THU DEC 6
The Thesis Four-Year Anniversary
For the last four years, Portlandâs ever-growing hip-hop scene of artists, producers, photographers, writers, fans, and friends have flocked to Kellyâs Olympian every first Thursday to support and show face at the monthly showcase. Thanks to the eventâs main organizers Mac Smiff and resident DJ Verbz, the Thesis lineups have been consistently solid for quite a while now. This one has North Portland rapper Vinnie Dewayne headlining, as he returns from a hiatus after the death of his friend. Dewayneâs exceptional music video for recent single âLosing Directionâ is definitely worth a watch, and his live performances donât disappoint. Iâm also particularly excited to catch rising rapper Nina Xo, who Iâve not yet seen live, but is said to have fun, high-energy sets. Regardless of the lineup, the night will be a surreal realization of just how long a lot of us have been out here building and networking together in the scene. Hereâs to four more years of meeting up at Kellyâs. (9 pm, Kellyâs Olympian, 426 SW Washington, $10; w/Vinnie Dewayne, Load B, Nina Xo, Elton Aura, Verbz) JENNI MOORE
Blossom, Maarquii, Amenta Abioto, Karma Rivera
Happening the same night as the Thesis, this bill at Mississippi Studios is a fucking stunner. Along with R&B singer/songwriter Blossom, thereâs also high femme rapper Maarquii, who recently dropped their excellent debut album C.A.B.O. (AKA Cut a Bitch Off). Maarquiiâs performances are marked by fierce rapping, voguing, and if their single âRoll Upâ is on the setlist, likely some twerking as well. Thereâs also rapper Karma Rivera, whoâll be rocking cuts off her debut EP Donât Sleep on This, which came out earlier this year. But the most unmissable act on the bill is probably singer/songwriter/storyteller Amenta Abioto, who uses a loop machine to blend soul, gospel, spoken word, jazz, and ancient African sounds. Abioto seems to have perfected her act as of late, exemplified by her recording of âWade.â And when sheâs live, her expertly controlled vocals sound better than ever. Plus, this show is free. Go see her now. (Mississippi Studios, 3939 N Mississippi, 8 pm, FREE) JENNI MOORE
FRI DEC 7
Night Birds, Macho Boys, Bothers, Death Ridge Boys
New Jerseyâs hardcore traditionalists Night Birds specialize in the kind of snotty punk rock that was born for skate videos and victimless teenage crimes. Itâs the sound of dropping out of high school, or at least avoiding it as much as possible. The sound of suburban knuckleheads looking for a reason to sneer. The sound of your first mohawk slicing through the air as you dive into a roiling pit filled with other silly and pissed and righteously obnoxious kids who might kinda feel the same way you do. Were those good times? Not really. But the music was pretty all right. (Tonic Lounge, 3100 NE Sandy, 8:30 pm, $10-13) CHRIS STAMM
The Soft Moon, Hide, Vive la Void
After spending nearly a decade in Oakland making moody, motorik-paced post-punk for the pop-leaning Captured Tracks record label, the Soft Moonâs Luis Vasquez used this yearâs Criminalâhis fourth studio albumâas an opportunity to make a few changes. Now living in Berlin, Vasquez signed a new deal with the experimentally inclined Sacred Bones and unleashed an album full of intensely confessional industrial synth-rock (Ă la Nine Inch Nails) that tackles the lingering effects of his difficult childhood. The result is an urgent and unnerving work of exploration, self-reflection, resignation, and redemption that lifts the veil on Vasquez and puts him at the front of his music for the first time. (Wonder Ballroom, 128 NE Russell, 9 pm, $16-18, all ages) BEN SALMON
SAT DEC 8
Rosanne Cash
Over the past four decades, Rosanne Cash has quietly made one of the most consistent careers in country music. Since releasing her self-titled debut in 1978, the singer/songwriter has released 14 albums, each sounding surer and steadier than the last. Cashâs storytelling skills are on full display on her new record, She Remembers Everything, which includes a couple of interesting collaborations with Kris Kristofferson and Elvis Costello. After paying tribute to her late father Johnny on 2009âs The List, Cash is easing back into her own sharp observations on life and growing older. She Remembers Everything all but solidifies her status as a major influence on country music. (Revolution Hall, 1300 SE Stark, 8 pm, sold out, all ages) MARK LORE
SUN DEC 9
YOB, KhorĂąda, Thrones
Itâs been a wild year for Yob: Almost two decades into their career, the heavy rock trio faced their own mortality and reached their highest level of critical success. Guitarist/vocalist Mike Scheidt wrote a good portion of Yobâs latest record, Our Raw Heart, as he stared down death in the hospital with diverticulitis. In the process, what was almost the end became a rebirth. The album, and the members of Yob themselves, continue to demolish the tidy âdoomâ label that was cast upon them so many years agoâthis is a band that may well be creating their own genre. (Star Theater, 13 NW 6th, 9 pm, $20) MARK LORE
Advance Base, Lisa/Liza
Advance Baseâs third full-length, Animal Companionship, is about naming a dog after a dead boyfriend. Itâs about actualizing long-distance internet love affairs, and going to the park just to watch dogs run around. Backed by only electric piano and drum machine beats, these stripped-down songs capture both the pervasive loneliness of life and the will to alleviate itâthe desire we all have to care and be cared for. At times, the album inches songwriter Owen Ashworth closer to being bedroom-popâs Springsteen, with its working-class tales of finding beauty in refinery lights, kissing a partnerâs smoky hair after an apartment fire, and falling in love at the Aquatarium. (Turn! Turn! Turn!, 8 NE Killingsworth, 8 pm) JOSHUA JAMES AMBERSON
MON DEC 10
Billie Eilish, Strange Hotels, Finneas
If youâre not familiar with pop sensation Billie Eilish, or if youâre flummoxed as to why someone youâve never heard of is instantly selling out venues every time she comes to Portland, donât kick yourself in the ass too hard. Eilish is a creation of Instagram rather than any record label, and has a passionate 9.2 million followers to prove it. AND sheâs only 16 years old, with her first gorgeous hit âOcean Eyesâ popping off when she was the ripe old age of 13. But before you brush her off as another unasked-for internet-born Bieber, listen to her music. Her pipes are a thing of angelic glory and her songwriting ability (with assistance from her brother) belies her age with emotional maturity. Check out her newest single, âWhen the Partyâs Over,â for a taste of her moody, choral-infused power, and be on the lookout for her next Portland gigâbecause unless youâre quick, you can forget about nabbing tickets to that one as well. (Crystal Ballroom, 1332 W Burnside, 8 pm, sold out, all ages) WM. STEVEN HUMPHREY
Fucked Up, Narrow Head
Fucked Upâs new album Dose Your Dreams is long, clocking in at 18 tracks and more than 82 minutes, which seems antithetical to their reputation as a hardcore punk band, but not if you know what Fucked Upâs all about. For more than a decade, the Canadian collective has been toying with the notion of genre, backing harsh hardcore vocals with cinematic guitar-pop, building rock operas from the underground up, and generally bending and stretching the expectations of punk. Dose Your Dreams is no different: Itâs a strange and psychedelic rollercoaster ride that doesnât sound much like past Fucked Up albums. This, folks, is the best punk band on the planet. Catch them while you can. (Mississippi Studios, 3939 N Mississippi, 9 pm, $17-20) BEN SALMON
WED DEC 12
Cake
Cake isnât the type of band that needs to produce a constant stream of new music, and the scale of their popularity means they donât even really need to play live that often. The proof is the fact that their Doug Fir show sold out pretty quickly, despite the band having only put out one new song in the last seven years. That song, âSinking Ship,â is vintage Cake, showcasing tight grooves, group shouts, and John McCreaâs curmudgeonly croon. All proceeds from the singleâs sales are being donated to Doctors without Borders, and tonightâs âTacky Sweater SoirĂ©eâ show is also a benefit for the Giving Tree. (Doug Fir, 830 E Burnside, 9 pm, sold out) RYAN J. PRADO
Emma Ruth Rundle, Jaye Jayle
Thanks to her seemingly endless supply of dramatic guitar licks and haunting vocal melodies, doom-struck folk singer Emma Ruth Rundle will always be the centerpiece of her songs. But while making her latest album On Dark Horses, she shared space with new collaborators in her new hometown of Louisville, Kentucky. Working with members of Jaye Jayle (including romantic partner Evan Patterson), Young Widows, and Wovenhand, Rundleâs new songs find heightened emotional heft in full-band arrangements. The result is a sound thatâs lighter and lusher than her previous releases, but every bit as darkly beautiful. (Mississippi Studios, 3939 N Mississippi, 9 pm, $13-15) BEN SALMON
THURS DEC 13
Bossinâ Up: Fountaine, JxJury, LC Lonely Child, Rikoe Wavy, Jay So Smoov
Comedian Shrista Tyree has been hosting hip-hop shows and open mics in Portland for a minute, and the latest endeavor sheâs producing, Bossinâ Up, goes down at Bossanova Ballroom. Tyree, a talented comedian, is a natural host for the music showcase, and sheâs even been known to perform comedic raps alongside Bossinâ Upâs resident DJ Chuckie Buckets. Oh, and the Mercury is a proud sponsor! The latest showcase hoists rapper/producer Fountaine as its headliner, which is a super good call. Fountaineâs original sound, versatility and bouncy stage presence make his shows an interactive treat. (Bossanova Ballroom, 722 E Burnside, 8 pm, $7) JENNI MOORE
Minus the Bear, Tera Melos
Itâs a bummer whenever a band as good as Minus the Bear decides to hang it up. After 17 years, six LPs, 12 EPs, and a whole lotta touring, the Seattle quartet is saying farewell on this final string of West Coast dates. The bandâs experimentalism was born from the post-hardcore early â00s, and has rotated through wild hybrids of prog, ambient, psych, and punk that peaked on 2007âs classic Planet of Ice, and was refined on their trippy sophomore record, Menos El Oso. Theyâre leaving fans with a final EP, Fair Enough, and plenty of inspired artists in their wake. (Roseland, 8 NW 6th, 8 pm, sold out, all ages) RYAN J. PRADO
FRI DEC 14
Protomartyr, Preoccupations, Hurry Up
The pairing of Detroitâs Protomartyr and Calgaryâs Preoccupations for a double-headliner tour is a brilliant one, and not merely because the two bands are already alphabetically nestled together in your iTunes library. Protomartyr has the market cornered on thinking, literate-minded rock music, with vocalist Joe Caseyâs half-spoken lyrics touching on religion, philosophy, and politics. Preoccupations, on the other hand, examine guitar-rockâs more jittery, mechanical attributes, using it as a vehicle for melodic repetition and abstract minimalism. Together, the two bands make for a thorough treatise for the shape of post-punk to come, as evidenced on their new split 7-inch, which finds each band covering one of the otherâs songs, to surprising and invigorating results. (Mississippi Studios, 3939 N Mississippi, 9 pm, sold out) NED LANNAMANN
CRITICâS PICK: Kurt Vile & the Violators, Jessica Pratt
Kurt Vile is Kurt Vileâlong hair, guitar, barely enunciated lyrics about âRollinâ with the Flow,â you get the pictureâbut tonightâs opener Jessica Pratt is pure magic. Already deserving a place in the same pantheon that houses Karen Dalton, Judee Sill, and Vashti Bunyan, Prattâs 2012 self-titled debut and 2015 sophomore album On Your Own Love Again have proven her ability to spin spider-web melodies out of a few chords and a voice that sounds like it belongs to a lonely alien folksinger echoing across a faraway galaxy. (Extraterrestrial evidence can be found on the shiver-inducing track âBushel Hydeâ: âI am calling out to you/From the ânother place/Words mean more than they did before/In that other place.â) But thatâs not quite right, because Prattâs music is far too introspective to be alien; she always sounds like sheâs a million miles away but still somehow grounded in her own head. Almost every Jessica Pratt song is a complex patchwork of fleeting thoughts, memories that canât seem to fade, and striking images of things like an empty bed and âpeopleâs faces blended together like a watercolor.â The foundation of her new single âThis Time Aroundââfrom her forthcoming record Quiet Signs, which is due in February on Mexican Summer/City Slangâis a simple guitar riff looped over and over, but the effect is bewitching. That should come as no surprise; Jessica Pratt is a master of the deceptively simple song. (Crystal Ballroom, 1332 W Burnside, 8 pm, $29.50-32, all ages) CIARA DOLAN
SAT DEC 15
Frankie Simoneâs Holigay Spectacular: Blossom, Cristina Cano, Zora Pavonine, Che Che Luna, Frankieâs Kweens
Frankie Simoneâs Holigay Spectacular aims to âkeep the season bright and gayâ with burlesque performances from the likes of Zora Pavonine and Che Che Luna and sets from Blossom, electro-swimwave singer/songwriter Cristina Cano (AKA Siren and the Sea), and the rising pop sensation herself. Expect mind-blowing dance moves and plenty of holigay cheer. (Mississippi Studios, 3939 N Mississippi, 9 pm, $15-20) CIARA DOLAN
Tenacious D
The underdog element of folk-metal-comedy duo Tenacious D took a hit when Jack Black turned out to be one of the worldâs biggest movie stars. But the homegrown charm of their HBO series and first album returns with Post-Apocalypto, a project thatâs more than the Dâs first album since 2012âs Rize of the Fenixâitâs also a six-episode cartoon series freely viewable in full on YouTube (you can also watch Post-Apocalypto: The Movie, which pastes all six episodes together). The crudely drawn animationâapparently done entirely by Blackâis reminiscent of the doodles of Dio and Van Halen logos that littered countless spiral notebooks in countless high school study halls. More importantly, itâs got the same silly stoner humor and worship of the almighty riff that made Tenacious D such a fun, affectionate proposition to begin with. (Crystal Ballroom, 1332 W Burnside, 8:30 pm, sold out, all ages) NED LANNAMANN
SAT DEC 15 & SUN DEC 16
Patterson Hood
What a generous and wonderful gift the artistic output of Patterson Hood has turned out to be. The son of one of the greatest bassists who ever livedâDavid Hood of Muscle Shoals, AlabamaâPattersonâs legacy would have been assured even if heâd just dipped his toe in the waters of his dadâs profession. But as it turns out, Hood not only co-fronts one of the most prolific and fiery rock bands of the past two decades (Drive-By Truckers), heâs carried on a simultaneous solo career in music< and become a fantastic essayist and storyteller, exploring the conflict of the two Americas and the redemptive power of music. Now a Portlander, Hood carries on a relatively new holiday tradition with two solo shows at the Doug Fir, where heâll do plenty of talking, and just as much playing. (Doug Fir, 830 E Burnside, 9 pm, $20-25) NED LANNAMANN
Tim Burtonâs The Nightmare Before Christmas in Concert
Old-man goth-kid Tim Burton has made a lot of great movies (Edward Scissorhands!) and a lot of shitty movies (Alice in Wonderland!), but when heâs good, heâs goodâand for proof, look no further than 1993âs stop-motion musical A Nightmare Before Christmas, adapted by director Henry Selick from Burtonâs fantastic story. Sweet, creepy, funny, sad, and gorgeous to both look at and listen to, itâs a simultaneous celebration and satire of this goofy-ass season... and itâll be even better with the Oregon Symphony performing Danny Elfmanâs all-timer of a score live to picture. (Arlene Schnitzer Concert Hall, 1037 SW Broadway, $45-115, all ages) ERIK HENRIKSEN
SUN DEC 16
CRITICâS PICK: Redd Kross, Dale Crover Band
Teenage Fanclub, the Posies, and Redd Kross constitute the holy triumvirate of â90s power-pop. Those first two bands have been obsessed with creating the perfect sequel to Big Starâs #1 Record for the duration of their careers, but Redd Krossâ origin story is a little less straightforward. Formed around the nucleus of choir boy brothers Jeff and Steve McDonald, Redd Kross started as a goofy, quintessentially Californian hardcore band, whose 1982 debut album Born Innocentâreleased when both McDonalds were teenagersâfeatures songs with titles like âKill Someone You Hateâ and âPseudo-Intellectual.â On their 1987 follow-up, Neurotica, the band synthesized punk with their childhood adoration for Sid and Marty Krofft and bubblegum pop bands like the Partridge Family, resulting in a warped paean to â70s Saturday morning ephemera. Then comes the bandâs trio of power-pop all-timers: 1990âs technicolored Third Eye, 1993âs Phaseshifter (which Stone Temple Pilots aped to an embarrassing degree on their album Tiny Music... Songs from the Vatican Gift Shop), and 1997âs Show World, whose lead single âMess Aroundâ boasts guitar-popâs pithiest refrain since âTicket to Rideâ: âCanât you see?/Monogamy/Has always been so hard for me.â After a 15-year break from releasing new music, Redd Kross returned in 2012 with an excellent album on Merge called Researching the Blues, a 30-minute loud-pop romp that contains at least two of the bandâs best songs: the title track and âStay Away from Downtown.â Even after all these years, Redd Kross remain one of Americaâs greatestâand strangestâbands. (Mississippi Studios, 3939 N Mississippi, 9 pm, $15-18) MORGAN TROPER
MON DEC 17
Cults, Munya
QuĂ©bĂ©cois musician Munya kind of sounds like the Cranberriesâ Dolores OâRiordanâwho passed away this year, leaving my face in a permanent frownâsinging breathily in French over entrancing synth-pop. In 2018 Munya released her first two EPs, and she plans to release a third early next year. North Hatley layers woozy, Mac Demarco-style guitar riffs over cruise-controlled beats and sweet lyrics, like those on âDes Bisous Partoutâ (which translates to âkisses everywhereâ). Her second EP, Delmano, includes a charming ode to ghosting called âIf Iâm Gone Tomorrow (Itâs Because of Aliens)â and âHotel Delmano,â which might be Munyaâs best song yet, made great with bongos, a mystical synth line, and layered, siren-like harmonies. Munya only has a few tracks to her name, but sheâs already created a swirling pink fog in pop heaven thatâll hopefully linger for quite a while. (Mississippi Studios, 3939 N Mississippi, 8 pm, $18-20) CIARA DOLAN
WED DEC 19
John Legend
A few years ago, I got really mad when I tried to Google âJohn Lennonâ and it auto-populated âJohn Legend.â But the EGOT winner has more than earned his place atop search engine results, with a multi-pronged talent, a long history of philanthropy, and a more-vital-than-ever sense of social awareness. Tonight, Legend will be singing Christmas songs, proving his cross-generational appeal. (Arlene Schnitzer Concert Hall, 1037 SW Broadway, 8 pm, $69.50-149.50, all ages) NED LANNAMANN