Haley Heynderickx Credit: Evan Atwood
Haley Heynderickx
Haley Heynderickx Evan Atwood

THERE ARE some extraordinary women running Portland music right now. Not to brag, but from the queer vampire goth-punk of Mira Glitterhoundโ€™s band Sweeping Exits to the Last Artful, Dodgrโ€™s self-described โ€œretroterrestrialโ€ hip-hop to the Chicana folk-pop of Luz Elena Mendozaโ€™s long-running project Y La Bamba, our cityโ€™s kind of overflowing with talent.

Luckily, thereโ€™s a one-day festival dedicated to celebrating these artistsโ€™ invaluable contributions to Portland music: Girl Fest, founded by Madison Sturdevant as a 501c3 non-profit.

โ€œYears back, I was writing for a couple of blogs in Portland and Seattle,โ€ Sturdevant says, โ€œand I became very frustrated with the ratio of male to female artists I saw getting their due attention in Portland, especially at shows. I wanted Girl Fest to become a platform to support and spotlight the creative, talented ladies I saw making noise in our region.โ€

This year is the third annual Girl Fest, hosted by 2016 alum and local R&B superstar Blossom. Sturdevant describes 2017 as a โ€œturning point,โ€ and is excited about the dynamic array of genres represented, from hip-hop to jazz to indie rock.

โ€œAfter this yearโ€™s show we will have seen around 20 bands across our stage,โ€ she says. โ€œIf we can just keep promoting more and more female artists and inspiring young artists, Iโ€™ll be happy.โ€

Jenni Moore is a former music editor and hip-hop columnist and current freelancer at The Portland Mercury. She also writes about comedy, cannabis, movies, TV, and her hatred of taxidermy.

Formerly a senior editor and the music editor at the Mercury, CK Dolan writes about music, movies, TV, the death industry, and pickles.