Readers, I am concerned about Mercury Film Editor Erik Henriksen’s level of respect for his fellow film critics. When I mentioned I wished to blog about esteemed film critic Roger Ebert getting kicked off his TV show, At the Movies with Ebert & Roeper, he said that I should, as long as I referred to him throughout this blog post as “The Eeb.” He also insisted that I use this picture of him:
Never mind that “The Eeb” is one of the most influential film critics around; never mind that he’s been one of the most prolific and readable journalists in the past few decades; never mind that he’s a staunch advocate of the remarkably sane “subjective” (as opposed to “objective”) approach to criticism; never mind that the man is a friggin’ national treasure. (He is.) It turns out that Disney, the company that produces the TV show, has decided to take Ebert & Roeper in a different direction, i.e. one that no longer includes Ebert, or his smarmy, nerdy Siskel-replacement, Richard Roeper.
From a statement from the Eeb’s website:
After 33 years on the air, 23 of them with Disney, the studio has decided to take the program named “Siskel & Ebert” and then “Ebert & Roeper” in a new direction. I will no longer be associated with it… The show was a wonderful experience. It was a great loss to me when surgery in July 2006 made it impossible for me to appear on the air any longer… The trademark [“Two thumbs up”] still belongs to me and Marlene Iglitzen, Gene’s widow, and the thumbs will return. We are discussing possibilities, and plan to continue the show’s tradition.
Roeper, meanwhile, is still under contract to Disney and can’t participate in a new, non-Disney show. Anyway, here’s hoping that Ebert finds a new venture. Oh, and I hope he gets his voice back, too! (Not looking too likely, though; it’s been two years since he lost his voice after a bout with salivary cancer. He currently speaks with a computer–like Stephen Hawking, perhaps one of the only other humans on the Eeb’s magnitude of genius. From his Wikipedia entry: “Currently, [“The Eeb”] talks using a computerized voice system. He initially chose to use a voice with a British accent that he named ‘Lawrence,’ but eventually began using one with an American accent.” Oh man that is sweet.)
In the meantime, I shall curl up with his review of the 1987 Diane Keaton classic Baby Boom. (“The Eeb” liked it. Three stars!)

If you want to see another side of “The Eeb”, check these hilarious outtakes of him and Siskel hating on each other:
http://youtube.com/watch?v=OkwVz_jK3gA
What a shame. It was never the same after Gene died, but either way E-skillet’s always been a great critic for the masses.
I should note that, despite Ned’s insinuations to the contrary, I really like The Eeb: Robert Ebert’s Book of Film, which he edited, collects some of my favorite movie-centric writing, and I gotta respect anybody who’ll stand by their three-and-a-half star review of The Phantom Menace.
All that said, yes, that picture of him is hilarious.
ehh. this guy will give a positive review to anything. not much of a “critic.”
I love Ebert so much. Good points all around, Ned.
A national treasure.
Well, at least Disney’s taking the show in a really great new direction.
Wait, did I say “really great”? What I meant to say was “fucking terrible.”
http://www.variety.com/article/VR1117989303.html?categoryid=13&cs=1
Ebert has had significant health problems in the last few years such that HE CAN’T FUCKING TALK. Like Ebert or hate Ebert, the man has fought thyroid cancer and salivary gland cancer, has had a significant amount of his jaw and tongue removed to save his life. this is in poor taste.
yes, I got your jokes. they are in poor taste.
Don’t forget that he’s also the only film critic ever (as far as I’m aware) to have won the Pulitzer.
The man’s a genius. Never mind his film crit, the man can write. I remember his recounting of a visit with David Mamet that was an absolute howl because he wrote it pitch perfect like a character in one of Mamet’s screnplays might have wrote it (except for the swearing, of course).
He’s pretty much the best film critic there ever was or probably will be (no disrespect meant to Siskel, but I just didn’t like him as much as I liked Ebert).
I’m not calling him “The Eeb”. Y’alls can if you want.
Sort of the Laurel & Hardy of film criticism.
Still, not funny. Next!