Marinaâs 2021 album, Ancient Dreams in a Modern Land, sounds like the revelations of a searcher upon returning from a long journey. Itâs Marina Diamandis' second album since the Welsh singer-songwriter ascended to a mononymous moniker, shedding Marina and the Diamonds, and it feels like her most urgently fed-up collection of songs yet.
However while Ancient Dreams is ready to do battle, it hasnât shorn away any femininity to do so.
Marinaâs music sees strength in softness. Sheâs always encouraged young girls, gays, and theys to resist conformity and rebel against the status quo. Furthermore, Ancient Dreams was produced and performed by an all-woman teamâa move more revolutionary in practice than in theory. It seems like a no-brainer, but the music industry at large still doesnât equitably support woman-led projects.
Ancient Dreams' highest energy songs feel like anthems for a self-reliant 80âs film heroine returning to save the day. The opening title track points to the global and cosmic, calling on listeners to abandon the patterns that no longer serve. âHighly Emotional Peopleâ and âI Love You But I Love Me Moreâ dole out heartfelt hope that labors undertaken can now result in a changed future, however long that takes.
Songs like âNew Americaâ point out that our necessities-turned-luxuries supply situation is proof that getting rid of Trump didnât fix all the countryâs problems, while Marina donates the second verse of âManâs Worldâ to the chorus of voices condemning the Sultan of Brunei for his countryâs track record of homophobic violence, and his hypocritical part-ownership of the Beverly Hills Hotel.
On âGoodbye,â the albumâs closer, the mood turns tender, flaming up into a torch song for an ego death funeral. The lens turned inward looks on self-love and the vast difference between learning about it and actually enacting it. âIâve been a mother to everyone else / to every motherfucker but myself / and I donât even have any kids,â Marina sings.
Much of Ancient Dreams feels in conversation with Marinaâs classics. For instance, âFlowersâ is a direct sequel to Frootâs âWeeds.â And the albumâs âVenus Fly Trapâ turns up the bratty man-eater charm found on Electra Heartâs âBubblegum Bitchâ or The Family Jewelsâ âGirls.â
Marina channeled pre-pandemic dread into a plan for action on Ancient Dreamsâ pop manifesto and sheâll preach it in Portland this Saturday February 5th, as she makes a stop on her tour promoting Ancient Dreamsâ deluxe release, which features three new songs and two demos. The concert wonât be a greatest hits night, but a show celebrating the strength and resiliency of the feminine as the basis of a new way forward.
Marinaâs "Live From the Desert" performance, which she live-streamed from the California desert last year, demonstrated her shifted but unshakeable perspective on remaining true to yourself when everything else demands changeâalongside stellar vocals with polished pop precision.
Undoubtedly seeing her live again after nearly three yearsâthis time bringing with her the Swedish electropop singer Tove Styrkeâwill be a joyous reunion for Marinaâs devoted fans, who havenât seen her since 2019âs "Love + Fear" stop at the Schnitz. Despite rumors that Pussy Riot would also be on this sacred femme bill, they wonât actually be joining up until New York.
Keller Auditorium, 222 SW Clay, Sat Feb 5, 8pm, $42.50 - $59.50, tickets & info here; w/Tove Styrke