Dom Sinacola

Cop-lawyers, brutal brawls, can’t lose.

Like he did with The Invisible Man, in 2020, director Leigh Whannell has tried to bring a Universal Studios monster into an all-too-common family dynamic.

Everything about Brady Corbet’s new film is big—the scale, the runtime, the acclaim.

Film critic Dom Sinacola on his 10 favorite features of 2024 and where you can watch them.

Director James Mangold’s latest bit of Oscar bait has the vibrancy and depth of a Wikipedia article.

Ridley Scott’s long-awaited sequel could have examined the first film’s legacy and reimagined the warrior archetype. But nope.

When it’s truly singing, the infectious film gestures at the passion and poetry that come from an artist with nothing left to prove.

The new film from Drive My Car director Ryūsuke Hamaguchi strays from the clean conservationist message that would typically accompany such beautiful cinema of the natural world.

Bertrand Bonello crammed so much into this film that it threatens to tear at the seams, but Seydoux’s and MacKay’s chemistry holds it together.

And my god, it’s invigorating.