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Record Review: Jessica Boudreaux, No Fury

With her solo debut, No Fury, singer/songwriter Jessica Boudreaux delivers irresistible pop confections with gut-punching spikes of attitude. When sheโ€™s fronting Portland band Summer Cannibals, Boudreaux waxes poetic about tempestuous relationships over a guitar-driven bedrock, but on No Fury, bass is her most trusted companion. Produced by the Thermalsโ€™ Hutch Harris, her new album demonstrates […]

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Vulture Showcases Turtlenecked’s Swarming Multiplex of Ideas

โ€œYou put the goddamn strings in my hand!โ€ moans Turtleneckedโ€™s Harrison Smith on โ€œStradivarius,โ€ the final track on his new album, Vulture. Smithโ€™s accusatory tone suggests that heโ€™s not entirely responsible for the complex visions coming from his brain. However, these hyperactive opuses are clearly the product of a singular imaginationโ€”one thatโ€™s reminiscent of an […]

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Record Review: Eyelids, Or

JO HAMILTON Three years ago, Portland band Eyelids released their full-length debut, 854. Now theyโ€™re back with Or, produced by Peter Buck of R.E.M., which once again proves them to be studious disciples of the indie-pop art form. But with this sophomore effort, they seem to be imprisoned within the paisley cage they constructed on […]

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Record Review: Moon Duo, Occult Architecture Vol. 1

THE ONLY limit to an artistโ€™s stylistic potency in this age of information is their ability to absorb the sacred vibrations of their record collection without sounding derivative. Guitarist/vocalist Erik โ€œRipleyโ€ Johnson seems to have an alchemistโ€™s understanding of this balance. His two main projects, Moon Duo and Wooden Shjips, are a culmination of each […]

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