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I made you an arts section!

VISUAL ART:

Matt Stangel reviews the Portland Art Museum’s Disquieted, a group show that really, really wants to freak you out.

BOOKS:

Dave Bow reviews Max Watman’s Chasing the White Dog, a book about moonshine that sounds super interesting, but reads like this:

“On top of my newly purchased antique boiler, there was a 3ยฝ-inch threaded hole into which screwed a large brass fitting resembling the bell of a rustic, steam-powered trumpet. This cap was topped with a smaller threaded hole. I figured the smaller hole was nominally an inch but it measured more like an inch and an eighth. Perhaps it was therefore nominally an inch and a quarter, since people selling you materials rarely round things down.”


THEATER:

I get all gushy about Third Rail’s production of American Buffalo.

Jane Carlen does not gush, and in fact exercises a fair amount of restraint, in her review of The Devil and Billy Markham, a show for grownups penned by the great Shel Silverstein.

Side note: I recently asked Twitter if anyone knew where local theater people went to anonymously shit-talk one another, now that Followspot has closed down. Well, I think I found it: dirtybombpdx isn’t pulling any punches in their reviews of local productions. (I disagree with the reviewer’s assessment of American Buffalo, but I could’ve written that Rocket Man review myselfโ€”I think it’s dead on.)

Our theater picks of the weekend: Fall of the House‘s sixth season opens tonight at Theater! Theatre! American Buffalo and The Receptionist are both worth your time, or you could take a chance on PCS’ 39 Steps, a Hitchcock spoof that opens tonight.

Alison Hallett served nobly as the Mercury's arts editor from 2008-2014. Her proud legacy lives on.