There is an unseen pressure that rests upon Portland hiphop
acts. While other musicians who fit under the comfortable span of the
rock music umbrella are free to bask in the glow of a city known for
being an artist’s mecca, local emcees and DJs are saddled with the
mighty burden of not just succeeding in their own right, but taking
everyone with them as well. It’s not enough to kick down the walls and
establish a national identity, Portland hiphop acts are obligated to
counter the argument that there isn’t really a legitimate rap community
within Indierockville. This is the same stigma the Lifesavas had to
shed when dropping Spirit in Stone in ’03, and it is the same
burden the Sandpeople overcome with Honest Racket.

While the number has fluctuated in the past, there are 10 fulltime
members in Sandpeople. Ten people is not a group, or a band, it’s an
army. The double-digit ensemble of Sandpeople crew is pieced together
with individuals who team up to form an entity far stronger than their
individual selves. This is remarkable in its own right, seeing how the
crew’s lineup is littered with some of the best solo talent our city
has to offer. Former Scribble Jam winner (a title he shares with the
likes of Eminem and Sage Francis), Illmaculate is the reigning king of
battle rap (no crown for this king, instead he has the championship
ring from capturing the ’06 World Rap title), but within the context of
Sandpeople, he’s just one of many emcees with a mic.

Rolling at 10 deep can be an intimidating thing to witness, but it
just adds to Sandpeople’s volatile live shows. “When you get 10 guys
together, I feel that creates a little buzz, this little energy, and
that can proliferate to people that enjoy what we do,” says Ethic. “You
know we do a lot of full-crew shows and it’s not very common to see a
full hiphop act here anymore. Just to see a huge wealth of bodies on
stage, really getting down with what they do, our goal is to rekindle
that energy.”

Rhyme skills and onstage chops are one thing, but Sandpeople also
hold it down away from the glare of the lights, self-releasing their
records, aggressively promoting their shows (surely you’ve seen their
grinning logo wheatpasted about town), and self-booking their tours,
even if it comes at the cost of gainful employment. Says a laughing
Illmaculate, “Jobs aren’t hiphop. Steady incomes aren’t hiphop.”

If five fingers form a fist, the 10 members of Sandpeople swing
around like a pair of clinched weapons, bombarding the listener with a
pummeling dose of free-swinging rhymes and frantic beats—all of
which are delivered with the bold swagger of a young Muhammad Ali,
standing victorious above a floored opponent. And while the big
boys—the Grouch (of Living Legends) and Sean Price (Boot Camp
Clik)—swing by for cameos, Honest Racket is the
Sandpeople’s show. As far as records go, it’s a gleaming beacon for
Portland hiphop, a triumphant effort from a unified front unafraid to
root for their hometown. Or as Ethic puts it, “I don’t think we have
this pressure to put Portland on the map, per se, we just like the city
where we’re from, and we’re going to make sure it’s known.”

Sandpeople

Sat Oct 6
Berbati’s Pan
10 SW 3rd

Ezra Ace Caraeff is the former Music Editor for the Mercury, and spent nearly a third of his life working at the paper. More importantly, he is the owner of Olive, the Mercury’s unofficial office dog....