DAVID SEDARIS IS a household name thanks to his books, radio pieces on This American Life, and contributions to the New Yorker. Iāve received scrutiny from many snooty dates for the assortment of his short story collections on my bookshelf, but I canāt deny that Holidays on Ice hits so close to my own work experiences that if I hear it in passing I get a stomachache. A major strength of Sedarisā prose is that it goes down easy. It sounds like a conversation. He starts telling one anecdote, then segues into another until the piece takes on the complexity of Sedarisā overlaid ideas. Heās also undeniably laff-riot funny, and I think that makes him easy to dismiss. But often, he is slyly profound.
In 2004ās Dress Your Family in Corduroy and Denim, Sedaris describes the early fame he received after reading a story on NPRās Morning Edition. At the time, he was an unpublished writer, so he was described as a New York house cleaner. Sedaris began receiving calls from people wanting their homes cleaned which led to his being confused for an erotic house cleaner at least once. He vacuumed in uncomfortable silence while a nearby customer masturbated. In the sort of fugue state one enters while trying to ignore an unwelcome masturbator, Sedaris digressed into a description about his childhood family housekeeper, Lena Payne, and his motherās instructions that Payne āuse a mop. [...] thatās what I doā while cleaning the floor. (This leads to my favorite David Sedaris motto: āeither you want a clean floor or you want to use a mop but you canāt have both.ā) After relating this, Sedaris returns to the masturbator reality and accepts his payment, feeling he has behaved as his housekeeping idol would.
Sedaris reveals his family as an enclave of American eccentrics, and through them a philosophy emerges. Itās like what J.D. Salinger was trying to achieve with his fictional Glass family in Nine Stories, but the Sedaris family is real. The veracity of Sedarisā record has gone through questioning and seems to straddle non-fiction/exaggeration, with his siblings largely supportive of their characterizations. The family is sharp (thatās just their style) but Sedaris portrays them so to better understand them and be understood himself. Thereās a permanence to Sedarisā attitude. The world is a bizarre and tragic place but, more often than not, we can find something to laugh about.