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Dom Sinacola is a Portland-based writer and editor. He runs a blog about Werner Herzog movies, The Werner Herzblog, and he’s also on Letterboxd.
What about the other five “illusions?”
When Sincaola said “execrable” we knew it was on.
Chinese writer-director Jia Zhangke is one of cinema’s truly great Wife Guys.
Pavement has always been a band of uneven proportions. Forever on the precipice of the big time, the group never appeared to try hard enough, to want to be understood enough, and their creative output—off-kilter indie rock that sounded both revolutionary and unintentional—was always a little too much. They helped define a decade of independent […]
Modern life is a cage, masculinity is in crisis, Friendship is very much like I Think You Should Leave.
[Read all of the articles in our Portland Fun Guide HERE! Looking for a print copy? Look at this handy-dandy map!—eds.] At the Oscars in March, Best Director Sean Baker took the stage with a warning: “Right now the theater-going experience is under threat. Movie theaters, and especially independently-owned theaters, are struggling, and it’s up […]
All war movies are now anti-war movies—that is, if an anti-war movie is measured by the severity of its misery. This is an unceasing human imperative in art: to showcase our species’ darkest atrocities through a transcendent exploration of the suffering those atrocities inflict, but to go even more HAM about it than the last […]
Direct Action has no characters. Someone may appear in one scene, and then, several sequences later, enter the frame again. Maybe. Direct Action never names anyone; it only shows you their hands—picking through a mud-heavy bucket, playing piano, or making a huge mass of dough, the camera locked on the pile of flour and pool […]
Depending on how one wants to categorize ground chuck, at least two people in The Monkey are ground into it. The first is the victim of a horse stampede, and the other becomes a meaty mess via lawnmower. We learn about the former when a sleeping bag is casually overturned, slopping out smushed man-oatmeal. The […]
With an almost mathematical precision to its pulpiness, The Prosecutor, the latest action-thriller from Hong Kong superstar Donnie Yen, doles out a brutal fight scene every 25 to 30 minutes. Across two brisk hours, violence shifts proportionately between bouts of athletic knuckling, street brawls, shoot-outs, car chases, foot chases, impalings, and pummelings—all spaced out evenly, each […]
Universal Horror remake Wolf Man drops most werewolf lore for a self-contained story about bad dads.
The Brutalist reminds us that where there’s hype, there’s sometimes fire.
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