Dom Sinacola

Megalopolis is the career-culminating passion project of Francis Ford Coppola, a director whose over 50 years of filmmaking have set his name in stone. This time—more than 13 years since his previously, mostly self-financed ghost story Twixt—he borrowed the full $120 million budget for Megalopolis against the 25 percent stake he owns in the fifth […]

At the center of Evil Does Not Exist—the latest narrative feature from Japanese writer-director Ryūsuke Hamaguchi (Drive My Car)—a town hall meeting unfolds. As is the nature of most town hall meetings, the intent is to gather feedback, in this case from the locals of Mizubiki village, a rural community just a few hours outside […]

Like Gabrielle waiting for the metaphorical “beast” to swallow her whole, with a Bertrand Bonello joint you’re always prepared for something to happen, for the whole film to veer into terrain both surreal and unsettling.

Like Léa Seydoux waiting for the metaphorical “beast” to swallow her whole, with a Bertrand Bonello joint you’re always prepared for something to happen, for the whole film to veer into terrain both surreal and unsettling.

a movie that is both a period piece and a critique of period pieces

Bertrand Bonello crammed so much into The Beast, that it threatens to tear at the seams, but Seydoux’s and MacKay’s chemistry holds it together.

We go to the movies to watch people get hurt. There is no shame in this; human beings have a built-in urge to witness pain. Whether it’s emotional or physical, we line up at the theater to see our collective trauma made big and loud. From Buster Keaton breaking his neck on Sherlock, Jr., to […]

Dune: Part Two is large. This is nothing new—Dune: Part One was large too. Largeness is much of the point of Denis Villeneuve’s Dune films, based on Frank Herbert’s 1965 chode of a sci-fi novel, which was inspired by the author’s stint studying the ecology of sand dunes near Florence, Oregon, plus several mushroom trips. […]