THURS SEPT 26
Plague Vendor, No Parents, Spirit Mother
One of lifeâs greatest mysteries remains the continued marginalization of Plague Vendor. While other bands who share their interest in marrying post-punk and garage rock with sexy, fuzzy bravado have been heaped with breathless praise, this Cali quartet has remained in the shadows, even after three sleek, snarling albums and relentless touring. Letâs help turn the tide. Spend some time with Plague Vendorâs latest, By Nightâa nasty little number that finds the influences of Killing Joke and Suicide creeping into the mixâand then spend your evening drooling over them in person at Bunk Bar. (Thurs Sept 26, 9:30 pm, Bunk Bar, 1028 SE Water, $15) ROBERT HAM
Nitzer Ebb, Surachai
The same year Nine Inch Nails found success by adding a nasty, chain-swinging edge to the dancefloor pulse of electro on 1989âs Pretty Hate Machine, Nitzer Ebb stoked those same flames and Middle American fears with their third album, Belief. But while NIN engaged in a little seduction before breaking out the leather straps, NE got straight down to business, pummeling listeners with gruff, barked vocals and pounding music that felt like a hard, relentless fuck. The British duo hits Portland with a career-spanning tour thatâs a nice accompaniment to the recent reissues of their discography. (Thurs Sept 26, 8:30 pm, Wonder Ballroom, 128 NE Russell, $30) ROBERT HAM
FRI SEPT 27
Rituals of Mine, the Seshen, Frankie Simone
Sudden, unexpected deaths are enough to throw anyoneâs life into turmoil. Such was the case for Terra Lopez, who had been recording dark pop music with her project Sister Crayon for years before her father committed suicide in 2015 and one of her best friends died in a boating accident in 2016. At that point, Lopez completely reassessed her music. âI feel like that name [Sister Crayon] needs to be put to rest along with them,â she told the Sacramento Bee. With a new vision and a new major label at her side, she reinvented her sound, renamed her band Rituals of Mine, and started writing her most honest and personal songs yet. You can hear her new approach on the EP Sleeper Hold, which features Lopezâs cathartic lyrics set to a gentle collision of slo-mo R&B, icy electronic beats, and cool trip-hop vibes. (Fri Sept 27, 8 pm, Polaris Hall, 635 N Killingsworth Ct, $13-15) BEN SALMON
Amon Amarth, Arch Enemy, At the Gates, Grand Magus
There probably wonât be any metal shows for the rest of 2019 that are as stacked as this one. With all these heavy hitters on one bill, what matters most is the opener, Swedenâs Grand Magus. (Amon Amarth and Arch Enemy tour fairly regularly in the US, and At the Gates have been to Portland several times since their reinvigoration.) Grand Magus have been churning out records since 2001, but it took record number nine, this yearâs Wolf God, to finally get them to North America. Wolf God bulges with triumphant, mid-tempo heavy metal fit for anyone clutching a shield and wielding an axe. So if youâve got a battalion of bloodthirsty warriors preparing to mount a battlefield, Grand Magus could certainly inspire them. Letâs just hope North America eats it up so they keep coming back. (Fri Sept 27, 7 pm, Roseland Theater, 8 NW 6th, All ages, sold out) ARIS HUNTER WALES
SAT SEPT 28
Summer Cannibals, Dreamdecay, Moon Shy
Certain Summer Cannibals songs remind me a lot of the Breedersâ â90s albums Pod and Last Splash, with their addictively smooth hooks and powerful female vocals. But to date this Portland band too much would be to do them a disservice, as their latest album, Canât Tell Me No, plays like a power anthem for the #metoo movement (but, like, one you can dance to). Consider the opening lyrics of the albumâs eponymous single: âThe fog is lifted, the coast is clear/ I'm jumping higher without you here/Drag me down, you're a weight on my back/There's no saving, just had to get the fuck out.â It takes skill to be that specific, and that universal, at the same time. (Sat Sept 28, 9 pm, Mississippi Studios, 3939 N Mississippi, $15) BLAIR STENVICK
Vampire Weekend, Soccer Mommy
If youâve got an edible, Iâve got a lot to say about Father of the Bride, the latest record by Vampire Weekend. I started listening to this band in design school for their consistent versatility: You can draw to it, talk over it, or you can take it and the rhymes by singer/guitarist Ezra Koenig pretty seriously. With the departure of the groupâs synth player and all-around genius Rostam Batmanglij in 2016, fans stepped into the new record cautiously, and Father of the Bride waited patiently. The longer you listen to it, the more the flavor changes. At first, I was all about â2021â with its borrowed Haruomi Hosono sample. Then I was kicking it hard with the sporty little âBambina,â and predicting that everyone this summer would get married to the jaunty, modernly sentimental âRich Man.â As I go, I see more and more in this record, and I appreciate the thought and skill that went into making these disparate songs. (Sat Sept 28, 6 pm, Edgefield, 2126 SW Halsey, Troutdale, sold out) SUZETTE SMITH
Shura, Quinn Christopherson
English singer/songwriter Shura made a splash in 2016 with her debut album Nothingâs Real, a punchy and pristinely produced a collection of modern pop and R&B that delivered one memorable melody after another. Now sheâs back with sophomore effort forevher, which finds her extolling the virtues of her (seemingly very happy) relationship while digging deeper into a funky, disco-flavored sound. Shuraâs strength, relative to some of her peers, is her ability to make airy, futuristic pop that doesnât feel like itâs going to float out of your head as soon as it fades out. Her songs feel weighty, substantive, and here to stay. (Sat Sept 28, 9 pm, Doug Fir, 830 E Burnside, $20-22) BEN SALMON
Angels & Airwaves, the New Regime, Charming Liars
Tom DeLongeâs life and work have become punchlines about aliens and enunciation, respectively, but the erstwhile heart of Blink-182 deserves more than a memeâs backhanded affection. Sure, his work with Angels and Airwaves can be turgid and corny, but thatâs sorta what happens when a pop-punk kid falls in love with U2 and the Cure. Weâve all been there. DeLonge is still there, and thatâs okay, because no matter where he is, heâll have his tender and wounded wonder of a voice, which channels adolescent anguish better than just about any other singer in rock music. (Sat Sept 28, 8 pm, Roseland Theater, 8 NW 6th, all ages, sold out) CHRIS STAMM
SUN SEPT 29
Cornelius, Sugar Candy Mountain
The collage pop of Japanese maestro Cornelius makes for stunningly immersive studio albums, but that exploratory MO makes for an exciting, bouncy live show, too, with surprising digressions into found sound and atonal harmony. Most of the time, however, youâll be grooving to Corneliusâ live bandâs super-tight rhythmic interplay and call-and-response arrangements. Tonight, theyâll perform the entirety of Corneliusâ 2002 masterwork, Point. (Sun Sept 29, 8 pm, Revolution Hall, 1300 SE Stark, all ages, $20-24) NED LANNAMANN
Huun Huur Tu, Carmen Rizzo
Thereâs no primer that can prepare you for a performance by Huun Huur Tu. The Tuvan folk quartet has been cultivating its rich musical reach to include not only the hypnotic timbre of throat singing but also a dazzling, rhythmic approach that includes Western instruments like guitar and native Tuvan instrumentation in the form of igil, khomus, doshpuluur, and dĂŒnggĂŒr. The group has undergone many lineup changes over the years and has released nine albums (six of which are live recordings, if thatâs any indication of how powerful they are on stage), in addition to countless collaborative releases. Just go, and thank us later. (Sun Sept 29, 8 pm, Alberta Rose Theatre, 3000 NE Alberta, $28-32) RYAN J. PRADOÂ
Mahalia, Sebastian Mikhael, JVCK JAMES
British songwriter/singer/actress Mahalia Burkmar (better known as Mahalia) recorded her first single at age 13, and at 21 just released Love and Compromiseâwhich is being called a âdebut album,â even though her 11-track project, Diary of Me, came out in 2016. But letâs not haggle, shall we? Thereâs some real talent here. Mahaliaâs soothing voice pings and pops thanks to her Caribbean inflections and hip-hop/jazz sensibilities, producing the kind of R&B-influenced pop thatâs built for romantic interludes and bobbing your head while speeding through the city on a sultry summer night. Pay special attention to her banger âSimmerâ with Nigerian Afro-fusion singer Burna Boy; itâs a sexy journey that documents the heat of a burgeoning relationship and the impossibility of trying to cool it down. Mahaliaâs career could easily take a similar trajectory, so get in on this now. (Sun Sept 29, 9 pm, Hawthorne Theatre, 1507 SE 39th, all ages, $18.50-22.50) WM. STEVEN HUMPHREYÂ
MON SEPT 30
Sabrina Claudio, Gallant
Alternative R&B singer Gallantâs voice sounds like if Maxwellâs sky-high falsetto was anchored by Usherâs hearty tone and romantic runs. Gallantâs star has been steadily rising ever since his 2015 hit âWeight in Goldâ took off; his studio debut, 2016âs Ology, received critical acclaim for its lyricism, distinct sound, and vocal proficiency. Recently, he and airy-voiced singer Sabrina Claudio (this showâs headliner) collaborated on âCompromise,â and his other new single âSleep on Itâ is also a bop. While this time heâs appearing at the Crystal as a âspecial guestâ on Claudioâs âTruth Isâ tour, Gallantâs opening set will be the highlight. (Mon Sept 30, 8 pm, Crystal Ballroom, 1332 W Burnside, all ages, $27.50) JENNI MOORE
TUES OCT 1
Pharmakon
âTo be well adjusted in this system is to be oblivious and unfeeling,â Margaret Chardiet writes in the artist statement for Devour, her fourth album as Pharmakon. âThis is for the rest of us, who understand that chaos, madness, pain, and even self-destruction are natural and inevitable responses to an unjust and disgusting world of our own making.â Blending the harsh noise of Wolf Eyes and the incantatory menace of Diamanda GalĂĄs, Pharmakonâs latest transmission from the sick center of our devastated epoch sounds like a dying brainâs final nightmare. It is the antithesis of easy listening, because we live in the opposite of a kind and just world. We have earned this soundtrack. (Tues Oct 1, 8 pm, Polaris Hall, 635 N Killingsworth Ct, $12-14) CHRIS STAMM
THURS OCT 3
The Thesis
Clear your schedule, because the latest installment of Portland's canât-miss hip hop showcase The Thesis is⊠uh, even more canât-miss-able? Is that even possible? It is when the lineup boasts excellent headliner Covi., and thereâll also be auditory astonishment from neo-soul singer Veana Baby and rhymes of both the sharp and laid-back varieties from MixxTapeRadio. (Thurs Oct 3, 9 pm, Kellyâs Olympian, 426 SW Washington, $10) ERIK HENRIKSEN
CRITICâS PICK: Tegan and Sara
When youâve been successfully making music for two decades, youâre in a spot where you can comfortably take creative risksâthatâs what Tegan & Sara do with their new album, and those risks pay off.
Looking back at Tegan & Saraâs discographyâeight studio albums so far, starting with Under Feet Like Ours in 1999âitâs easy to chronologically sort their releases into three genres. The sister duo started with an Ani DiFranco folk bent for their first two records, then transitioned to an indie rock sound for a decade. Then came 2013âs Heartthrob and 2016âs Love You to Death, which fully embraced a new synth-pop sound.
With their ninth album, Hey, Iâm Just Like You (out September 27), Tegan & Sara pull the best bits from all three stages of their career. That likely has everything to do with their source material: While writing a joint memoir, High School, the twins found dozens of old songs theyâd written and recorded as teenagers, preserved on cassettes. Hey, Iâm Just Like You is those songs, re-recorded with fuller sounds and minor lyrical edits. (Itâs worth noting Tegan & Sara used an all-woman band to record this album, a first for the duo.)
The result is a record that boasts both the diversity of sound Tegan & Sara have explored over the last 20 years, and the trademark âripped-from-a-queer teenagerâs-journalâ lyrics that first endeared their fanbase to them (âRight now, I wish I was older/and right now, I wish I had closure,â they sing on âHello, Iâm Right Hereâ). Fans of their rock-oriented Con era will welcome the simple guitar riffs and energetic rock vocals on tracks like âIâll Be Back Someday.â Listeners who prefer the new pop sound will likely gravitate toward the title track, which is also the albumâs first single. The band even throws a bone to longtime devotees with an acoustic song (âPlease Help Meâ)âsomething they havenât done on their last few albums.
In taking this creative risk, Tegan & Sara have made an album that feels almost like a therapeutic exercise: a love letter to all their former selves. (Thurs Oct 3, 8 pm, Aladdin Theater, 3017 SE Milwaukie, all ages, sold out) BLAIR STENVICK
Lana Del Rey
Lana Del Rey is a mood. The singer/songwriterâs new record Norman Fucking Rockwell doesnât much resemble her 2012 smash hit Born to Die, which lanced its perfect, crisp tracks into the heart of morbidity and the American mythos. No, Norman Fucking Rockwell is more like 2014âs Ultraviolence: a continuous river that swallows us up in romance and sorrow. In her songs, Del Rey is an intellectual cool girl. âYou write, I tour, we make it work,â she croons on âVenice Bitch,â but when the men in Del Reyâs life are cruel, she just sort of compartmentalizes it. And while that may be frustrating on a feminist level, itâs also a bold, honest account of the realities of love, in both Del Reyâs nostalgic fantasy and the real world. (Thurs Oct 3, 8 pm, Moda Center, 1 N Center Ct, all ages, $49.50-205) SUZETTE SMITH
Blanck Mass, Helm, Steve Hauschildt
Blanck MassâAKA Fuck Buttons co-founder Benjamin John Powerâand English experimentalist Helm are responsible for two of 2019âs most exciting electronic albums (Animated Violence Mild and Chemical Flowers, respectively), while Chicago-based producer Steve Hauschildt released the fantastic Dissolvi just over a year ago. In other words, this triple bill gathers together artists who are releasing some of the best and boldest music of their careers. The eveningâsure to be filled with cinematic soundscapes, ambient textures, and perhaps some metal-leaning screams courtesy of Blanck Massâshould be cohesive and disparate in all the right ways. (Thurs Oct 3, 8 pm, Holocene, 1001 SE Morrison, $15-17) BEN WEINSTEIN
FRI OCT 4
Ruston Kelly
Ruston Kellyâs had a pretty good run the last few years. His most recent full-length, Dying Starâa collection of endlessly tuneful folk-rock songs about being a fuck-upâwas one of the best albums of 2018. It also helped expand his fanbase, as evidenced by his bump up from Bunk Bar (last November) to Wonder Ballroom. And... oh yeah, he married Kacey Musgraves, who used marital bliss as fuel for her mega-smash-hit album Golden Hour, which carried her to a new level of superstardom. Musgraves is great, of course, but donât sleep on Kelly, whose songs display a unique sense of melody and ultra-relatable lyrics. For his next act, heâs releasing an EP of emo covers! (Fri Oct 4, 8:30 pm, Wonder Ballroom, 128 NE Russell, all ages, $15) BEN SALMON
SAT OCT 5
Boy and Bear, Stu Larsen
If youâre looking for a new favorite band to listen to during those crisp fall evenings, Australian indie-folk band Boy and Bear most definitely fits the bill. As former openers for Mumford and Sons, the quintet is sure to be able to handle a large crowd of adoring fans. So put on your favorite flannel, pour yourself a glass of delicious whiskey, and turn that fireplace on while you catch up on songs like new single âHold Your Nerveâ and 2013âs âSouthern Sun.â The men from the land down under are coming up stateside. (Sat Oct 5, 8 pm, Aladdin Theater, 3017 SE Milwaukie, all ages, $25) KATHERINE MORGAN
SUN OCT 6
Charli XCX, Brooke Candy
In 2014, Charli XCX won âHitmaker of the Year,â an award presented by Billboard Women in Music, and five years later, we can confirm it was rightfully given. Charli XCX is the queen of catchy earworms: From her hit âBoom Clapâ to her feature on âFancyâ by Iggy Azalea (donât act like you donât know that chorus by heart), this woman is here to conquer the world. The fact that the show is on a Sunday shouldnât stop you. Charli XCXâs electropop sound will be ricocheting off the walls all night. Just call out the following Monday; youâre gonna be up late. (Sun Oct 6, 8 pm, Roseland Theater, 8 NW 6th, all ages, $30-32) KATHERINE MORGAN
MON OCT 7
Anne Sofie von Otter & Kristian Bezuidenhout
The fantastic folks at Friends of Chamber Music have been bringing top-shelf musicians to Rip City since the 1930s, and tonight they expand their tradition of excellence by hosting Anne Sofie von Otter. An internationally acclaimed mezzo-soprano, von Otter has collaborated with rocker Elvis Costello and jazz keyboardist Brad Mehldau, but her bread and butter has always been impeccable interpretations of classical lieder and opera roles. Sheâll be joined by Kristian Bezuidenhout on piano for several recital pieces from Mozart and Schubert, as well as works from underrepresented composers from her native Sweden. (Mon Oct 7, 7:30 pm, Lincoln Performance Hall, 1620 SW Park, all ages, $32-57) BRIAN HORAY
Jidenna
Jidennaâs new album is a trippy jaunt through the African diaspora thatâll have you wanting to follow his caravan. Read our full review of 85 to Africa. (Mon Oct 7, 8 pm, Roseland Theater, 8 NW 6th, all ages, $25-30)
TUES OCT 8
Tank and the Bangas, Adia Victoria
Tank and the Bangas are touring in support of their major-label debut The Green Balloon. The bandâs led by gospel-trained singer/songwriter/slam poet Tarriona âTankâ Ballâwhose voice is so powerful and animated, youâd think sheâs a real-life cartoon character. The New Orleans five-piece (plus the sometimes-present back-up vocals of Anjelika âJellyâ Joseph) blasts a rich and somewhat oddball blend of soul, funk, hip-hop, rock, and jazz. Thereâs nothing quite like seeing Tank and the Bangas live, which usually includes some spoken word. Having played truly stunning sets at Pickathon and Roseland Theater in the past couple years, itâll be a nice change to see them in the cozy but still aesthetically pleasing confines of the Crystal Ballroom. Also on the bill is raspy-voiced singer/songwriter/poet Adia Victoria, who performs an original mĂ©lange of gothic blues, country, and rock thatâs simply enchanting. Miss this show at your peril. (Tues Oct 8, 8:30 pm, Crystal Ballroom, 1332 W Burnside, all ages, $25-30) JENNI MOORE
Flor, Joan, Lostboycrow
Read our story on Flor. (Tues Oct 8, 7:30 pm, Wonder Ballroom, 128 NE Russell, all ages, $18-20)
WED OCT 9
Bleached, Dude York
The rougher edges of Bleached have been buffed a bit, but the now-duo comprising sisters Jessie and Jennifer Clavin are still cranking out catchy, glammy pop-punk. On their recent LP, Donât You Think Youâve Had Enough?, Bleached stretches their legs: Thereâs everything from disco-tinged rock on âHard to Killâ to Smiths-inspired pop on âSomebody Dial 911.â The Clavins have diversified and managed to create an even more likeable collection than the raw garage-punk of their 2013 debut, Ride Your Heart. Seattleâs Dude York kicks things off in support of their fourth LP, Falling, their third record on Hardly Art and probably their most dynamic and quirky to date. (Wed Oct 9, 9 pm, Star Theater, 13 NW 6th, $15) RYAN J. PRADO