The Commuter is the latest in a long line of Liam Neeson old-tough-guy movies. There have been so many since the first Taken came out 10 years ago (!), you’ve probably lost track. I’m glad Neeson has carved out this productive and lucrative niche for himself—he’s someone I’ve always been genuinely happy to see onscreen. But The Commuter is so outlandish and so lacking in self-awareness, it makes Neeson look like a damned fool. by Ned Lannamann