A mere 24 hours after his recital Saturday, Argentinean pianist Nelson Goerner returns on Sunday afternoon for a completely different program that spans 300 years of keyboard composition. The eclectic show kicks off with a bit of Bach, continues with a scherzo and a pair of nocturnes from Chopin, then veers into decidedly Spanish waters with three choice cuts from Iberia—a towering, 20th-century piano suite created by Isaac Albéniz that requires intense technical chops. As if that weren’t enough, our soloist proves his unsurpassed virtuosity (and stamina) by closing out the evening like a boss with Maurice Ravel’s absolutely wicked transcription of La Valse. If you’re wondering what extremes two hands and 88 keys are capable of, this is your ticket. BRIAN HORAY