TBA:20 Begins This Weekend to Make Note of a Time We'll Never Forget

Ahamefule J. Oluo's SUSAN at TBA 2019: Wonderful Music, Not Enough SUSAN

TBA 2019: Photos of Eiko Otake's The Duet Project: Distance is Malleable

The Dope Elf Review: TBA and Yale Union Join Forces to Bring Portland One Weird Play About Gentrification

TBA 2019: With The Want Adam Linder Seems to Want to Prevent Us from Understanding

Fin de Cinema Is a Late Night TBA Classic and Their Approach to Black Orpheus Was Perfect

At TBA 2019 Eiko Otake's A Body in Places Is Both a Dance and an Installation

TBA 2019 Late Night: The Back to School Kiki Celebrates and Educates

TBA 2019 at First Presbyterian: Kara-Lis Coverdale's Quiet Swells of Sound Demand Reverence

Miguel Gutierrez’s This Bridge Called My Ass Seeks to Destroy the Relationship Between Bodies and Objects

Dystopian Cyberpunk Interpretive Dance With Notes of Blade Runner: Ligia Lewis' Water Will (in Melody) at TBA 2019

TBA 2019: Photos of Cannupa Hanska Luger at C3: Initiative

Noche Libre DJs at TBA 2019: There’s More to This Multi-Disciplinary Collective Than Meets the Ear

TBA Is TONIGHT!

Holland Andrews Talks Moving to NYC and Mixing Beauty and Dissonance On Their New Album

Our Picks For TBA 2019

TBA: Sanity TV Puts Autumn Knight's Audience on the Spot

TBA: Demian DinéYazhi' Wrote "An Infected Sunset" For Indigenous Persons and People of Color

TBA: Next LVL Is a Site for Experimental Music and Radical Change

TBA: Utopian Visions Art Fair Lives Up to Its Utopian Ideals

TBA: Raquel André Exposes More Than Just Her Collection of Lovers

TBA: Sitting in the Dark, Laughing About Death at Andrew Schneider's AFTER

TBA: Tender Table and TBA Food Examine the Intersection of Food, Art and Community

TBA: We Went to All Three Some Styles of Masculinity and Here Are Our Notes

TBA: Back to School with Professor Vag(inal Davis)

TBA: PUSHIT! Has Audiences Chasing Art (and NIC Kay) Down North Williams

TBA: Legendary Isn't Shown the Love it Deserves

TBA: Waxing Philosophical with Robin Deacon's Vinyl Equations

TBA: The Beautiful Street Presents Their Primer in Underrepresented Dance and Welcomes Everyone to the Floor

TBA: Powerful Dancer Stares at ANTHEM, Nothing Much There in Soft Goods

TBA: Unexploded Ordinances (UXO) Selects a Council of Elders to Discuss Modern Anxieties

TBA: Late Night TBA with S1 DJs, The Creatrix, Isabella and Portland's Decorum

TBA: Kaneza Schaal's Jack & Mixes Theater, Stand-Up, Dance, Music, and Ritual

TBA: Ann Hamilton's Habitus Is an Interactive Installation of Dwelling, Shelter, and Sanctuary

TBA on the Cheap: Five Affordable, Approachable TBA Picks!

All the Amazing Things at the 2018 Time-Based Arts Festival

LA Choreographer Milka Djordjevich, NY Video Arts Monologist Gregg Bordowitz, S1 DJs and Holocene’s Fin de Cinema

TBA Review: Erin Markey's Boner Killer Lives Up to the Hype

TBA Review: Half Straddle's Power Pop and Sisterhood

TBA Review: Morgan Bassichis Attempts to Update the Protest Song

TBA Review: Tanya Tagaq's Contemporary Throat-Singing Addresses Violence Against Native Women and the Earth

TBA Review: Faye Driscoll's Play Will Leave You Scratching Your Head

TBA Review: Sounds et al. Puts on the Platonic Ideal of an Experimental Music Show

TBA Review: Notes of a Native Song's Lovingly Messy Tribute to James Baldwin

TBA Is Happening

What We Saw and Loved in the First Week of the Performance Festival

TBA Review: EMA Delivers An Unfuckwithable Rock Set

TBA Review: Crying Through Glitter at the Last Critical Mascara

TBA Review: Spirituality and Resistance in Dohee Lee's MU/巫

TBA Review: They, Themself, and Schmerm Puts On a Delightful, Humorous Show About Abuse and Gender Transition

TBA Review: Genesis P-Orridge Wages a Poignant War on the Gender Binary

Oh Right, TBA Starts Tomorrow