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Prolific prog musician Steven Wilson, of Porcupine Tree, has carved out an unusual second career as a remixer of progressive-rock albums. Taking the original (and deteriorating) analog multi-track tapes and transferring them to computer files, heโ€™s been able to create new versions of the records he grew up listening to, including those by King Crimson, Jethro Tull, Emerson Lake & Palmer, Hawkwind, and XTC. Wilsonโ€™s become the go-to guy among music nerds who go in for this kind of revisionist history, having earned a reputation for clear, powerful mixes that do the originals justice.

Wilsonโ€™s remixes of five Yes albums have made their way into a new vinyl box set, with each disc bearing reworked artwork from Roger Dean. These mixes were originally released on deluxe Blu-ray editions, for which Wilson rejiggeredโ€”in both stereo and 5.1 surroundโ€”the English bandโ€™s best-loved work, including 1971โ€™s The Yes Album, 1971โ€™s Fragile, 1972โ€™s Close to the Edge, 1973โ€™s Tales from Topographic Oceans, and 1974โ€™s Relayer. This run of albums found Yes becoming one of the most successful prog bands of the era, as their song lengths swelled to 20-plus minutes and their lyrics embraced abstract and cosmic conceits. Close to the Edge is frequently lauded as the high-water mark for prog rock; the double album Tales from Topographic Oceans is often laughed at as its indulgent nadir.

Ned Lannamann is a writer and editor in Portland, Oregon. He writes about film, music, TV, books, travel, tech, food, drink, outdoors, and other things.