Let's forget for a minute that 2010 ever existed and that the genre "grave wave" was ever coined. Bands that were once considered goth, with dour synth treatments and tones and cryptic morbid imagery, now fall into a category in line with industrial, EBM, and post-punk. Captured Tracks' latest release from San Francisco's the Soft Moon instills a hollow, isolated, synth-heavy sound that runs through a murky mess of reverb and noise. It works perfectly with Portland goth crooners Dangerous Boys Club and Salem's brand of "witch house." This bill will have you transported back to some hedonistic batcave circa 1985. Alien sex fiends, take note. TRAVIS RITTER