SAT NOV 24
Holy Grove, Castle, Year of the Cobra
Castle emerged in 2011 around the same time that witchy, occult-themed rock was becoming all the rage. While the San Francisco band certainly has some of those trappings, their focus is less on creating a spooky, ritualistic atmosphere and more on honing their sharp sonic edge with dissonant, angular guitar riffs. On their new album Deal Thy Fate, Castle has more in common with Slayer than the Devilâs Blood or Jex Thoth; the riffs on âCanât Escape the Evilâ and âSkull in the Woodsâ wouldâve fared just fine on South of Heaven. (Tonic Lounge, 3100 NE Sandy, 9 pm, $10) ARIS HUNTER WALES Also read our review of Holy Grove's new album, II.
SUN NOV 25
Julien Baker, Phoebe Bridgers, Lucy Dacus
With a name that pokes at double standards in the music industry, Boygenius is the new supergroup uniting three of indie rockâs best songwriters (who happen to be good friends): Julien Baker, Lucy Dacus, and Phoebe Bridgers. Individually, all three musicians are already beloved, and their solo work shares the same basic formula of charging modern folk songs with emotionally raw lyrics and cathartic guitar riffs. But the trioâs collective power is proven on Boygeniusâ self-titled debut EP, where each member brings her unique strength to the table: Bakerâs emo sensibilities and gritty resilience; Dacusâ plainspoken, analytical lyrics; and Bridgersâ dry wit and anthemic choruses. Thereâs a moment at the climax of opening track âBite the Handâ when all three of their voices harmonize sweetly around Dacusâ repetition of the line âIâll bite the hand that feeds meâ until something changes: âIâll bite the hand that needs me.â That small but significant revision in wording represents a major realizationâthat maybe the hand thatâs reaching out is grasping desperately rather than offering support. Another standout track is the stunning, Bridgers-led âMe & My Dog,â which echoes the feelings of being out of control that she expressed on her song âMotion Sicknessâ (from her 2017 debut Stranger in the Alps). Throughout Boygenius, Baker, Dacus, and Bridgers back each other up while they expose all of their hollow pain, gnawing insecurities, and debilitating trauma. And although theyâre often singing about feeling bad, these six songs sound resoundingly powerful in their vulnerability. At their Portland show, each musician will perform her own set, but hopefully weâll get a few Boygenius tunes, too. (Crystal Ballroom, 1332 W Burnside, 7:30 pm, $25-28, all ages) CIARA DOLAN
Uada, Dead in the Manger, Drouth
In case you were wondering what lurks in the shadows of Portlandâs music scene, the answer is bands like Uada, a quartet of mysterious hooded figures whose sophomore album Cult of a Dying Sun is one of the best releases to come out of the city this year. The secret to Uadaâs sauce is not its competent black metal-ismsâdizzying blast beats, infernal imagery, howls ânâ growlsâbut its ability to counterbalance the darkness with majestic guitar riffs. This is melodic black metal at its finest, right from your backyard. Nowâs a good time to catch them as theyâre just back from a tour across Asia and Australia and should be tight and slightly terrifying. (Tonic Lounge, 3100 NE Sandy, 9 pm, $10-13) BEN SALMON
WED NOV 28
Kweku Collins, Joseph Chilliams, Parisalexa
With distorted instrumentals built around piano and cello, somnambular beats, and introverted lyrics, Greyâthe 2017 EP from Kweku Collinsâbroadens the scope of the dreamy universe the 21-year-old Midwestern rapper/producer introduced on Say It Here, While Itâs Safe. From a strikingly pretty Yeah Yeah Yeahs cover (âOasis2: Mapsâ) to the restless momentum of lead single âInternational Business Tripâ to the warm, crackling production of standout track âAya,â Grey is captivating from cover to cover. Collinsâ newest single, âETââled by an acoustic guitar riff and heavenly, Auto-Tuned harmoniesâproves his knack for moody melodies is only improving with time. (Holocene, 1001 SE Morrison, 8 pm, $12-15, all ages) CIARA DOLAN
THURS NOV 29
Magic Sword
The mysterious cloaked figures of Magic Swordâwho are, in reality, three dudes from Boiseâplay retro-futuristic synth-rock thatâs like a whirling tornado of John Carpenter, Judas Priest, Daft Punk, and gamer influences. The anonymous musicians go by the aliases the Seer, the Weaver, and the Keeper. They speak in riddles and have sworn to defeat somebody known as âthe immortal Dark One.â Laser eyeballs glow behind their weird masks; they kind of look like Power Rangers having a spa day. No one really knows who they are, but there are rumors that I am not presently built to spill. Magic Sword has released a comic book and two records on Portland label Tender Loving Empire. âReborn,â their newest single, is a melodramatic synthesizer epic that would make my eyes roll if it werenât so undeniably righteous. (Danteâs, 350 W Burnside, 8 pm, $16) CIARA DOLAN
Papercuts, Sugar Candy Mountain, Ezza Rose
Parallel Universe Blues, the new record from San Franciscoâs Papercuts, picks up right where 2014âs Life Among the Savages left off, which is to say frontman Jason Queverâs washed-out dream-pop sound is in no danger of being abandoned. This time around, there are fewer anthemic tunes like âStill Knocking at the Door,â but the albumâs lo-fi take on Queverâs skillset still causes gooseflesh on songs like âSing to Me Candyâ and âHow to Quit Smoking.â Papercutsâ music is still characterized by repetition and a lot of reverb, but more obvious nods to shoegaze icons like the Jesus and Mary Chain make Parallel Universe Blues feel like an instant classic. (The Liquor Store, 3341 SE Belmont, 9 pm) RYAN J. PRADO
FRI NOV 30
Mary Gauthier, Anna Tivel
Everything about Mary Gauthier is astonishing. The openly gay Nashville songwriter got her first major label record deal at age 42. Her raw folk songs often address the addiction, abandonment, houselessness, and complete emotional devastation she experienced in her younger years. Gauthier wrote her newest album, Rifles and Rosary Beads, as part of the Songwriting with Soldiers program, which pairs wounded veterans with songwriters who help put their experiences to music. Itâs a gutting chronicle of physical and emotional trauma, survivorâs guilt, and Americaâs systemic failures to adequately care for its soldiers once they return home from war. Tonight, sheâll be joined by Portland singer/songwriter Anna Tivel, whose powerful new single âFencelineâ (from her forthcoming LP The Question) addresses our countryâs inhumane treatment of immigrants with its story of a harrowing border crossing. (Doug Fir, 830 E Burnside, 9 pm, $25-28) CIARA DOLAN
Uniform, The Body, Author and Punisher, Street Sects
The latest entry in the Bodyâs shapeshifting discography finds Portlandâs grim soothsayers teaming with the industrial punks of Uniform to draft yet another map of hell. With song titles lifted from revered works about WWII (âCome and Seeâ), self-mutilation (âIn My Skinâ), and parricide (âWe Have Always Lived in the Castleâ), the seven churning tracks on Mental Wounds Not Healing evoke a post-everything nightmare of unholy grafts and infinite grief. Melting guitars, agonized howls, and throbbing drum machines cohere into a soundtrack for the worst possible version of the future, and like the best works of horror, it strafes our relative comfort with startling visions of what should not be. (Mississippi Studios, 3939 N Mississippi, 9 pm, $12-14) CHRIS STAMM
Echo and the Bunnymen, Enation
These days, Echo and the Bunnymen is pretty much just Ian McCulloch and original guitarist Will Sergeant (plus some new guys). In October the Liverpool post-punk band released The Stars, the Oceans, and the Moon, a collection of songs from their backcatalog transformed by âstrings and things.â âIâm not doing this for anyone else,â McCulloch said in a press release. âIâm doing it as itâs important to me to make the songs better. I have to do it.â McCullochâs gotta do what McCullochâs gotta do, but Iâm sticking with the originalsâitâs pretty hard to improve âLips Like Sugar,â even when youâve got âstrings and thingsâ at your disposal. (Revolution Hall, 1300 SE Stark, 8 pm, $60) CIARA DOLAN
FRI NOV 30 & MON DEC 3
Mississippi Recordsâ 15th Anniversary
Celebrate Mississippi Recordsâ big 1-5 with the soulful tunes of Ural Thomas and the Pain, Lonnie Holley, Michael Hurley, and Dead Moonâs Toody Cole. Come for the music, stay for the slideshow presenting each and every terrible mistake the record label has made. Fun! Read our interview with Mississippi Records founder Eric Isaacson. (Hollywood Theatre, 4122 NE Sandy, 8 pm, $10; Fri w/The Space Lady, Marisa Anderson, Dragging an Ox Through Water, Mon w/Lonnie Holley, Toody Cole, Ural Thomas, Michael Hurley)
SAT DEC 1
Neko Case, Destroyer
Recorded while her house was literally burning down on the other side of the Atlantic Ocean, âBad Luckââthe standout track from Neko Caseâs new album, Hell-Onâshowcases the grit and humor that continues to make her music so great. âItâs not as bad as I thought itâd be,â Case sings over one of the recordâs many buoyant pop melodies, âBut itâs still pretty bad luck.â (8 pm, Roseland, 8 NW 6th, sold out, all ages) CIARA DOLAN
The Chocolate Watchband, The Pynnacles, The Reverberations, DJ Major Sean
Wielding one of the more ferocious sounds of the West Coastâs garage rock scene in the 1960s, the Chocolate Watchband played freaky tunes like âAre You Gonna Be There (At the Love-In)â and âIâm Not Like Everybody Else.â Tonight the Nuggets-enshrined legends rip the top off the Mission with a reunited lineup that includes original members alongside young guns, plus a groovy liquid light show! (8 pm, Mission Theater, 1624 NW Glisan, $25) NED LANNAMANN
Owen, Fred Thomas
Fred Thomas should be indie rock royalty by now. If the DIY liferâs years at the helm of pop darlings Saturday Looks Good to Me and City Center werenât enough, heâs done stints in a dozen other bands, produced countless albums, andâwith his recently released Afteringâcompleted a stunning trilogy of lyric-driven solo records. Together, the albums could be looked at as a sociological study in not wanting what everyone else wants, or perhaps a philosophical treatise on why we have nostalgia for things that werenât especially great. At the very least, the albums are Thomasâ memoirs of an adulthood spent staring out the windows of tour vans, hiding in the corners of basement shows, and taking it all in. (Mississippi Studios, 3939 N Mississippi, 9 pm, $18-20) JOSHUA JAMES AMBERSON
SUN DEC 2
Pale Waves, Kailee Morgue, The Candescents
The music offered by Manchester, Englandâs Pale Waves are drops of pop-goth goodness that will relieve your pining for ye olden days of the Cure, while providing salve for your various emotional heartaches. Influences such as the Cranberries, Cocteau Twins, and New Order are easily identifiedâparticularly on songs like âKissâ and âEighteenââbut their sound owes just as much to the â80s pop of Prince and Madonna (and maybe some of the brilliance of Taylor Swift?). Their newest record, My Mind Makes Noises, hits all the sweet spots of pop lust while digging deep at the heartstrings with clear-eyed, laser-focused lyrics. (BTW, keep an eye on frontwoman Heather Baron-Gracieâher sweet, harrowing vocals and Robert Smith vibe make her a potential breakout star.) (Hawthorne Theatre, 1507 SE CĂ©sar E. ChĂĄvez, 8 pm, $14-16, A) WM. STEVEN HUMPHREY
Skating Polly, Potty Mouth, On Drugs
The three siblings in Skating Polly were born to rock like itâs 1993, never mind the fact that theyâre in their teens and early 20s. Formed when they were just nine and 14 years old, respectively, sisters Kelli Mayo and Peyton Bighorse knew from the beginning that their home state of Oklahoma didnât quite match up with their buzzy, sweet-ânâ-sour alt-rock sound. So the whole family moved to Tacoma in 2015, and brother Kurtis has since joined on drums. After a few albums of impressive Veruca Salt- and Bikini Kill-worship, Skating Pollyâs new record The Make It All Show finds the trio rocking out with a bit more restraint. (Mission Theater, 1624 NW Glisan, 7:30 pm, $10-12, all ages) BEN SALMON
MON DEC 3
Suuns, Graham Van Pelt
For more than a decade, Suuns has been fusing post-punk, krautrock, electronic sounds, and psychedelic vibes into something weirdly catchy and undeniably appealing. But where their first three albums felt like the work of serious artists with furrowed brows, this yearâs Felt is looser, groovier, more spacious, and easier to embrace. It sounds like art-rock underground heroes Clinic and art-rock arena-fillers Radiohead found a pot full of golden, pulsing pop songs at the end of the Black Moth Super Rainbow. And then they went to space, recorded them, and buried them under the floorboards of their rocketship. (Mississippi Studios, 3939 N Mississippi, 9 pm, $15) BEN SALMON
John Maus, Schaus
John Mausâ latest record, Addendum, wavers somewhere between catchy, obscure, and experimentalâitâs a little bit reminiscent of Gary Numan or the composer Vangelis. After releasing 2011âs We Must Become the Pitiless Censors of Ourselves, Maus spent six years living in a small Minnesota town, finishing his PhD in political philosophy, and building the synthesizers he would use to record Addendum. On the new album, he holds pop at a frustrating, compelling armâs length. Maus doesnât just play musicâhe wrestles with it and attempts to wrench meaning from it. (Wonder Ballroom, 128 NE Russell, 8:30 pm, $20-22) ISABEL LYNDON
TUES DEC 4
Matt and Kim, The Knocks, Good Samaritan
Indie and dance pop isnât my typical area of musical enjoyment, so I consider it a fateful blessing that I had nothing better to do during Matt and Kimâs set at 2014âs Capitol Hill Block Party. After stumbling upon the Brooklyn duo/coupleâs performance, I quickly deduced that Matt Johnson (vocals/keyboards) and Kim Schifino (drums) bring an insane amount of energy to their bubbly live sets and are some of the most expressive onstage musicians Iâve come across. The duo took a hiatus in 2017 (after Schifinoâs ACL injury), but now theyâre back on tour on the strength of their new album, Almost Everyday. Donât miss âem. (8 pm, Crystal Ballroom, 1332 W Burnside, $38, all ages) JENNI MOORE
Pinback, Morricone Youth
Pinbackâs pristine compositions are clockwork marvels, stunning little contraptions powered by the kind of magic that only gets more impressive as oneâs critical eye moves closer. Rob Crow and Armistead Burwell Smith IV have written a number of mixtape-ready crushers made for post-breakup moldering, songs that drop from the brain into the heart, but the duoâs chilly precision has a way of banishing the murk and muck of a good wallow before everything gets too maudlin. Itâs a joy to bear witness to the impossibly smooth interplay between Crow and Smith, their voices and guitars bound up like soulmates, each song a testament to human connection. (Wonder Ballroom, 128 NE Russell, 8:30 pm, $19.99-25, all ages) CHRIS STAMM
WED DEC 5
Metallica
Metallica returns to Portland for their WorldWired tour. (Moda Center, 1 N Center Ct, 7:30 pm, sold out)
Andy Shauf, Tomberlin
Andy Shaufâs foam cushion drum tones and gentle, Kermit-y chirrup belie his materialâs epic narrative scope. The Canadian songwriterâs 2016 album, The Party, is a dense collection of overlapping vignettes set at the same house party. Shauf imbues his diverse and neurotic cast of characters with an almost Salingerian depth: Thereâs that one perpetually early attendee, an amateur magician, a possessive asshole convinced heâs being cheated on by his girlfriend because he canât find her anywhere, and poor, poor âAlexander All Aloneââwho dies at the party before remanifesting as an unfulfilled spirit. Shaufâs preoccupation with social drama might feel decidedly current, but much of this music sounds like it could have been made before punk broke, from the Harry Nilsson-esque chromatic playfulness of âThe Magicianâ and âThe Worst in Youâ all the way through to achingly tuneful closer âMartha Sways,â which evokes Judee Sillâs best work. (Mississippi Studios, 3939 N Mississippi, 9 pm, sold out) MORGAN TROPER