Charlie and the Chocolate Factory at Keller Auditorium: A Candy-Colored Sour Ball of a Musical

Portland Opera Invokes Horror with the Sadly Relevant In the Penal Colony

Remembering Trek in the Park Actress and Dartgun & the Vignettes Singer Dana Thompson

Wicked at the Keller Auditorium: So Pure! So Strong!

God Bless David Harbour, and God Bless David Harbour's Frankenstein's Monster's Monster, Frankenstein

Portland Opera News: Christopher Mattaliano to Step Down as General Director

La Finta Giardiniera at the Newmark: A Smaller Stage Lends Intimacy to Teenage Mozart's Lunatic Opera

Aberdeen at Disjecta: Sadness & Sci-Fi in the Forest with Lost Lander’s Matt Sheehy

Third Angle New Music Wins MAP Fund Grant

NW Dance Project's Summer Premieres Ends Their 2018-19 Season with Blasts from the Present

Portland Opera's The Barber of Seville Is a Classic Delight With Some New Tricks

The Longmont Potion Castle Documentary Is a Prank, But a Fun One

First Thursday Event Deep. Happening. Introduces Portland to the Bodecker Building and Foundation

Performance Review: Jack Callahan Slides Into His DMs and Creates Something Like Art

Theater Review: Imago’s Pebble Is Weird… But Why?

Shaking the Tree and Caryl Churchill Throw One Apocalyptic Tea Party

Meet Marcus Fischer, the Portland Sound Artist Invited to the 2019 Whitney Biennial

Jesus Hopped the ‘A’ Train Review: A Predictable, but Wonderfully Acted Morality Play

Started from the Basement, Now They’re Here: Kickstand Comedy Moves into the Former Brody Theater, Plans Kickstarter for Renovations

This Weekend Is Your Last Chance to See Wolf Play

The Variform Spring Series at Disjecta Is a Two-Day Indoctrination to Sound Art

Artists Repertory’s Wolf Play: Puppets Are Back! Second Chance Adoptions Are Real!

The August Wilson Red Door Project Pushes Boundaries with a Purpose

As One: A Woman’s Gender Transition, Two Operatic Voices

In BodyVox’s Film-Focused Cutting Room Dancers Get Free

The Picture of Dorian Gray Paints a Pretty Picture

Witch Hunt: The Clown Play at Fertile Ground Conjures Joy

Artist Repertory’s Teenage Dick Starts Childish, Ends Furious

New Voices, Powerful Growth: How the Fertile Ground Festival Is Good for Portland

The Happy Face Podcast Focuses on the Haunted Life of a Serial Killer’s Daughter

Did Tweets Kill August Ames? Jon Ronson’s The Last Days of August Thinks Not

Lisa Kron’s In the Wake: A Little Too Self-Congratulatory for Our Tastes

Topdog/Underdog Questions Brotherhood, the Pursuit of Glory, and the Price of Power, but You Gotta Go to Milwaukie to See It

Hand2Mouth's The Art of Blushing and The Lazarus Complex Are Two Haunting Plays about Suicide

Storytelling and Snacking: Jared Goodman’s Dessert Pop-Up, Morgan St. Theater, Celebrates Jewish History

Portland, Please Welcome Your New Tattooed Sword-Swallowing Sweetheart: Titano Oddfellow

Napoli Review: Oregon Ballet Theatre’s Danish Ballet Pits Christians Against Water Nymphs!

Despite Portland Playhouse's Best Efforts, Wakey Wakey Bored Me to Death

Pop-Up Magazine Mashes Cross-Medium Storytellers into a Unique Night of Live Performance

TBA: Back to School with Professor Vag(inal Davis)

TBA: PUSHIT! Has Audiences Chasing Art (and NIC Kay) Down North Williams

TBA: Legendary Isn't Shown the Love it Deserves

John Cameron Mitchell Dishes on Shrill, Anthem, and Working It to Pay His Mother’s Bills

TBA: Waxing Philosophical with Robin Deacon's Vinyl Equations

TBA: The Beautiful Street Presents Their Primer in Underrepresented Dance and Welcomes Everyone to the Floor

TBA: Powerful Dancer Stares at ANTHEM, Nothing Much There in Soft Goods

TBA: Unexploded Ordinances (UXO) Selects a Council of Elders to Discuss Modern Anxieties

TBA: Kaneza Schaal's Jack & Mixes Theater, Stand-Up, Dance, Music, and Ritual

TBA on the Cheap: Five Affordable, Approachable TBA Picks!

Shaking the Scene

Their New Season Proves that Shaking The Tree is Portland’s Most Daring Theater Company