music2.jpg

Over the past few years, Portland media outlets (this one included) have kept a weary tally of clubs shuttered by rising rents, lamenting the shrinking options for underage music fans. That issue persists todayโ€”how venues that serve alcohol (and rely on drink sales to survive) can allow minors without breaking rules imposed by the Oregon Liquor Control Commission.

Though being able to attend concerts might seem trivial to adults, for kids it can be a vital lifeline to engage with their community, seek support, and develop their own self-expression. More broadly, allowing everyoneโ€”regardless of age, race, gender, sexual orientation, and socioeconomic statusโ€”equal access to these opportunities dismantles the exclusivity of who gets to experience art and have a voice in it.

Portlandโ€™s steady decline in all-ages music venues hasnโ€™t necessarily improved: The year-old Fremont Theater closed last November. In May, the owner of Analog Cafรฉ was accused of sexual harassment, which led some local and touring bands to boycott playing shows there. And just last week, Anarres Infoshopโ€”an all-ages radical community space in St. Johnsโ€”announced that after struggling financially for the past few months, it will host its final concert on Sunday, August 5.

Formerly a senior editor and the music editor at the Mercury, CK Dolan writes about music, movies, TV, the death industry, and pickles.