“Inland Empires” focuses on the transitional habitats of the Interior West. In a series of two studies, the artist leverages anti-narrative to explore space as found artifacts of the abandoned. Housework explores the interiors of once-called home; Riverside explores the desolate landscapes of Southern California.
The images repeat the theme through installation. Photographs are mounted into light boxes contrived from more found artifacts and fluorescent light fixtures. The backlit photography clusters in space, resembling nodes on a circuit. Wiring pinned to the wall behind the images suggests a chip board’s gold leaf patterns.
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