Credit: Shelley McLendon

โ€œI was listening to The Specials,โ€ Shelley McLendon says over email. โ€œAnd the song โ€˜Ghost Townโ€™ came on.โ€ That was all it took to set her and Michael Fetters on the path to a sketch comedy show set in an Old West town full of gold rushers, ghost hunters, and church kids.

Regular Mercury readers will know I love screaming about the Aces: the imaginative, reliably hilarious duo composed of McLendon and Fetters. Though they are most notably beloved for their animal impressions, the secret sauce that makes the Aces so outrageous is a hard recipe to reverse engineer.

McLendonโ€™s nigh legendary deadpan humor figures heavily. There was a sketch in the Acesโ€™ 2018 show, Hot Fruit, where everything she picked up was a banana (phone, cigarettes, baby, boat, etc.), and when the audience turned to see the Aces longtime helper Marshall Bradley standing stoically in a human-sized banana costume, Shelley said, โ€œOh, the moon is out.โ€ Iโ€™m still laughing about it, two years later.

Fetters brings total devotion to the physicality of his characters, be they the angry gorilla dad from their sketch about gorilla parentingโ€”which is what made people so obsessed with the Acesโ€™ animal impressions in the first placeโ€”to his mysterious all-knowing buffalo chew at their 2019 show State Fair. โ€œAt this point,โ€ McLendon says. โ€œI donโ€™t think we can ever NOT play animals in a show.โ€

So Ghost Town will have an animal or two. Iโ€™ve also heard tell of a strongman costume and a petting zoo. It seems impractical to imagine an evening of Aces comedy without a visit from Glenn and Peaches, Fetters and McLendonโ€™s hip socialite swinger characters, but Iโ€™m not sure how they would get to the Old West. McLendon gave me a negative on Ghost Town featuring any giant mechanical spiders ร  la the 1999 film Wild Wild West. โ€œBut,โ€ she said, โ€œyouโ€™re making me think we should.โ€

A full show is my ideal way for people to see the Acesโ€”as opposed to catching them at festivals or โ€œBest Ofโ€ nights where they might only get to do one skit. Thereโ€™s a building, rolling humor to their writing, which circles back and pumps up old jokes, adding layers and calling in old references. Ghost Town is set to dip back and forth between a small dusty townโ€™s booming past and its abandoned present. Iโ€™m excited to see where the Aces will take us.

Suzette Smith is the arts & culture editor of the Portland Mercury. Go ahead and tell her about all your food, art, and culture gripes: suzette@portlandmercury.com. Follow her on Twitter, Bluesky,...