SUPER PICK
HALF WAIF, LAND OF TALK
(Doug Fir, 830 E Burnside) Just a couple of weeks ago, Nandi Rose Plunkettâwho sings and plays keyboards in the alt-country outfit Pinegroveâpenned an essay for Esquire titled âDonât Call Me the Girl in the Band.â Itâs her response to the on- and offline misogyny that constantly reduces her to âa useless prop beside the real musiciansâ instead of âa being who loves music, looking to turn down the rest of the noise.â Plunkett reclaims the space sheâs often denied with the sweeping synth-pop of her solo project, Half Waif. Sheâs released two full-lengths under the moniker, plus an excellent new EP called form/a. Plunkett mirrors her own inner complexity in experimental electro-pop that she sometimes blends with Celtic folk and freeform Indian bhajans, two seemingly dissimilar genres united by her own heritage (her mother is Indian and her father is Irish American), especially on classical-but-danceable songs like âTurn Me Aroundâ from 2016âs Probable Depths. Her lyrics are like Morse code signals flashing from the opposite end of a foggy bay; they center on her ongoing struggle to communicate with the outside world. Plunkett grasps for language even as sheâs singing, which makes listening feel like an active exercise. She fears her inability to forecast her emotions for a romantic partner on âSevered Logic,â form/aâs lead single: âMy mood is a pendulum, I donât think you can handle it,â she sings, her voice wavering over the word âhandleâ like sheâs bearing the full weight of doing so alone. Plunkettâs new EP as Half Waif is her best yetâthough we didnât need any more proof that sheâs a âreal musician,â these six songs are irrefutable. CIARA DOLAN
WEDNESDAY 6/28
BROWN CALCULUS, AMENTA ABIOTO, KORGY AND BASS
(Holocene, 1001 SE Morrison) Tonight Portland hip-hop/jazz duo Korgy and Bass celebrates their new release, EP Vol. II, which charges bleary-eyed right out of the gate with smooth jazz grooves and meandering trumpets. Itâs the type of instrumental that should be played in cinematic montages of cool shit happening, malleable as it is to function as pacesetter and mood enhancer. Itâs a fitting intro to their corner of the chillwave world, as programmer Alex Meltzer and drummer Barra Brown hold down the EPâs four tracks. The drone of âBitter Horizonsâ features scintillating rhymes from Dusty Fox and a dreamy chorus whisper from Catherine Feeny in a nod to seminal â90s jazz-hop projects like A Tribe Called Quest and Digable Planets. But itâs the experimental moments, as heard on âTraining Day,â that distinguish Korgy and Bass from similarly twisted sound freaks. RYAN J. PRADO
LAND OF TALK, HALF WAIF
(Doug Fir, 830 E Burnside) Canadian singer/songwriter and guitarist Elizabeth Powell leads Land of Talk, the beloved indie rock band that started an indefinite hiatus in the early 2010s. Following rumors that Powell might revive the project, last month she returned with Life After Youth, Land of Talkâs third LP. The new record somehow manages to maintain an astounding originality and freshnessâPowell is immensely talented in making no-fuss, quality music and leaving out all the unnecessary bells and whistles. In a day and age when so many bands are desperately grasping for relevancy, such an effortless execution is almost comical. DELANEY MOTTER Also read our Half Waif super pick.
TYCHO, TODD TERJE AND THE OLSENS, JAGA JAZZIST
(Edgefield, 2126 SW Halsey, Troutdale) For those with even a cursory interest in electronic music or those looking to dip their toe into the genre, this is the concert of the year. Thatâs because all three actsâin addition to being credible and excellentâmake gorgeous, melodic, feel-good music. Jaga Jazzist works in the sweet spot between modern jazz fusion and effervescent post-rock. Todd Terje is a dance floor god whose perfect nĂŒ-disco bangers should, frankly, never end. And at the top of the bill is Tycho, a California-based producer with an incredible gift for turning glitchy beats, vintage blips, and glistening bloops into music that feels so organicâso truly humanâit feels like a satisfied sigh bathed in melancholy sunlight. This is as accessible as good electronic music gets in 2017. BEN SALMON
THURSDAY 6/29
RYAN ADAMS
(Edgefield, 2126 SW Halsey, Troutdale) Grab a ticket, a blanket or small lawn chair, head to McMenaminsâ great outdoor Troutdale concert venue, and hit the grass for an evening with one of Americaâs best folksy alt-country rockers. His new album, Prisoner, is very good and heâs coming with a catalog of 15 other mostly-great albums from his storied career. I had his Cold Roses and Love is Hell albums on repeat in high school and Iâm pumped to see him live. DOUG BROWN Also read our exploration of Adamsâ ongoing feud with the planet Jupiter.
RILEY GEARE TRIO, SAMA DAMS
(White Owl Social Club, 1305 SE 8th) If Riley Geareâs (Unknown Mortal Orchestra, Cardioid) recently dropped track âThe Piccadilly Line (Mind the Gap)â is any indication, the inaugural voyage of the Riley Geare Trio is probably going to blow your world up. The tune envelops Geare in a spastic space-jazz veil that features his fantastic percussive chops, as well as wormhole-like keys and A.I.-sounding vocals. Itâs the introductory single for an album Geareâs currently putting together where he plays all the instruments. For tonightâs free show, however, keyboardist and T-Pain collaborator Gil Assayas (GLASYS) and bassist Raymond J. Reyes join the fold for a largely improvised set of cosmic jams. Geare says thereâll only be one rehearsal prior to the performance, so no oneâs quite sure what to expect. Chances are high, though, that with the amount of talent between the three of them, youâd regret missing this. RJP
MEATBODIES, MĂSCARAS, DJ ÎŒHAREB
(Mississippi Studios, 3939 N Mississippi) Weâre fast approaching Pickathon season here in Portland, which means youâll start hearing about how the festival has long outgrown its rootsy vibe, and how youâre as likely to hear a plugged-in punk act as an acoustic picker out on Pendarvis Farm. One of the bands that helped establish that reputation is Meatbodies, a long-haired bunch of psych-rock ragers who absolutely obliterated the festivalâs main stage in 2015. Earlier this year, the bandâled by West Coast psych/garage guitar legend Chad Ubovichâreleased its second album, Alice, an excellent âloose conceptâ record about the end of the world. Packed with fantastical tales, serrated riffs, and sparkling melodies, Alice finds Meatbodies at their Black Sabbath-meets-the Beatles best. High praise? Indeed it is. If youâre skeptical, find someone who was at that Pickathon set a couple of years ago. Theyâll tell you... if their skullâs still intact. BS
FRIDAY 6/30
WATERFRONT BLUES FEST: CHRIS ISAAK, DIRTY REVIVAL, BROTHER YUSEF, FANTASTIC NEGRITO, & MORE
(Tom McCall Waterfront Park, 1020 SW Naito) The Waterfront Blues Festival is a Fourth of July tradition, a weekend-long gathering on the river to celebrate all styles of American music (not just the blues). With performers like Booker T, Chubby Carrier, Cory Henry, Fantastic Negrito, Eric Gales, and countless others performing under the sun for the festâs 30th year, itâs the best way to be reminded that our crazy, conflicted country has birthed some pretty wonderful music. NED LANNAMANN
STREETLIGHT MANIFESTO, JENNY OWEN YOUNGS, OGIKUBO STATION
(Crystal Ballroom, 1332 W Burnside) Everything Goes Numb, the 2002 debut LP from New Brunswick outfit Streetlight Manifesto, is hailed as a ska masterpiece in circles where that phrase isnât an inherent contradiction. No matter how many waves you think there have beenâreally, who can keep trackâskaâs always had a way of sounding instantly dated. In the decade and a half since the bandâs well-received debut, Tomas Kalnoky & co. havenât done much to avoid their genreâs uniquely fraught aging process. The list of chin-scratchers includes the 2006 re-recording of their old band Catch 22âs beloved Keasbey Nights, and 2010âs 99 Songs of Revolution Vol. 1 (a collection of covers that might more accurately be titled 11 Songs That Donât Really Need Ska Interpretations). If I sound dismissive, thatâs probably because ska has always been so easy to mock, but itâs precisely that full-throated embrace of their own aesthetic that makes bands like Streetlight Manifesto so fun to begin with. NATHAN TUCKER
ANIMAL COLLECTIVE, STEPHEN MALKMUS
(Roseland, 8 NW 6th) Animal Collective is one of those bands you just come to know, whether thatâs through constant radio play or their soundtracking of your own quarter-life avant-garde awakening. Blending the right amounts of pop, indie, electronic, psychedelic, and experimental, Animal Collective is enough of everything to appeal to virtually everyone. Thatâs right, everyone, which means you can totally bring your Tinder date to the show without worrying about whether or not theyâll like it. To those âreal fansâ who might complain about this, I say sit back, relax, and enjoy both the concert you paid for as well as the kinda funny, kinda cringy dates happening around you. DM
SATURDAY 7/1
WATERFRONT BLUES FEST: BIG HEAD BLUES CLUB, SOUTHERN AVENUE, REGGIE HOUSTONâS BOX OF CHOCOLATES, & MORE
(Tom McCall Waterfront Park, 1020 SW Naito) See Friday's preview.
THE DAY FADE: NICEGUYxVINNY, JERRY BANDITO, DUBBLIFE, VNPRT, TRIBE MARS, QUAZ
(White Owl Social Club, 1305 SE 8th) Some Saturdays, you ignore the creeping growth of your dandelion lawn and put any thoughts of self-betterment out of mind. Some Saturdays, you get out of bed late and head to the bar, where there will be drinks, and dancing, and DJs spinning really, really good tunes. The soul needs such Saturdays, and lucky for you this is one of them. DIRK VANDERHART
GAYTHEIST, NASALROD, DRUNK DAD
(The Know, 3728 NE Sandy) Gaytheist plays the kind of rock music thatâll pummel your eardrums with the force of a thousand fiery asteroids (in a good way). Tonight the Portland band celebrates the release of their new album, Letâs Jam Again Soonâ14 furiously fast tracks that bring new meaning to the word âheavy.â CIARA DOLAN Also read our review of Gaytheistâs new album, Letâs Jam Again Soon.
SKULL DIVER, THE DEAD SHIPS, PACIFIC LATITUDES
(Bunk Bar, 1028 SE Water) Last month Portland rock trio Skull Diver released Chemical Tomb, an unapologetically dark sophomore album that wanders with a zombieâs sinister drive between proggy riffage, pop swagger, and stoner metal haze, exploring shadowy corners while never quite settling into a groove. The record is united not just by this densely curated sense of disquiet, all fuzzy guitars and cavernous organs, but by a gripping melodicism and singer Mandy Payneâs nimble voice floating over the darknessâless ethereal and more foreboding sirenâs call. Two covers round out the second half, Nick Drakeâs âParasiteâ and the Violent Femmesâ âGood Feeling,â both evidence of Skull Diverâs flexible mastery over their expansive sound. Itâs not the most cohesive album, but anyone who likes their music on the heavy side will find something to enjoy. NT
FIT FOR AN AUTOPSY, TOMBS, MOON TOOTH
(Analog Cafe, 720 SE Hawthorne) Read reviews of Moon Toothâs 2016 album Chromaparagon and youâll find lots of references to prog-minded metal (or hard rock) bands like Rush, Mastodon, the Dillinger Escape Plan, Meshuggah, and Tool. Far less often do critics cite the New York bandâs irrepressible interest in funk- and jazz-metal, which is on full display on Chromaparagonâs eye-popping opening track, âQueen Wolf.â Here, Moon Tooth sounds like Living Colour and (gulp) the Red Hot Chili Peppers. Add in the quartetâs interest in whiplash rhythms and highly technical playing, and youâve got quite a concoction of influences widely considered âuncoolâ in the 21st century. But Moon Tooth makes it work by playing its showy, shifty jazz-funk-prog-thrash-metal with such absolute power and awe-inspiring precision, you just canât help but be impressed. (The bandâs knack for finding a melody in its maelstrom doesnât hurt, either.) BS
TEEN DAZE, SAM OB
(Hawthorne Theatre Lounge, 1507 SE CĂ©sar E. ChĂĄvez) If in some bizarro parallel universe Grouper and Leon met while playing Minecraft, Teen Daze would most likely be the outcome. With EPs like 2010âs Four More Years and Beach Dreams, British Columbia recording artist Jamison Isaakâs building a body of work similar to other young but prolific artists like (Sandy) Alex G or Frankie Cosmos. Since Isaakâs early slow-mo drum-and-bass EDM, Teen Daze has truly developed into mellower but more expansive take on dance music. All of the releases are paired with naturalist album art that could decorate a sleek minimalist coffee shop or the default screensavers for the next generation of Microsoft Windows. The music itself doesnât try to stray from this aesthetic, and instead embodies a postmodern simplicity. Though Teen Dazeâs fifth LP, Themes for Dying Earth, has a pretty fatalistic name, it moves at a snailâs pace. All of the vocals are awash in reverb, and the keyboard riffs sound like springtime walks through city gardensâsecluded enough, but surrounded by the bustle of metropolitan life. CAMERON CROWELL
GRAN RITMOS: RIOBAMBA, CASUAL AZTEC, 2TABS
(Holocene, 1001 SE Morrison) Portlandâs favorite Pan-American dance party Gran Ritmos is kicking off summerâs dog days by inviting Riobamba to headline their next showcase. One of Brooklynâs most fire DJ acts, Riobamba is a multitalented artist with Ecuadorian and Lithuanian roots who delivers energetic sounds from around the world. In addition to producing her own mixes, she founded the label and creative agency Apocalipsis in 2016 to empower the voices of other Latinx artists. Riobamba spent a year in BogotĂĄ studying the connections between politics, identity, and digital music production through a Fulbright Scholarship. Her sets integrate a wide variety of audio sources ranging from YouTube clips to underground Panamanian bass to urban field recordings as a means of intentional disruption. Lace up your dancing shoes and get ready for a night of the unexpected. EMILLY PRADO
BOMBAY BEACH, WAVE ACTION, CRAIG BROWN BAND
(Turn Turn Turn, 8 NE Killingsworth) After more than a decade spent fronting various garage punk bands (Terrible Twos, the Mahonies, Liquor Store), Craig Brown is a legitimate Detroit personality. For instance, the trailer for Drunk Historyâs Detroit episode features Brownâs ruminations about the cityâs lawlessness, punctuated as he yells, âJudas Priest is better than Iron Maiden!â into the cold night. Brown is a funny and memorable character, and that likability translates onto his debut album, The Lucky Ones Forget, from his Third Man Records-backed country project, the Craig Brown Band. Itâs a love letter from a punk rocker to Creedence Clearwater Revival, and a surprisingly smooth marriage of Brownâs cut-the-shit songwriting, nasally punk vocal tricks, and honky-tonk slide guitarâall filled out by the warm backing vocal harmonies of the bandâs Drinkard sisters. SUZETTE SMITH
SUNDAY 7/2
WATERFRONT BLUES FEST: VIEUX FARKA TOURĂ, GALACTIC, SONNY LANDRETH, & MORE
(Tom McCall Waterfront Park, 1020 SW Naito) See Friday's preview.
RALPH LAWSON, JAY TRIPWIRE
(White Owl Social Club, 1305 SE 8th) With a career spanning two decades and an influential off-kilter style that stays ahead of the curve, Jay Tripwire never fails to impress. Heâs one of the most prolific house and techno producers around, with more than 200 vinyl releases to date. His versatile mixes reveal keen sensibilities that can make a believer out of even the harshest of dance music critics. Ralph Lawson is a legend in his own right, and widely regarded as one of the best house music DJs in the world. His record label, 2020Vision, showcases a well-rounded catalog that gives interesting insights into electronic musicâs ever-changing landscape over the last 20 years. These two heavyweights will perform an outdoor daytime concert at the White Owl Social Club to allow for maximum sunshine fun time. CHRISTINA BROUSSARD
MONDAY 7/3
WATERFRONT BLUES FEST: DUSTBOWL REVIVAL, JOSS STONE, BOKANTĂ, & MORE
(Tom McCall Waterfront Park, 1020 SW Naito) See Friday's preview.
DONâT SHRED ON ME: HUSTLE AND DRONE, BOONE HOWARD, DAN DAN, DJ DIRTY RED
(Dig a Pony, 736 SE Grand) The second year of Donât Shred on MeâDig a Ponyâs two-day, all killer no filler mini-festâis finally upon us. Monday nightâs formidable lineup shuffles the deck on a few of the cityâs best locals, matching synth-pop crews Hustle and Drone and Dan Dan with rocker Boone Howard and his band of merry ragers. Howardâs recently released album The Other Side of Town catapulted the croonerâs underground appeal to a wider audience, while Hustle and Droneâs consistent standard of excellence continues roughly five years since their inception. Tuesday night features Fog Fatherâs Bryson Cone with his pop project, as well as the cultured pop elder statesmen of New Move. Both shows will feature DJs, bitchinâ drinks, opportunities for networking, fodder for Instagram posts, and something infinitely more rad to do at the at the beginning of your week than trying to forget your weekend. RJP
TUESDAY 7/4
WATERFRONT BLUES FEST: CANNED HEAT, CURTIS SALGADO, & MORE
(Tom McCall Waterfront Park, 1020 SW Naito) See Friday's preview.
DONâT SHRED ON ME: NEW MOVE, NIGHT HERON, BRYSON CONE, DJ LAMAR
(Dig a Pony, 736 SE Grand) See Mondayâs preview.