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When last we saw David, Michael Fassbender’s mad scientist android from Prometheus, he was a decapitated head in a bag, carried onto an alien spaceship by a woman he’d just helped impregnate with a squid monster. As Prometheus ended, this odd couple set off into space, seeking the grunting, black-eyed muscle gods responsible for seeding the galaxy with life.

As Alien: Covenant begins, its titular ship is under repair. After completing a fix, Tennessee (Danny McBride) picks up a stray communication, and the crew follows the signal to a pristine planet—at which point the film becomes four old Alien movies happening at once. David shows up. (Surprise!) Bodies explode. (Surprise?) And, after 20 years, everyone’s favorite fanged penis-monster triumphantly returns. (There is a surprise here, though opinions will vary regarding its quality.) The result is a film that’s much less ambitious than Prometheus, but also significantly less pretentious and stupid. Covenant aims lower, but hits more frequently.

Bobby Roberts is one of the Portland Mercury's calendar editors, as well as one of its film and pop-culture critics. His past career choices included joining corporate broadcast radio just in time for...