SUPERPICK
MIYA FOLICK, CAT HOCH(High Water Mark, 6800 NE Martin Luther King Jr.) Los Angelesâ Miya Folick wrote one of 2016âs catchiest songs: âPet Body,â three near-perfect minutes of snarling pop released as a single last August. With coy but biting sarcasm, Folick sings about the very relatable feeling of being âa sack of fleshâ and âa delicate piece of equipmentâ against sharp guitar riffs that spiral into the songâs addictive hook. It gets even more interesting around the two-minute mark, where she veers out of radio-friendly pop and into a shrieking punk bridge. Folickâs October single âGod Is a Womanâ is completely different: an electro-pop confessional that stumbles into some clichĂ©s (âI need a kiss/Or maybe a little bit of blissâ) but stays grounded the cracked-open vulnerability of her vocals. Itâs still unclear if âPet Bodyâ and âGod Is a Womanâ were meant to tease a follow-up to Folickâs 2015 debut EP, Strange Darlingâsix tracks of meditative folk-pop thatâs livened up with electronic production effects. Opener âTalking with Strangersâ is her longest recorded song, where she agonizes, âHow did I miss this lesson when I was young?â âWhat I Have Toâ is the EPâs standout, mostly due to the repetitive chug of bass and the cool detachment of Folickâs voice. âI Think This Is the Dream Where I Met Youâ provides contrast, with songbird vocals, spacy production, and softly strummed acoustic guitar. Folickâs bio says she grew up going to Jodo Shinshu Buddhist church in Orange County, played basketball for nearly a decade, and met her band on Tinder. Itâs not clear where sheâll go from here, but her trajectory looks promising. CIARA DOLAN
WEDNESDAY 2/22
SIREN AND THE SEA, MEGAN DIANA McGEORGE
(Action/Adventure Theatre, 1050 SE Clinton) To welcome the release of her new record This Time with Feeling, Cristina Cano of Siren and the Sea is taking over the Action/Adventure Theatre for nine separate multi-media celebrations. Each night of the residency, sheâs accompanied by different Portland artistsâlast week that included Blossom, Chanti Darling, There Is No Mountain, Moorea Masa and the Mood, and Johann Wagner, and this week features Megan Diana McGeorge, Ritchie Young (Loch Lomond), Sumner James, and Wine and Coffee. These shows begin with Canoâs instruction for her guest artists to âtry something on stage that feels new to you.â This Time with Feeling is a lush landscape of long synthy waves punctuated by modest percussive rhythms that keep the beat afloat. The balance of cold electronic moodiness with warm bass grooves is slightly reminiscent of older Goldfrapp or even Lana Del Rey, but Canoâs quick-phrased narratives nod more to her theater background. ROBIN BACIOR
LOS CAMPESINOS!, CRYING
(Doug Fir, 830 E Burnside) Hold on Now, Youngster, the 2008 debut of Los Campesinos!, is a perfect little package of mid-â00s indie rock trends. With long, literate song titles (âThis Is How You Spell âHAHAHA We Destroyed the Hopes and Dreams of a Generation of Faux Romanticsââ) and melodies that build to orchestral heights, the massive band of close-knit members maintain an aura of manic but unthreatening gleeâeven when theyâre singing about emotional turmoil. This energy courses throughout all six albums, but the new single âThe Fall of Homeâ suggests that after 11 years together, the band is shifting away from booming twee to pop-punk. Either way, Los Campesinos! is big, loud, and funâtraits that transcend genre fads. EMMA BURKE
THURSDAY 2/23
ROY AYERS, FARNELL NEWTON AND THE OTHERSHIP CONNECTION
(Revolution Hall, 1300 SE Stark) Remember the best scene in Straight Outta Compton, when Dreâs zoning out to âEverybody Loves the Sunshineâ? That incredible jam, of course, comes from Mr. Roy Ayers, and tonight the funk-jazz-soul trailblazer and vibraphonist brings his four-piece ensemble to Revolution Hall as part of the PDX Jazz Fest. It will be jazzy. It will be funky. It will be great. NED LANNAMANN
WEYES BLOOD, FATAL JAMZ
(Mississippi Studios, 3939 N Mississippi) Santa Monica-hailing musician Natalie Mering brings her adventurous blend of folk music to Mississippi Studios in support of her latest full-length, Front Row Seat to Earth. Read our story on Weyes Blood.
SIREN AND THE SEA, LOCH LOMOND
(Action/Adventure Theatre, 1050 SE Clinton) See Wednesdayâs preview.
MARIACHI FLOR DE TOLOACHE
(Newmark Theatre, 1111 SW Broadway) With songs of unrequited love, beautifully elaborate suits, and oversized guitarrĂłn, Mariachi Flor de Toloache is, in most respects, a traditional mariachi band, except that itâs composed entirely of women. Formed as a trio in 2008, Mariachi Flor de Toloacheânamed after Mexicoâs mystical native flowerâbegan by busking in New York City subway stations, performing for stunned passersby. The band has since grown to a rotating crew of up to 13 members, and their set list incorporates anything from traditional mariachi and ranchera to covers of Adele and Led Zeppelin. Mariachi (like most of the music industry) is dominated by men, and some of the bandâs choicesâits inclusion of women from many different backgrounds and ethnicities, that they often sing in English, and the material chosenâhave at times been controversial for male traditionalists. But their sold-out concerts worldwide and 2015 Latin Grammy nomination for Best Ranchera Album helpfully put the haters in their place. As founding member Mireya Ramos said in an interview with Huffington Post last year, âWhen a little girl tells you she started her own womenâs mariachi band because of you, those moments remind us of why we love what we do.â SANTI ELIJAH HOLLEY
FRIDAY 2/24
SIREN AND THE SEA, SUMNER JAMES
(Action/Adventure Theatre, 1050 SE Clinton) See Wednesdayâs preview.
ULI JON ROTH, BREAKER BREAKER, WERESQUATCH, PERSERVERANCE
(Bossanova Ballroom, 722 E Burnside) For those who believe the Scorpionsâ career began with stale, early-â80s radio hits and ended with a ceaseless farewell tour, itâs time to revisit the bandâs candescent material of the â70s featuring guitarist Uli Jon Roth. Before the German juggernauts released arena anthems like âRock You Like a Hurricaneâ or âStill Loving You,â their rock ânâ roll stylings had a little less radio appeal and a lot more of Rothâs artful, Hendrix-inspired licks. Though the Scorpions have all but forgotten their material from the mid-â70s, Roth is currently on tour playing the groupâs 1978 live record Tokyo Tapes in its entirety. There are only two kinds of musicians that still tour in the twilight of their careersâthose whose fans will still pack clubs to see them, even if their skills and performances are just âokay,â and those who must, because music is the essence of their being and keeping it bottled up would be a disservice to the universe. Uli Jon Roth falls into the latter category. ARIS HUNTER WALES
TEMPLES, NIGHT BEATS, DEAP VALLY, FROTH, JJUUJJUU, DOOR
(Crystal Ballroom, 1332 W Burnside) Itâs rare for indie rock groups to endure after a major image change. For the LA four-piece Froth, reinvention was necessary after frontman JooJoo Ashworthâs self-proclaimed âjoke bandâ quickly blew up in the Burger Records scene with its surf-psych debut, Patterns (an album they recorded shortly after learning their instruments). Frothâs 2015 follow-up, Bleak, added guitar and looping pedals, and dropped the first recordâs omnichord, venturing into the moody, textured landscapes of shoegaze. Luckily, Bleak didnât lose any of the first albumâs melancholy tenderness or pop hooksâsomething thatâs often absent from the shoegaze genre. Since then, Frothâs released a killer single (âContactâ) ahead of a third LP called Outside (Briefly), which comes out today on seminal independent label Wichita Recordings. CAMERON CROWELL
CHICANO BATMAN, 79.5, SADGIRL
(Star Theater, 13 NW 6th Ave) If there were an award for music thatâs âthe best reminder to give your Mexican dad a phone call,â or one that makes you âmost nostalgic for a time you never knew,â Chicano Batman would definitely win both. The Los Angeles-based quartet smoothly integrates two wistful genres: the romantic â60s psychedelia so many brown kids grew up listening to on Saturday mornings, and the inescapably sun-soaked sound of Southern Californian indie. And nobody rocks the soulfulness of the organ like Chicano Batman. With appearances at big festivals like SXSW and Coachella under their belt, the band has amassed a fanbase that extends far beyond its Latino cult-following. With their forthcoming album Freedom Is Free, Chicano Batman takes a more active political stance. The band recently took Woody Guthrieâs âThis Land Is Your Landâ and gave it their own timely rendition. If 2017 gets any worse, at least weâll have groups like this ready with inspiring, uplifting messages. GUADALUPE TRIANA
SATURDAY 2/25
SIREN AND THE SEA, WINE AND COFFEE
(Action/Adventure Theatre, 1050 SE Clinton) See Wednesdayâs preview.
KEVIN ABSTRACT, BEARFACE
(Star Theater, 13 NW 6th) Kevin Abstract is something of an enigma. For starters, his name isnât actually Kevin Abstractâitâs either Ian or Clifford Simpson, depending on the source. Heâs the founder of the Odd Future-inspired hip-hop collective Brockhampton, though he claims theyâre actually an âAll-American Boyband.â And then thereâs Abstractâs sophomore solo album, 2016âs American Boyfriend: A Suburban Love Storyânot exactly hip-hop, R&B, pop, or emo, but a jumble of all the above. Across 16 genre-dissolving tracks, he tells a coming-of-age story about growing up black and queer in a small Texas suburb, confused about his sexuality and crushing on football players. If this sounds similar to the ground Frank Ocean has already trod, thatâs no accident. In interviews, Abstract is open about the debt and gratitude he owes Ocean; he even tapped Michael Uzowuru, who worked on Oceanâs Blond(e) and Endless, as collaborator and executive producer on American Boyfriend. Having recently relocated to Los Angeles, the 20-year-old Abstract is still on the road to self-discovery, but from here itâs clear that his voice can only sharpen with originality. SEH
SUNDAY 2/26
âHELL NO!â: SLEATER-KINNEY, COLIN MELOY, STEPHEN MALKMUS AND THE JICKS, QUASI, TEAM DRESCH, SUMMER CANNIBALS, MĂSCARAS, CHANTI DARLING DJs
(Crystal Ballroom, 1332 W Burnside) Oh, hell yes. An unfuckwithable lineup of Portland talent has assembled for the HELL NO! protest concert at the Crystal, which will feature short sets from the likes of Colin Meloy, Quasi, Stephen Malkmus and the Jicks, and moreâincluding a trio known as Sleater-Kinney, AKA the greatest band that has ever and will ever come out of Portland, Oregon. City Commissioner Chloe Eudaly and Gregory McKelvey of Portland's Resistance will also be on hand, and all proceeds go to the ACLU and Unite Oregon. And downstairs, Lola's Room will have info about how to get involved and make a difference with Portland's non-profits. Naturally, this sold out immediately; naturally, you should do whatever it takes to get in. ERIK HENRIKSEN
MEATBODIES, GENDERS
(High Water Mark, 6800 NE MLK) The garage-rock decadence of Meatbodiesâ 2014 self-titled debut was, apparently, just the beginning. Attendees of Pickathon 2015 saw the explosive theatrics of the bandâs punk rock Ziggyisms. Beginning with the rollicking âKings,â Meatbodiesâ sophomore record Alice takes you on a cosmic rollercoaster of glam debauchery. Lead by Chad Ubovich (who collaborates with Ty Segall and Mikal Cronin), the bandâs affinity for swirling fuzz and psychedelic noise collages creates an intoxicating pastiche of in-your-face â70s rock ânâ roll. Itâs not all blasts of trashy garage punk, thoughââCreature Featureâ comes with a jangly guitar groove and the smart lead lines of guitarist Kevin Boog, proof that the band doesnât rely on walls of cacophony alone. This enduring dynamism is whatâs made Meatbodies one of the best live bands around for the past few years. RYAN J. PRADO
MONDAY 2/27
ADIA VICTORIA, AMENTA ABIOTO
(Mississippi Studios, 3939 N Mississippi) Every note of Adia Victoriaâs 2016 full-length debut, Beyond the Bloodhounds, feels heavy and hauntedâitâs classic blues steeped in Southern Gothic sounds and hung out to dry in foggy, humid swamplands. Victoria conjures this eerie but powerful energy from her electric guitar, creating music thatâs lethally dreamy. CIARA DOLAN Read our story on Adia Victoria.
TENNIS, HOOPS
(Wonder Ballroom, 128 NE Russell) Tennis crooner Alaina Moore sings with a pretty, detached purity that is fully explained by the fact that she honed her skills while singing in a church choir. Mooreâs voice is paired with the duoâs fondness for â70s imagery and lyrics that detail vague, despondent love affairs, creating eerie pop-rock that feels both quaint and melodramatic. Tennisâ songs could soundtrack a slow dance in a high school gym, or salacious suburban adultery. The bandâs gauze-draped yacht rock hasnât evolved much since its 2011 debut, Cape Dory, but they fill the niche well, fully committing to an aesthetic and sound that is edgeless but appealing. EB
THE RADIO DEPT., GERMANS
(Doug Fir, 830 E Burnside) The nebulous nature of the Radio Dept.âs music is reflected in the groupâs infrequent live performances. This week, Portland will be graced with the rare presence of the Swedish dream-pop band, currently touring behind last yearâs Running Out of Loveâa much more pointed album than the Radio Dept.âs previous releases, which explored vast shoegaze soundscapes. While my preference leans towards the groupâs former lo-fi, textured sound, the new emphasis on electronic motifs and articulate, political lyrics feels contemporary without sacrificing any of the blissful atmosphere that gained the Radio Dept. its indie cred. EB
TUESDAY 2/28
STEVIE NICKS, THE PRETENDERS
(Moda Center, 1 N Center Ct) Decades past her Fleetwood Mac heyday, Stevie Nicks is still shrouded in so much mystery. Did she have to smoke a lot of cigarettes to sound like that? Sheâs not actually a witch, right? How much velvet does she own? Am I adopted and is she my real mom? Despite all of these unanswered questions, one thingâs for sure: Nicksâ incomparable voice carries the weight of the universe with formidable grace. Itâs twangy and rough, weathered by heartbreak but fortified by inner-strength thatâs nothing short of Hulk-ish. Take, for example, the way she throttles the kiss-off âI know I could have loved you, but you would not let meâ on âSilver Springs,â or the sparks that fly as she pushes through the words âthat kind of intensityâ on âSeven Wonders,â or her steely drawl on âNightbirdâ when she sighs, âSometimes I am surrounded/By too much love.â By some miracle of fate, this week Stevie Nicks plays the Moda Centerâit is our duty and privilege to surround her with too much love. CIARA DOLAN Read our story on Stevie Nicks.
WEI ZHONGLE, TETON, DON GERO, BRUMES
(Bunk Bar, 1028 SE Water Ave.) Chicago quartet Wei Zhongle is blessed with one of the strangest lineups around, with members wielding fretless basses, clarinets, and plenty of electronic gadgetry. And what comes out when these gents take up their instruments feels like an attempt to write classic post-punk anthems, but every time they think theyâre drawing a straight line, it ends up a squiggly Spirograph-like mystery. The groupâs latest EP, Nice Mask Over an Ugly Face, has them coming as close as they ever have to some kind of clarity. Yet songs like the engagingly catchy âProve It to Uâ and the Animal Collective-like âNothing Newâ never fully settle down, and their free jazz mindset and giddy attitudes causes the music to zig and zag delightfully. ROBERT HAM
VISIBLE CLOAKS, MOTION GRAPHICS, MASSACOORAMAAN, WOMENâS BEAT LEAGUE DJs
(Holocene, 1001 SE Morrison) Visible Cloaksâ second album, Reassemblage, showcases the Portland duoâs exquisite attention to sound design and thoughtful approach to arrangement. Spencer Doran and Ryan Carlileâs aural compositions coax meaning out of sound, with generative experiments that merge the influence of eastern and western world music into one blissful, ambient experience. For the duoâs Reassemblage release show, theyâll perform against a backdrop of moving images by visual artist and music video producer Brenna Murphy. New York-based electronic artist Motion Graphics collaborated with Visible Cloaks on one of the new albumâs songs, and will open the release show with a characteristically immersive experience saturated in cyber sonic futurism. CHRISTINA BROUSSARD