It's work such as Yemenwed's that makes me wonder just how some of the work appearing in TBA actually gets into the festival in the first place. Is it clout with one of the major organizers? Is it reputation? I agree with Matt, the production value of Episode 3 was quite high, but it lacked a point, or perhaps a climatic moment for us as viewers to hold onto. And I sort of felt as though Bedroom w TV and Woman Lays w Aide was lacking production value and also perhaps, for the lack of a better team, rehearsal. This in particular felt like a forced film, that was maybe hastily shot.
I remember leaving the room thinking: who selected that work? And why?
I remember leaving the room thinking: who selected that work? And why?