on songs like âMystic Winds (From the East),â riding the mellow beat and doing figure eights around the meandering guitar line. âDonâtâ rides the perfect wave, with an easy drum groove, a simple guitar riff, and a slight psychedelic sheen. Heâs got a knack for subtleties: Myriad textures of unexpected horns, guitar, and doubled vocals weave together as one washed-out tapestry. Organic Light Factory is an easy album to sink intoâtonight heâs celebrating its release at Mississippi Studios. ROBIN BACIOR
SATURDAY 3/11
KINSKI, DRUNK DAD, MARRIAGE + CANCER
(The Know, 3728 NE Sandy) Seattleâs Kinski canât stop making records. Since forming in 1998, theyâve released their prolific catalogue on seminal Pacific Northwest labels like Sub Pop and Kill Rock Stars, most recently 2015âs 7 (or 8). Throughout this nearly two-decade tenure, Kinski has remained loud but listenable with feedback-heavy, droning garage rock. Get readyâthe bandâs gravely guitar riffs and piercing solos demand head-banging. BRI BREY
MINI BLINDS, RETAIL SPACE, HANNAH YEUN
(Turn! Turn! Turn!, 8 NE Killingsworth) Portlandâs Mini Blinds play dreamy music thatâs like roller skating in the sun with ice cream. The goth-pop duoâs debut album, Air Signs, centers on catchy hooks that someone probably came up with while doing the dishes. The light is magic hour. Beth Ann Dearâs ghostly vocals wash in, and twee guitar mixes smoothly with warm bass lines. Maybe thereâs a little hand holding. There are certainly pranks. Somebody drops their cone. Itâs not shoegaze, itâs minimal-glaze. SUZETTE SMITH
HAYLEY KIYOKO, FLOR
(Hawthorne Theatre, 1507 SE CĂŠsar E. ChĂĄvez) Adolescents are complex creatures with a lot of buying power. I remember being a teen and feeling as though books, movies, and TV shows were trying to use my angst and insecurity to sell me pop culture. Singer/actress Hayley Kiyoko is 25, but has a handle on a very specific brand of teen culture: In the latest video for her song âGravel to Tempoâ sheâs seen wearing a choker and a Fjallraven Kanken backpack, looking straight out of a Brandy Melville promoted Instagram post. The reach for youth culture is visual and audible in her light-synth, pop-heavy ballads, but the message is earnest. Her 2015 hit âGirls Like Girls,â about discovering oneâs attraction to the same gender, has 60 million views on YouTube. The story isnât a particularly new one, but Kiyokoâs glossy, mainstream aesthetic lends itself to a major platform where she can explore her own identity as a queer pop star of color, but also create a space for young people who may be looking for a digestible way to educate themselves. EMMA BURKE
SUNDAY 3/12
XRAY.FMâS THIRD BIRTHDAY BASH: CHANTI DARLING, KARL BLAU, LAKE, WOMENâS BEAT LEAGUE DJs
(Mississippi Studios, 3939 N Mississippi) While he-who-shall-not-be-named is attempting to shut down public broadcasting, barring news outlets from press briefings, and cutting funding from the arts to spend on defense, YOU can resist his bullshit right here in Portland. One way to resist: Support local radio, arts, everything. Thereâs no better way to do it than shaking your ass to Chanti Darling, a group that combines all the best parts of classic R&Bâthe falsetto, the improvisation, the hypeâand adds a dash of fashion, vogueing, and synthesizer to amplify the genreâs raw soul and spectacular heart. Take in every finger snap, hair whip, hip bump, and death drop while wishing the happiest of birthdays to XRAY.FM, who for three years have provided our fine city with local music, news coverage, and homegrown journalism. Thank you, XRAY! We need you now more than ever! BRI BREY
TRENTEMĂLLER, TOM AND HIS COMPUTER
(Wonder Ballroom, 128 NE Russell) Creating electronic music is often a lonely process, but Trentemøller makes ambient tracks that sound deeply human. I was introduced to the Danish artistâs work via his remix of a song by the Knife, which led me to his 2006 album Lostâa subtle and minimalist take on electronic. Since then, Trentemøller has collaborated with a variety of indie artists (the Raveonettes, the Drums) to make slightly less avant-garde works. His artistry is never sacrificed, though, and even his more pulsing, dance-oriented compositions exist in the same eerie, foggy realms of his other work. EB
MONDAY 3/13
BOREEN, CHAIN, GILLIAN FRANCES, LUTRA
(Lolaâs Room at the Crystal Ballroom, 1332 W Burnside) Nostalgia serves a purpose. Whether itâs soothing a hurting soul, reliving memories, or coming to terms with oneâs current place in life, some music can spark a much-needed trip down memory lane. Friends, Boreenâs debut LP, does just that. The album is inspired by relatable emotionsâthe infinite sadness of Elliott Smith, the apathy of Pavement, the buoyant naivety of the Boo Radleys. Friends certainly nods to the â90s, but doesnât imitate. Listless narratives drive the record, which centers on the mundane and languid existence of a kid living outside the city. Tonight Boreen celebrates the release of this brooding debut, though the show promises to be anything but. CERVANTE POPE
TUESDAY 3/14
JUSTIN TOWNES EARLE, BARNA HOWARD
(Doug Fir, 830 E Burnside) Justin Townes Earleâs the first musician I ever interviewed, and if he was at all impatient taking questions about heroin and his famous dad (Steve) from an introverted 21-year-old with no paid journalism experience, he didnât let on. His perfectly sad Americana shelves well beside Wilco and Josh Ritter. But JTEâs got a streak of mischief and bottom-of-the-barrel sorrow that lets you know heâs the real deal. MEGAN BURBANK
LAKE STREET DIVE, JOEY DOSIK
(Crystal Ballroom, 1332 W Burnside) Every band of the last six decades has said that theyâre influenced by the Beatles, but not all of them take full pages from the Beatlesâ songbook like Lake Street Dive. From Harrisonesque guitar riffs to arrangements Ă la Abbey Roadâs meandering sincerity, the band folds the crucible of influence into their own modern retro. This four-piece has it all, from upbeat toe-tappers that fit as easily among soul classics as they do on a Top 40 station in 2017, to crooning ballads that dare you to harmonize along with frontwoman Rachael Priceâs radiant, R&B-tinged vocals. 2016âs Side Pony is straight out of Motown, spliced with blistering horn solos, jazzy drum riffs, disco keys, and lyrics fraught with the uncertainty of love and loneliness. Not to mention the band does the best damn cover of âRich Girlâ by Hall and Oates Iâve ever heard. BRI BREY