âThat left-cheek ass-blisterâs a percolating son of a bitch,â mutters Calamity Jane, shifting in her saddle as she drunkenly steers her horse toward Deadwood, South Dakota. Itâs been a decade since the hard-drinking, hard-punching Janeâplayed, phenomenally as ever, by Robin Weigertâhas stumbled through the frontier townâs muddy, bloody streets and smoky, sweat-soaked saloons. Itâs also been about that long since Deadwood viewers were here, and itâs a relief to find the place hasnât changed much: New-fangled telephone poles now blight the horizon, but Deadwoodâs residents remain proud and profane. âWu, feed that fuck to the pigs,â says Sheriff Seth Bullock (Timothy Olyphant), his gunpowder still floating in the air; not far away, Al Swearengen (Ian McShane) holds court in his Gem Saloon, weaving a monologue through Deadwoodâs rich, Shakespearean cadences. Older and not necessarily wiser, Swearengen needs little prompting to ruminate on murder, and loss, and how to best fuck over whomever his enemy is today.
Long-running shows rarely end wellâthe slow-simmering mysteries and ever-evolving relationships that make great TV so addictive are also the things that are hardest to conclude.
Long-running shows rarely end wellâthe slow-simmering mysteries and ever-evolving relationships that make great TV so addictive are also the things that are hardest to conclude. For every Breaking Bad that goes out with a satisfying bang, countless others flail and whimperâremember Lost, or Battlestar Galactica, or The Sopranos, or Buffy the Vampire Slayer, or True Detective, or The X-Files, or (oof, this wound is fresh) Game of Thrones.
Deadwoodâs series finale, on the other hand, didnât disappointâmostly because it never existed. Alongside The Wire and The Sopranos, the western was one of the remarkable HBO shows that changed the course of television, but unlike those shows, Deadwood simply ceased to be, unceremoniously abandoned after its third season in 2006. For a while, it looked like the show had been fed to the pigsâbut now itâs returned, with an excellent TV movie that serves as both continuation and conclusion to one of the best shows ever made.
Series creator David Milchâs script, thankfully, doesnât feel boxed-in, with a story that, for the most part, makes time for each member of the showâs unmatched cast; meanwhile, veteran Deadwood director Daniel Minahan manages to recapture not only the showâs hard-weathered aesthetic but its way of letting very sad characters be very funny. Just about everybodyâs back: Ostensible Mayor E.B. Farnum (William Sanderson) stumbles around, fucking things up; trusty Charlie Utter (Dayton Callie) remains a far better man than the town deserves; Bullockâs BFF Sol Star (John Hawkes) proves as reliably wry as ever; and former prostitute Trixie (Paula Malcomson) tries, with mixed results, to escape the shadows of the past. (She also gets some of the best, Deadwood-iest lines, like âWell, whose fuckinâ blood is it?â) And through the middle of town stomps the imminently hateable Hearst (Gerald McRaney), now a United States senator. Deadwood was always about community, but it was also about the fundamental injustices that established Americaâs identityâand Milch is still willing to mess not only with the history the show is based on, but the creaky myths of how the West was won. Here, Hearst is a relentless, self-righteous pioneerâmanifest destiny made flesh.
This Deadwood movie isnât the best place for new viewers to come onboardâeven old-school fans might benefit from a quick Wikipedia recapâbut even as it pushes the story forward, it instantly brings back the showâs inimitable feel. There are punches and shoot-outs, and fiery speeches and glimpses of tenderness, and itâs all beautiful and ugly, welcoming and dangerous. Itâs Deadwood. And perhaps more than any other show, it feels like an actual placeâa place where, alongside all these weirdos and villains, you can scrape the mud from your boots, ignore the blood on the floor, and take another burning swig from a half-empty bottle. Itâs great to be back, if only for a few hours.
Deadwood: The Movie airs Fri May 31 on HBO.