THE ROCK BIO has, at this point, become a color-by-numbers formula. It begins, invariably and exuberantly, with the requisite early triumphs, followed by salaciously readable exploits of success (drugs! groupies!), then an analysis of the difficult middle period of misunderstood artistic experimentation, concluded by a pat victory lap. That Peter Ames Carlinās new biography, Homeward Bound: The Life of Paul Simon, successfully sidesteps this pattern is indicative of both the weird trajectory of Simonās career and Carlinās aptitude for shedding new light on a very familiar figure.
Some bones of the rock-bio formula remain, but even from the get-go, Simonās pathāand Carlinās recounting of itābears intriguing abnormalities. The Portland author pays particularly careful attention to the New York songwriterās formative years, which included a one-off hit with Art Garfunkel as the duo Tom and Jerry, then practically an entire solo career of failed novelty rock ānā roll singles and a fruitful period as a folksinger in England before Simon and Garfunkel made it big. Itās an often-overlooked period thatās crucial to understanding the rest of Simonās career, but whereas Carlinās previous book, Bruce, was dominated by its account of Springsteenās pre-fame years, here Carlin achieves a satisfying balance across every decade of Simonās life.
Carlin also diagrams his subjectās personality in a way that fully informs and illuminates the music. As Carlin understands him, Simon is the short, bright, forceful son of a loving but demanding musician father; heās a quick study who reached pop success through intelligence and dogged determinationāonly to find himself shackled to his best friend from childhood. Simonās hunger to stake out new musical territory exacerbated a rupture with Garfunkel whose origins Carlin carbon-dates to the wake of the duoās initial flush of success with their 1957 teenybopper hit āHey Schoolgirl.ā
Carlin also illustrates Simonās voracious appetite for new sounds, which led to tremendous success in the ā70s and ā80s, but also ran him afoul of the African National Congress during the controversial Graceland period, and resulted in at least one abject failure: 1998ās Broadway musical flop The Capeman. Simonās story is almost too large to be contained within a single book, but Carlin provides a rewardingly complete picture in his briskly readable narrative. Be advised: Youāll want to have Simonās recordings on hand as you read Carlinās engrossing account of how they got madeāand with the road map he provides, youāre bound to hear something you never noticed before.
Homeward Bound: The Life of Paul Simon
by Peter Ames Carlin
(Henry Holt)