When Portland five-piece Times Infinity first began writing songs for what would become their fifth album, Boy on Horse, they were in the midst of their rollicking 2018 West Coast tour, at which time it looked as though the country might finally escape from underneath Donald Trumpโs grubby thumb. By the time the band was […]
Ryan J. Prado
Record Review: Weezy Ford, Sugarcane
Bearing witness to the careful blooming of Weezy Fordโs musical identity has been fun. Evolving from the snarling, rockabilly understudy of her big sister Sallie, Weezy Ford has carved out an autonomous, though no-less-rollicking figure of rock โnโ roll abandon. On her sophomore album, Sugarcane, Ford zeroes in on wanderlust for inspiration, with ghosts of […]
Record Review: Weezy Ford, Sugarcane
On Sugarcane, Weezy Fordโs sugar-sweet vocals and razor-sharp songwriting offer a satisfying volley for her reverb-drenched rockers.
Portland’s Chameleonic Artists Deliver on Tender Loving Empire’s New Compilation, Paradise Hotel
Various Artists Tender Loving Empire There may have been some sort of overarching โPortland soundโ at one point or anotherโwho knows? Itโs a pointless debate, and besides, the cross-pollination of genresโnot just in Portland but all over the worldโhas broken those arguments wide open. Paradise Hotel, a compilation of songs by various artists from Portlandโs […]
Record Review: Paradise Hotel, Tender Loving Empire
The new compilation album from TLE includes an array of artists from Portlandโs fertile underbelly, zeroes in on consistent production by New Move, and displays a communal effort from the cityโs music scenes.
Record Review: TK and the Holy Know-Nothings, Arguably OK
Mama Bird Recording Co. Taylor Kingmanโs frequent performances at venues like the Laurelthirst have garnered him a strong local following, made all the more powerful when heโs backed by his band, the Holy Know-Nothings. The groupโs debut LP, Arguably OK, possesses a gruff kind of poise, thanks to Kingmanโs smart, relentlessly honest songwriting. Heavy-lidded country […]
Record Review: TK and the Holy Know-Nothings, Arguably OK
TK and the Holy Know-Nothingsโ debut LP is full of smart, relentlessly honest songwriting.
Record Review: Ages and Ages, Me You They We
The Portland bandโs new album delves deep into despondency.
For Khruangbin, Groove Is in the Heart
Mary Kang When Khruangbin released their 2015 debut, The Universe Smiles Upon You, the Houston trio was still relatively unknown. The recordโs groovy instrumentals reframe Thai psych jams and surf pop, reveling in a globally inspired paradigm of lush 1970s cool. With their sophomore record, Con Todo El Mundo (released in January via Dead Oceans), […]
The Anti-Pop Confessionals of Elly Swope
Courtesy of the artist If youโre a local music fan, youโve probably witnessed Elly Swope performing with some of Portlandโs best bands: Genders, Sunbathe, Loveboys, Kelli Schaefer, Deathlist, and her own solo project, Focus! Focus! But this year Swope ditched that moniker and began to allow the magic of her vulnerable, skewed pop songs to […]
Alexandra Savior’s 2017 Debut Steeps Bewitching Pop in Dark Humor
ALEXANDRA SAVIOR Sun 7/29 Doug Fir ELIOT LEE HAZEL Forget the fact that Alexandra Savior was tipped by Courtney Love as the next big thing while she was still in high school, or that sheโs got a collaborative relationship with Alex Turner of the Arctic Monkeys. The proof of the Portland singer/songwriterโs creative cool is […]
Floating Room’s Sophomore Album Navigates the Crags of Emotional Trauma
Lance Bangs Floating Roomโs sophomore album False Baptism is an uber-confessional crusher that neither singer/guitarist Maya Stoner nor her multi-instrumentalist bandmate/boyfriend Kyle Bates was in a rush to release, though itโs been finished for about a year. Stoner wrote Floating Roomโs 2016 debut, Sunless, in the aftermath of an abusive relationship. That albumโs self-described โgray […]
