WHEN 19-YEAR-OLD MALIK (Tahar Rahim) starts his six-year sentence in a French prison, he's illiterate and naïve. He has no friends, no family, and no one to watch his back. Immediately, a gang of Corsicans—who rule both inside the prison and outside as the mafia—sweep in to put the young Arab under their thumb, alienating him from the Muslim prisoners and causing discord among the Corsican thugs. Green and inexperienced, Malik is coerced into murdering a fellow Arab—and for the next six years he is haunted by the murdered man's ghost, seemingly his only true friend in a world of sharks.
Simply put, A Prophet is a prison drama—but more than anything, it's a robust and engaging character study of Malik, who goes from being a young doormat to a confident, Machiavellian linchpin in a dark transformation full of seething ferocity and quiet ambition. Thanks to a terrific performance by Rahim and a rolling, immersive script, A Prophet is a gripping film that covers varied terrain, from heist flick to religious awakening to revenge drama—the sum of which makes for a violent, thoroughly alive experience.