Just In Time for Halloween, Siren Theater Unleashes Blair Witch Project Parody

TBA:20 Begins This Weekend to Make Note of a Time We'll Never Forget

The Best Things To Do While Staying Home and Staying Safe: Fri May 22

The Best Things to Do While Staying Home and Staying Safe: Mon May 18

The Best Things to Do While Staying Home and Staying Safe: Sat May 16

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Mon May 11

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Mon, May 4

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Fri May 1

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Thurs April 30

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Thurs April 23

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Mon April 13

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Sat April 11

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Fri April 10

The Best Things to Do (While Staying Home and Staying Safe) in Portland: Tues April 7

A Portland Theater Scene Update, and How You Can Help Them Survive the COVID-19 Crisis

Attention Portland Musicians, Comedians, and Performers: Send Us Your Live Stream Show Info!

The Curious Incident of the Dog in the Night-Time Review: Jamie Sanders’ Portrayal of an Autistic Boy Brings Tears

The 2020 Fertile Ground Festival Dismantles the Patriarchy, Plans for Death, and Channels Osho

Portland Center Stage’s Hedwig and the Angry Inch Review: Delphon Curtis Jr. Gives Us the Hedwig / Beyoncé Hybrid of Our Dreams

Kids in the Hall Member Bruce McCulloch Interview: Part Mentor, Part Cautionary Tale

Beckett Women Preview: Portland Experimental Theatre Ensemble Tackles Four Works by Samuel Beckett

Cats Review: Ah, So This Is What It's Like to Have a Nightmare While You’re Awake

Batman Return Returns Puts Local Music Heroes in Superhero Roles

Miss Bennet: Christmas at Pemberley Review: Is This How Jane Austen Nerds Fall in Love?

Composer Gabriel Kahane on Marrying Social Justice With Contemporary Classical Music

The Brooklyn-based artist performs this weekend with the Oregon Symphony

Burn This Theater Review: Is Lanford Wilson's Revived Play a Story, an Exercise, or a Pedestal for Male Rage?

John Waters Interview: Mr. Know-It-All Talks Tarnished Wisdom and Why He Stopped Making Films

Burn This Theater Review: Is Lanford Wilson's Revived Play a Story, an Exercise, or a Pedestal for Male Rage?

Why Did Merce Cunningham at 100 Make Me Cry? I Mean, They're Just Birds!

Unwind a Little with This Drag Clown Trapped under a Cabinet in Clown Down: Failed to Mount

La Ruta Theater Review: Isaac Gomez's Powerful Play Speaks to the Complicated Horror and Promise of Ciudad Juárez

Theater Review: The Hip-Hop Nutcracker Was Way Better Than I Expected

Rap Pioneer Kurtis Blow Talks The Hip-Hop Nutcracker, New Film Projects, Jesus Is King, and More

Portland Opera's Madama Butterfly Tastefully Updates Puccini's Problematic Masterpiece for the 21st Century

The Brothers Paranormal Review: A Ghost Story That Left Me a Little Cold

Aries Osiris Perfectly Embodies the Mysteries of Dionysos in Shaking the Tree’s Bakkhai

Lake House Hamlet Review: Shakespeare in a Secret Location Still Lands Strongly on the Shoulders of Capable Actors

Darcelle: That’s No Lady Review: A Messy Look at One Man’s Fantastic Life

Ahamefule J. Oluo's SUSAN at TBA 2019: Wonderful Music, Not Enough SUSAN

TBA 2019: Photos of Eiko Otake's The Duet Project: Distance is Malleable

The Dope Elf Review: TBA and Yale Union Join Forces to Bring Portland One Weird Play About Gentrification

TBA 2019: With The Want Adam Linder Seems to Want to Prevent Us from Understanding

Fin de Cinema Is a Late Night TBA Classic and Their Approach to Black Orpheus Was Perfect

Lin-Manuel Miranda’s In The Heights Explores Tensions of an NYC Immigrant Community, Is Better Than Hamilton

At TBA 2019 Eiko Otake's A Body in Places Is Both a Dance and an Installation

TBA 2019 Late Night: The Back to School Kiki Celebrates and Educates

TBA 2019 at First Presbyterian: Kara-Lis Coverdale's Quiet Swells of Sound Demand Reverence

Miguel Gutierrez’s This Bridge Called My Ass Seeks to Destroy the Relationship Between Bodies and Objects

Dystopian Cyberpunk Interpretive Dance With Notes of Blade Runner: Ligia Lewis' Water Will (in Melody) at TBA 2019

Portland Opera Announces Strategic Plan To Save It From Financial Doom