SOMBER Credit: AMELIA MOORE

Night Divorce is the debut EP from Portland band Somber. Its seven tracks bleed together like one long dream sequence, but they sound stuckโ€”thrashing against the walls, caught between worlds.

โ€œAt the time we were writing Night Divorce, I was having a particularly bad period of night terrors and even sleep paralysis,โ€ says vocalist/keyboardist Myrrh Crow. โ€œIt got to the point where at any moment I couldnโ€™t fully tell whether I was sleeping or awake, and existed in what felt like a permanent state of half-reality. The only way I could really know what was real was if I wrote it down, so I journaled constantly, and all of these lyrics came out of that.โ€

Joined by Logan White (bass), Jonathan Benz (guitar/samples), and Justin Clark (drums), Crow replicates this state of half-reality in dark shoegaze landscapes that masterfully capture the knife-edge between calm and terror. The whole EP centers on the duality of sleep, and how this refuge can turn hellish. Itโ€™s reflected in hissing guitar, thundering percussion, veils of static noise, droning samples, and echoing vocals that sound like theyโ€™re reverberating off the walls of a cave. A gentle piano melody cuts through the turmoil of โ€œSoft/Staleโ€ like a menacing lullaby as Crow howls, โ€œIโ€™m a waking nightmare/You look so peaceful when you sleep.โ€

Night Divorce begins and ends with the same verse: โ€œTerror in my blood/Thrash into the void/I projected visions/How canโ€™t you just know.โ€ This complete arc reflects the cyclical damage of night terrors, since drifting into sleep means returning to the danger. The lyrics of โ€œMendโ€ also illustrate this repetitive harm: โ€œHealing and breaking over and over, itโ€™s never over/Youโ€™ll be all right someday.โ€

โ€œJonathan came up with the title, after it had all been written,โ€ Crow says. โ€œHe knew what was going on with my mental health and troubled sleep at the time. He suggested Night Divorce as a way to represent a kind of separation during sleepโ€”separation from reality, from the person I was sleeping next to, or even from my sense of self.โ€

Night Divorce is wholly contained within the liminal realm created by night terrors. Itโ€™s unclear if Somber will exit this space with their forthcoming follow-up, but for now, theyโ€™ve successfully executed a difficult concept right out of the gates.

Formerly a senior editor and the music editor at the Mercury, CK Dolan writes about music, movies, TV, the death industry, and pickles.