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Posted inMovies & TV

Money Monster Is a Satire about Television That Feels Like It Was Made by the Kind of People Who Claim They Don’t Watch TV

As a director, Jodie Foster has specialized in bringing unconventional scripts to clear-eyed life, with films such as Home for the Holidays and The Beaver achieving a fascinatingly honest messiness. This is not one of those times. Money Monster, Foster’s first movie in five years, is a pedantic, largely juiceless misfire of the sort that […]

Posted inPortland

Green Room Director Jeremy Saulnier: “I Really Curate Each Scene to Have the Most Impact”

“When you put people in extreme situations,” says Jeremy Saulnier, “it can be scary, or tragically pathetic, or even funny to watch them flail and try to acclimate.” Blue Ruin, Saulnier’s Kickstarter-aided 2013 calling card, managed to ring the cherries on all of the options above, fashioning a diabolically inventive revenge movie that repeatedly headed […]

Posted inMovies & TV

Midnight Special Is Jeff Nichols’ Great Tribute to Steven Spielberg and John Carpenter

Jeff Nichols is in the zone. With just a handful of films, the Little Rock, Arkansas, native has crafted his own busy little pocket of Southern Gothic, spilling over with feuding families (2007’s Shotgun Stories), ordinary people touched with terrible prophecy (2011’s Take Shelter), and the painful limits of self-aware mythologizing (2012’s Mud). Whatever the […]

Posted inMovies & TV

London Has Fallen: Ugly Americanism at Its Best and/or Worst

LONDON HAS FALLEN “Say ‘mind the gap’ again, motherfucker. SAY IT AGAIN.” Even when judged on a generous B-movie curve, 2013’s Olympus Has Fallen counts as a whiff, with its base, Die Hard-ish pleasures and hilariously overqualified supporting cast (Morgan Freeman! Melissa Leo!) terminally undercut by shoddy technique. While London Has Fallen is a quantum […]

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