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Album Review: Times Infinityโ€™s Boy on Horse Is Worth the Wait

The heater new LP delivers the sonic assults we’ve been missing

When Portland five-piece Times Infinity first began writing songs for what would become their fifth album, Boy on Horse, they were in the midst of their rollicking 2018 West Coast tour, at which time it looked as though the country might finally escape from underneath Donald Trumpโ€™s grubby thumb. By the time the band was […]

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Portland’s Chameleonic Artists Deliver on Tender Loving Empire’s New Compilation, Paradise Hotel

Various Artists Tender Loving Empire There may have been some sort of overarching โ€œPortland soundโ€ at one point or anotherโ€”who knows? Itโ€™s a pointless debate, and besides, the cross-pollination of genresโ€”not just in Portland but all over the worldโ€”has broken those arguments wide open. Paradise Hotel, a compilation of songs by various artists from Portlandโ€™s […]

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Record Review: TK and the Holy Know-Nothings, Arguably OK

Mama Bird Recording Co. Taylor Kingmanโ€™s frequent performances at venues like the Laurelthirst have garnered him a strong local following, made all the more powerful when heโ€™s backed by his band, the Holy Know-Nothings. The groupโ€™s debut LP, Arguably OK, possesses a gruff kind of poise, thanks to Kingmanโ€™s smart, relentlessly honest songwriting. Heavy-lidded country […]

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Floating Room’s Sophomore Album Navigates the Crags of Emotional Trauma

Lance Bangs Floating Roomโ€™s sophomore album False Baptism is an uber-confessional crusher that neither singer/guitarist Maya Stoner nor her multi-instrumentalist bandmate/boyfriend Kyle Bates was in a rush to release, though itโ€™s been finished for about a year. Stoner wrote Floating Roomโ€™s 2016 debut, Sunless, in the aftermath of an abusive relationship. That albumโ€™s self-described โ€œgray […]

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