Members of Portland bands Ten Million Lights and Kallai worked together to organize two-day music fest Dreamgaze PDX.
Last summer, frontman Israel Nebeker suddenly found a path through his eight-year compositon drought.
If you didn't make it down to Deschutes County Fairgrounds last weekend, you should still hear Adeem the Artist, S.G. Goodman, and Black Opry Revue.
Steve Rosborough wants Omni Gardens’ music to feel like a lazy afternoon or your favorite sweater.
The comparison comes from producer Mo Troper, but we think they nailed it.
The Echo Fund supports a historically overlooked creative pursuit: popular music.
An offshoot of the Portland Jazz Composers Ensemble, PJCE Records has comissioned new arrangements of Balmer's music for his record release show.
The local label supergroup of Bud Tapes' Emmet Martin and Oranj Discs' Skyler Pia release a studio album with Boreen's Morgan O’Sullivan.
"Empire Electric" sounds like Sufjan Stevens' 50-albums-for-50-states project, but about Asian experience in America.
OMSI will host a custom light show set to the music of the synth pioneer.
Beacon Sound, Musique Plastique, Super Electric, Lost Avenue, et al—the signage is going to be intense.
C.B. Stockfleth's new documentary digs into the '90s music collective behind Neutral Milk Hotel, Of Montreal, and the Minders.
Co-released by local labels Antiquated Future Records and Bud Tapes, the excellent debut is both a hello and goodbye, for now.
Kyle Bates on pursuing a doctorate in composition, the long, warm drones he's been making with Chicago sound artist Lula Asplund, and his upcoming show at Mississippi Studios.
FairWell's first year drew tens of thousands to Redmond, Oregon for a Lollapalooza of "good country" music.
Mary Sutton's new record draws in the classic and the personal—from Erik Satie to a painting by her father, Cherokee artist Jerry Sutton.