The Jubitz Center’s previous contemporary art exhibition showcased Ursula von Rydingsvard’s enigmatic monolith “Pod Pacha,” a dumpster-sized sculpture made of cedar beams and an unseen motor. With an exhibition featuring a pair of enormous works in wood, the British artist Richard Deacon creates a seamless aesthetic segue. Like von Rydingsvard’s sculpture, Deacon’s two pieces, which […]