Whew! Now that that election is over, well... things are still pretty tense and concerning. Even though Americans (particularly, Black Americans) have voted Trump out of office, we still have to deal with him for the rest of the year. And we still have massive systemic changes to chip away at. The work is far from done, and we must keep putting the pressure on going forward. That means we still have to keep up with the 24-hour news cycle. However, the news will still be there after you refresh with a new music break.
Stuck, SassyBlack
Seattle singer/songwriter/producer SassyBlack recently dropped off a new EP titled Stuck, a feeling Iâm sure many of us can relate to during the pandemic. The four track EP begins with the annoyingly accurate âKaren Donât Care,â with Sassy rhythmically singing (warning) about the Karens of the world, and how they weaponize their whiteness when calling 911, for instance. Similar to her 2019 album Ancient Mahogany Gold, SassyBlackâs songs feel like having self-care mantras read aloud over funky, space-aged production. The uptempo âAnxiety (The Head)â is, well, anxious, but a repeated refrain of âAnxiety ainât got the best of me/not yetâ might just help an anxious listener to get out of their head and into their body instead via dancing. After âWhat Do You Want,â which centers on feeling drained and depleted from things like meetings, the project ends with the vibey âTherapy,â which encourages one to âGo ahead lighten your load/ lift your burdens.â
âYouâll Never Walk Alone,â Brittany Howard
On Election day, Howard released a cover of the Rogers & Hammerstein classic "You'll Never Walk Alone," from their 1945 musical Carousel. You may have watched her impassioned performance of the song during a political ad from Johnnie Walker whisky and Anomaly New York. As one would expect, Howardâs cover is bluesy, soul-drenched and stunning as ever, as she croons about having hope during dark times.
âMinefields,â Faouzia, John Legend
On November 5, rising singer-songwriter Faouzia and John Legend teamed up for âMinefields,â a duet co-written by Faouzia, Sam Martin, Ali Tamposi, and J Kash. The powerful ballad also features Charlie Puth on piano, and of course, both singersâ vocals are soaring here. While Iâm relatively new to the Canadian singer, the major collab lured me down an internet rabbit hole, and led me to find more of Faouziaâs music, like her excellent 2019 single âTears of Gold.â
âFall Off,â Keyshawn, feat. Parisalexa
Appropriately kicking off with some Street Fighter-esque music, âFall Offâ is a self-confident anthem that sees Seattle rapper Keyshawn and Seattleite-turned-Portlander Parisalexa taking control of their narrative: talking their shit, bigging themselves up for the hard work theyâve put in, and how they could never fall off. While AutoTune is often hit-or-miss for me, Keshawnâs chill, self-assured vocals are impeccably accentuated by Parisalexaâs fierce delivery at 1:25âa mix of melodically rapping and then singing triumphantly over excellent production. âDonât wait for me to fall off/Youâll be waiting for so long, eternity/ A real bad bitch, you canât murder me.â The song just continues to grow on you.
"OHFR?," Rico Nasty
Rico Nasty just dropped a single âOHFR?,â produced by 100 Gecsâ Dylan Brady. The song joins two other lead singles, âOwn Itâ and âiPhone,â which will all be included on her forthcoming LP Nightmare Vacation, out December 4. âOHFR?â is significantly more hype and gritty than than the previous lead singles, and features that super-scratchy, loud vocal Rico is beloved for a la âSmack a Bitch.â The single is full of shit talking and begins with a hilarious exclamation of âBitch!â and ends with a âFuck!â Perhaps the biggest highlight is in the second verse: âI'm making money smoothies, blend it up, I'm steady mixin'/Like I got the ball, go to the mall and they steady blitzing/They wanting pictures and they wanna know just how I'm living/What I make a show vs. you is a big digit difference/I do the same thing that you do, it's just with me, they feel it/Oh, you mad that you can't hurt my pockets or my feelings?â
Keyboard Kid vs Bryson the Alien, Bryson the Alien
What kind of girlfriend would I be if I didnât shout out my boo Bryson the Alienâs new five-track project Keyboard Kid vs. Bryson the Alien, which is out today. With production almost entirely from Seattleâs Keyboard Kid (and one interlude from Sumalienz member Alfa), highlights include opener âWolves Fly,â as well as âThe Way,â a tribute to women who may profit from their OnlyFans accounts, featuring an excellent verse from Fat Tony. Thereâs also an appearance from Lil B on the final track âClassic Clouds.â He recently did an interview via Zoom with OPB in which he discussed the project, as well as recent collab opportunities, and how the pandemic and social climate have impacted life for the DIY music community.