Credit: Michael Mitarnowski

When asked to describe his approach to cooking, Daniel Mondok
reels off his mission statement without hesitating: “American
contemporary with an emphasis on French techniques and Northwest
accents.” It’s no wonder he’s got his spiel down pat: He’s been
refining his approach for 20-plus years, from a stint at Napa Valley’s
famous The French Laundry under the tutelage of Thomas Keller to time
in high-end Portland kitchens like Carlyle and The Heathman. In his new
dream gig as chef and part owner of Hawthorne’s sel gris, Mondok had
his hand in designing every element of the restaurant, from the
intimate 45-seat dining room to the custom bar stools to the kitchen;
and the space feels coherent, the gray and amber hues of the dining
room reflected in the stainless steel and copper of the open
kitchen.

It’s a big city restaurant with a Portland twist, and the menu
reflects that: This is high-end dining, “foodie” food, locally sourced
ingredients artfully combined and arranged in towers, patterns, and
flourishes. It can feel intimidating, even overproduced, but when
confronted with a stack of food you’re not quite sure how to eat, bear
Mondok’s advice in mind: “Take a fork. Knock it down. Take a bite.”

The menu is expensive, but not unreasonably so: It tops out at
around $30 for entrรฉes that include a braised lamb shank,
grilled escolar, and a house take on “pork ‘n’ beans” (Carlton Farms
pork cheeks and French beans). Starters and salads, meanwhile, run from
an entry-level soup ($5) to $16 for foie gras two ways. (Mondok’s
affection for foie is obvious: He even puts it on his burger, available
on the late-night menu, served from 10 pm-1 am on weekends, and 10
pm-midnight on Thursdays.)

A simple salad of beets three waysโ€”raw, roasted, or
curedโ€”is a revelatory take on the ubiquitous salad, a friendly
reminder of the versatility of the lowly beet; while in the fritto
misto
, a plate of fried seafood, is brightened up with tangy,
surprising bites of fried lemon. The salmon comes in one of those
aforementioned towers, an artful little assemblage of salmon, prawn,
crab, squid, and “coral oil,” which the internet informs me is a recipe
from Thomas Keller’s kitchen, made by blending lobster eggs with
oilโ€”the resulting dish is surprisingly rich, and fun to
deconstruct. And a tender hunk of venison is grilled to that flesh pink
that speaks directly to the inner carnivore, sweetened with a light
sauce of roasted fig. This is food best savored: A slow pace suits both
the attention paid by the kitchen to every detail of the food, and the
unexpected richness of much of it. (“If I only go through five pounds
of butter in a night, that’s a good night,” Mondok told me.)

And then there are desserts. Dear god. Pastry Chef Steven Smith,
formerly of Carlyle, is reputed to be one of the best in town, and
after a bite of his tri-color chocolate mousse, tempered with a
near-bitter orange sauce, I believe it. (Smith also bakes sel gris’
excellent bread, fresh daily.)

Sel gris has only been open for a few months, but it’s already
vaulted into the upper echelons of Portland’s fine dining scene.
Mondok’s baby is clearly here to stay, so you better head on over and
form an opinion of your own. Don’t forget to make a reservation.

sel gris

1852 SE Hawthorne 517-7770

Alison Hallett served nobly as the Mercury's arts editor from 2008-2014. Her proud legacy lives on.

One reply on “Fun to Look at, Fun to Eat”

  1. omg!! i am 14 and in love the with the craftsmanship cooks put in there food. i love the square three dimensional plates, the design of the food and everything about it. if the food isnt crafted… i dont eat it! flat out. my parents knoe that and my cooks knoe that. i love this entre’ that he has created.. keep up the good work and you will probly be hearing from me through my people.

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