TBA: Sanity TV Puts Autumn Knight's Audience on the Spot

TBA: Demian DinéYazhi' Wrote "An Infected Sunset" For Indigenous Persons and People of Color

TBA: Next LVL Is a Site for Experimental Music and Radical Change

TBA: Utopian Visions Art Fair Lives Up to Its Utopian Ideals

TBA: Raquel André Exposes More Than Just Her Collection of Lovers

TBA: Sitting in the Dark, Laughing About Death at Andrew Schneider's AFTER

TBA: Tender Table and TBA Food Examine the Intersection of Food, Art and Community

TBA: We Went to All Three Some Styles of Masculinity and Here Are Our Notes

TBA: Back to School with Professor Vag(inal Davis)

TBA: PUSHIT! Has Audiences Chasing Art (and NIC Kay) Down North Williams

TBA: Legendary Isn't Shown the Love it Deserves

TBA: Waxing Philosophical with Robin Deacon's Vinyl Equations

TBA: The Beautiful Street Presents Their Primer in Underrepresented Dance and Welcomes Everyone to the Floor

TBA: Powerful Dancer Stares at ANTHEM, Nothing Much There in Soft Goods

TBA: Unexploded Ordinances (UXO) Selects a Council of Elders to Discuss Modern Anxieties

TBA: Late Night TBA with S1 DJs, The Creatrix, Isabella and Portland's Decorum

TBA: Kaneza Schaal's Jack & Mixes Theater, Stand-Up, Dance, Music, and Ritual

TBA: Ann Hamilton's Habitus Is an Interactive Installation of Dwelling, Shelter, and Sanctuary

TBA on the Cheap: Five Affordable, Approachable TBA Picks!

All the Amazing Things at the 2018 Time-Based Arts Festival

LA Choreographer Milka Djordjevich, NY Video Arts Monologist Gregg Bordowitz, S1 DJs and Holocene’s Fin de Cinema

TBA Review: Erin Markey's Boner Killer Lives Up to the Hype

TBA Review: Half Straddle's Power Pop and Sisterhood

TBA Review: Morgan Bassichis Attempts to Update the Protest Song

TBA Review: Tanya Tagaq's Contemporary Throat-Singing Addresses Violence Against Native Women and the Earth

TBA Review: Faye Driscoll's Play Will Leave You Scratching Your Head

TBA Review: Sounds et al. Puts on the Platonic Ideal of an Experimental Music Show

TBA Review: Notes of a Native Song's Lovingly Messy Tribute to James Baldwin

TBA Is Happening

What We Saw and Loved in the First Week of the Performance Festival

TBA Review: EMA Delivers An Unfuckwithable Rock Set

TBA Review: Crying Through Glitter at the Last Critical Mascara

TBA Review: Spirituality and Resistance in Dohee Lee's MU/巫

TBA Review: They, Themself, and Schmerm Puts On a Delightful, Humorous Show About Abuse and Gender Transition

TBA Review: Genesis P-Orridge Wages a Poignant War on the Gender Binary

Oh Right, TBA Starts Tomorrow

TBA Review: Britt Hatzius’s Blind Cinema is Not For Child-Hating Roald Dahl Villains

TBA Review: Grief and Humor in Mohamed El Khatib's Finir en beauté

TBA Reviews: She's In Parties Was Not Much Of A Party After All

TBA Review: Watching Grown Men Juggle in Alessandro Sciarroni’s UNTITLED_I will be there when you die

TBA Review: Pondering Desire With Allie Hankins and Her "Fuck Machines"

TBA Review: Amenta Abioto Nearly Achieves Transcendence

TBA Preview: Repurposed Nostalgia in Mechanics Laid Bare

TBA Review: The Effervescent Spirit of AU and the Camas High School Choir

TBA Review: Unpacking “Otherness” in Carlos Motta’s Deseos / رغبات

TBA Review: Royal Osiris Karaoke Ensemble's Stealthy Mindfulness and Toxic Masculinity

TBA Review: Disco Nostalgia and Wildwood Fantasies in Meg Wolfe's New Faithful Disco

TBA Review: When Watching One Part of Morgan Thorson’s Still Life, Another Part Passes You By

TBA Review: Narcissister’s Sublime, Ab Fab-Approved Spectacle

Final Thoughts on TBA 2015, Plus Art It's Not Too Late to See!

Final Thoughts on TBA 2015, Plus Art It's Not Too Late to See!

The Confines of Gender (and Dance) in Radhouane El Meddeb’s Au temps où les arabes dansaient