The seventh entry in this never-ending franchise struggles to unearth any fossilized remains of awe or fun from Steven Spielberg’s first Jurassic film.
Like he did with The Invisible Man, in 2020, director Leigh Whannell has tried to bring a Universal Studios monster into an all-too-common family dynamic.
The new film from Drive My Car director Ryūsuke Hamaguchi strays from the clean conservationist message that would typically accompany such beautiful cinema of the natural world.