Theater Review: Imago’s Pebble Is Weird… But Why?

Shaking the Tree and Caryl Churchill Throw One Apocalyptic Tea Party

Meet Marcus Fischer, the Portland Sound Artist Invited to the 2019 Whitney Biennial

Jesus Hopped the ‘A’ Train Review: A Predictable, but Wonderfully Acted Morality Play

Started from the Basement, Now They’re Here: Kickstand Comedy Moves into the Former Brody Theater, Plans Kickstarter for Renovations

This Weekend Is Your Last Chance to See Wolf Play

The Variform Spring Series at Disjecta Is a Two-Day Indoctrination to Sound Art

Artists Repertory’s Wolf Play: Puppets Are Back! Second Chance Adoptions Are Real!

The August Wilson Red Door Project Pushes Boundaries with a Purpose

As One: A Woman’s Gender Transition, Two Operatic Voices

In BodyVox’s Film-Focused Cutting Room Dancers Get Free

The Picture of Dorian Gray Paints a Pretty Picture

Witch Hunt: The Clown Play at Fertile Ground Conjures Joy

Artist Repertory’s Teenage Dick Starts Childish, Ends Furious

New Voices, Powerful Growth: How the Fertile Ground Festival Is Good for Portland

The Happy Face Podcast Focuses on the Haunted Life of a Serial Killer’s Daughter

Did Tweets Kill August Ames? Jon Ronson’s The Last Days of August Thinks Not

Lisa Kron’s In the Wake: A Little Too Self-Congratulatory for Our Tastes

Topdog/Underdog Questions Brotherhood, the Pursuit of Glory, and the Price of Power, but You Gotta Go to Milwaukie to See It

Hand2Mouth's The Art of Blushing and The Lazarus Complex Are Two Haunting Plays about Suicide

Storytelling and Snacking: Jared Goodman’s Dessert Pop-Up, Morgan St. Theater, Celebrates Jewish History

Portland, Please Welcome Your New Tattooed Sword-Swallowing Sweetheart: Titano Oddfellow

Napoli Review: Oregon Ballet Theatre’s Danish Ballet Pits Christians Against Water Nymphs!

Despite Portland Playhouse's Best Efforts, Wakey Wakey Bored Me to Death

Pop-Up Magazine Mashes Cross-Medium Storytellers into a Unique Night of Live Performance

TBA: Back to School with Professor Vag(inal Davis)

TBA: PUSHIT! Has Audiences Chasing Art (and NIC Kay) Down North Williams

TBA: Legendary Isn't Shown the Love it Deserves

John Cameron Mitchell Dishes on Shrill, Anthem, and Working It to Pay His Mother’s Bills

TBA: Waxing Philosophical with Robin Deacon's Vinyl Equations

TBA: The Beautiful Street Presents Their Primer in Underrepresented Dance and Welcomes Everyone to the Floor

TBA: Powerful Dancer Stares at ANTHEM, Nothing Much There in Soft Goods

TBA: Unexploded Ordinances (UXO) Selects a Council of Elders to Discuss Modern Anxieties

TBA: Kaneza Schaal's Jack & Mixes Theater, Stand-Up, Dance, Music, and Ritual

TBA on the Cheap: Five Affordable, Approachable TBA Picks!

Shaking the Scene

Their New Season Proves that Shaking The Tree is Portland’s Most Daring Theater Company

All the Amazing Things at the 2018 Time-Based Arts Festival

LA Choreographer Milka Djordjevich, NY Video Arts Monologist Gregg Bordowitz, S1 DJs and Holocene’s Fin de Cinema

How Jenna Bean Veatch Found Love in a Not-Creepy Place

The Not-Creepy Gatherings Grew from Veatch’s Performance Art and Interest in Human Connection

"Are You Talking to Both of Us?" A Long Q&A with Steve Martin and Martin Short

Portland Playhouse Extends Its Run of August Wilson’s Fences

The Play About Father/Son Dynamics Is Not to Be Missed

Patrick Buckmaster and Ann Pyne Are Throwing Portland’s Drag Parties

Kai Kais, Kikis and Getting Paid All Year Long

Siobhan O’Loughlin’s “Literally Immersive” Broken Bone Bathtub

O’Loughlin’s One-Woman Show Takes Place In the Tub of a Stranger

Where To See Theater, Stand-Up, or Improv in Portland

Ballet Is for Closers

Oregon Ballet Theatre’s Closer Removes Audience and Dancer Boundaries

Sex, Marriage, Porn, Dildos

Alice Birch’s Hilarious Revolt. She Said. Revolt Again.

Bundy Apologizin’

OPB’s Bundyville Serves Up Bundy Family Kool-Aid Shots

Extra Extra! Ginger Makes Good, I'm Your New Arts Editor!

Portland Opera’s Rigoletto Is a Safe but Worthwhile Choice

With Top-Tier Vocal Talent, Verdi’s Classic Has Energy and Texture

A Stripped-Down Evita at Stumptown Stages

Good Performances, But Missing “Just a Little Touch of Star Quality”

The Thanksgiving Play Skewers America’s Worst Holiday

Larissa FastHorse’s Committed, Well-Crafted Satire Takes On Well-Meaning Liberals and Theater’s Diversity Problem