• Butterfield 8 (1960)--Taylor plays a call girl who falls in love with one of her clients, and the film's full of bitchy splendor. Take the opening scene, in which Taylor wakes up in a strange bedroom and finds cash on the bedside table. Outraged, she scrawls "No Sale" across her client's bedroom mirror with lipstick. Classic! And then it ends in a tragic car wreck, and nobody walks away happy.
• Suddenly, Last Summer (1959)--The seedy Southern secrecy in this Tennessee Williams play fits Taylor's smoldering screen presence to a tee. Her character holds the secret to mysterious circumstances surrounding the death of a man, but his mother (a severe and neurotic Katherine Hepburn), can't face the truth about her son. No, she wants to keep Taylor's character locked in a mental institution--and submit her to a lobotomy!
• Cat On a Hot Tin Roof (1958)--Another Tennessee Williams classic, in which she fights to win back the affections of her husband, Brick, an alcoholic ex-football-player (played by a tremendously hunky, tremendously young Paul Newman). The film has unforgettable dialogue--including a line in which Taylor seethingly describes a mother of six as a "fertility beast."
• Who's Afraid of Virginia Woolf? (1966)--Taylor stars alongside her then-husband, Richard Burton. Their screen couple--a pair of academic professors--invite a pair of young lovebirds over for a late-night get together, and total chaos ensues. Taylor and Burton bicker constantly throughout, which makes for a consistently entertaining, psychologically exhausting tour de force. Taylor is older in this film, but still at her brassiest.