And So We Walked Charts the Reach of Generational Trauma
by Emily Gillespie
Hamilton Will Make You Feel Better About Being an American
by Megan Burbank
Larissa FastHorse’s Committed, Well-Crafted Satire Takes On Well-Meaning Liberals and Theater’s Diversity Problem
by Megan Burbank
Tue, Apr 10, 2018
by Megan Burbank
Sat, Apr 7, 2018
by Suzette Smith
Wed, Mar 21, 2018
by Mercury Staff
Wed, Mar 14, 2018
CoHo's Latest Depicts a the Reality of Aging Without Sugarcoating
by Nancy Slavin
Wed, Mar 14, 2018
And a Song! Surprise! It's a Scarlet Letter Musical!
by Megan Burbank
Wed, Feb 28, 2018
The New Theater Company Is Here to Shake Up Portland’s Performance Scene
by Nancy Slavin
Wed, Feb 21, 2018
The Latest from CoHo Theatre Elevates a Nursery-Rhyme Plot Into Something Moving and Complex
by Nancy Slavin
Wed, Feb 21, 2018
A Satisfyingly Dark Vision of Shakespeare’s Blood-Soaked Tragedy
by Megan Burbank
Wed, Feb 14, 2018
Portland Center Stage’s Ambitious Two-Part Play Comes to an End
by Nancy Slavin
Wed, Feb 14, 2018
The JAW Festival Pick Premieres at Portland Center Stage
by Emily Gillespie
Wed, Feb 7, 2018
Artists Rep’s Six-Hour Behemoth is About More than Climate Change
by Thomas Ross
Wed, Feb 7, 2018
Profile Theatre’s New Season Begins with Lisa Kron’s Reflection on Family and Trauma
by Megan Burbank
Fri, Jan 26, 2018
by Megan Burbank
Wed, Jan 24, 2018
Crooked Media’s Lovett or Leave It Is a Necessary Antidote to Trump’s America
by Ned Lannamann
Wed, Jan 17, 2018
Your Best Bets Include Rosa Luxemburg, Sexual Revolutions, and a New and Improved Uncle Vanya
by Megan Burbank
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