Credit: Ian McCluskey/Oregon Field Guide
A recent shoot at Willamette Falls.
A recent shoot at Willamette Falls. Ian McCluskey/Oregon Field Guide

Peak TV be damned.

The most exciting and inspiring show on television has been quietly trucking along for close to three decades, without succumbing to the whims and fashions of shifting TV trends. And itโ€™s made right here in Oregon.

Now in its 29th season, Oregon Field Guide is more than a local nature program. Itโ€™s the most effectively realized reflection of the Northwest thatโ€™s out thereโ€”a thriving and evolving document of Oregonโ€™s wildest corners (and beyond), its most breathtaking scenery, and its most at-risk ecosystems.

The show is Oregon Public Broadcastingโ€™s longest-running original program, becoming nothing short of a jewel of the state over the years, and despite its enormous appeal and accessibility, it remains more or less unique in the national television landscape. Oregon Field Guide focuses, without flash or agenda, on the immense canvas that is the world outside Oregoniansโ€™ doorstepsโ€”the wildlife, recreation, geologic phenomena, and ecology found in the landscapes that surround us, and the people who make it their lifeโ€™s work to study and preserve it.

โ€œIt was initially the idea of a fellow with the Oregon Department of Fish and Wildlife,โ€ says longtime host Steve Amen, who got the show off the ground back in 1988. โ€œAnd they wanted an outdoor magazine show that didnโ€™t really deal with controversies or any real issuesโ€”they didnโ€™t want to tick anybody off. Theyโ€™re a state agency and I donโ€™t blame โ€™em. They have enough pressure. But thatโ€™s not what we wanted; we wanted to be able to look at issues. So when we decided that we were going to go ahead with it, Fish and Wildlife said, โ€˜Itโ€™s yours, we wish you the best.โ€™โ€

When Amen announced his retirement this year, it marked one of the biggest shifts in Oregon Field Guide since the show began. Amen has been the recognizable face and voice of Field Guide, but as heโ€™s quick to point out, the show has always been the work of a larger team of producers, photographers, and editors. One of those, producer Ed Jahn, has succeeded Amenโ€™s place at the helm of Field Guide for the showโ€™s 29th season, and heโ€™s ready to carry on its missionโ€”a mission thatโ€™s made possible by the full weight of support from OPB, and the trust thatโ€™s placed in the showโ€™s producers to know what will make for a good story.

โ€œThis is what makes the job so addictive,โ€ says Jahn. โ€œBecause you know what the goal is, and you can kind of just go. You donโ€™t have to go through 10 tiers of management and try to figure out what advertiser youโ€™re appeasing, you know? Thereโ€™s no criterion other than: โ€˜Is this a great story, in the outdoors, in the Northwest?โ€™ I mean, thatโ€™s a big umbrella. From there you can go anywhere.โ€

Ned Lannamann is a writer and editor in Portland, Oregon. He writes about film, music, TV, books, travel, tech, food, drink, outdoors, and other things.