Lo and Behold: Reveries of the Connected World

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Rated PG-13

As a filmmaker, Werner Herzog is often obsessed with the tangible—with people on the edges of society, with feats as lethal as they are daring. But Lo and Behold is Herzog’s attempt to parse a world that’s moving away from the physical. It makes sense he starts his documentary by reminding us that the internet started as—and still is—a series of weird-smelling tubes and wires. It also makes sense, given the immeasurable ways the internet has affected humanity, Lo and Behold splits in countless directions: It isn’t long until Herzog’s interviewing brain researchers and hackers, until he’s watching orange-clad Buddhist monks stare into their phones. If this parade of scientists and eccentrics and weirdos sounds broad, it is: Herzog wants to look at every aspect of our online lives. Lo and Behold is a look at what might come next, and a mourning for what we’ve lost, but more than anything, it’s a meditation on how the internet has already changed us.

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